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Thomas R. Hilder Music, Indigeneity, Digital Media (Hardback)

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Caractéristiques de l'objet

État
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Book Title
Music, Indigeneity, Digital Media
Publication Name
Music, Indigeneity, Digital Media
Title
Music, Indigeneity, Digital Media
Author
Henry Stobart
Contributor
Shzr Ee Tan (Edited by)
Format
Hardcover
ISBN-10
1580465730
EAN
9781580465731
ISBN
9781580465731
Publisher
University of Rochester Medical Press
Genre
Music Dance & Theatre
Release Date
15/02/2017
Release Year
2017
Language
English
Country/Region of Manufacture
US
Item Height
0.8in
Item Length
9.7in
Item Weight
1g
Series
Eastman/Rochester Studies Ethnomusicology Ser.
Publication Year
2017
Type
Textbook
Item Width
6.2in
Number of Pages
236 Pages

À propos de ce produit

Product Information

The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together the work of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century. Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London.

Product Identifiers

Publisher
University of Rochester Medical Press
ISBN-10
1580465730
ISBN-13
9781580465731
eBay Product ID (ePID)
227758307

Product Key Features

Author
Henry Stobart
Publication Name
Music, Indigeneity, Digital Media
Format
Hardcover
Language
English
Series
Eastman/Rochester Studies Ethnomusicology Ser.
Publication Year
2017
Type
Textbook
Number of Pages
236 Pages

Dimensions

Item Length
9.7in
Item Height
0.8in
Item Width
6.2in

Additional Product Features

Series Volume Number
6
Lc Classification Number
Ml3545.M895 2017
Volume Number
6
Reviews
[A]n important new source for ethnomusicologists, media studies scholars, and any scholars and practitioners working in Indigenous studies. It is a richly documented volume, with a range of significant sources in the chapter endnotes lists, as well as in a helpful selected bibliography at the end of the volume. . . . I strongly recommend this book. Collectively and individually, the authors articulate important new perspectives within which to view how music, Indigeneity and digital media interact, thereby inspiring scholars of multiple disciplines and interests to discover new pathways of understanding around Indigenous ways of knowing. CANADIAN ASSOCIATION OF MUSIC LIBRARIES [Gordon E. Smith]
Table of Content
Music, Indigeneity, Digital Media: An IntroductionTaiwan's Aboriginal Music on the InternetRecording Technology, Traditioning, and Urban American Indian Powwow PerformanceYouTubing the "Other": Lima's Upper Classes and Andean ImaginariesAn Interview with Russell WallaceMixing It Up: A Comparative Approach to Sámi Audio ProductionCreative Pragmatism: Competency and Aesthetics in Bolivian Indigenous Music Video (VCD) ProductionKeepsakes and Surrogates: Hijacking Music Technology at Wadeye (Northwest Australia)The Politics of Virtuality: Sámi Cultural Simulation through Digital Musical MediaSelected BibliographyList of ContributorsIndex
Copyright Date
2017
Topic
Discography & Buyer's Guides, Recording & Reproduction, Media Studies, Ethnomusicology, Indigenous Studies, Digital Media / General
Lccn
2016-052378
Dewey Decimal
781.6200285
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Computers, Music, Social Science

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