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Drame auto-référentiel de Samuel Beckett : le chaos sensible - Shimon Levy

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Lieu : Portland, Oregon, États-Unis

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mitchells.books (2235)
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Numéro de l'objet eBay :234942753539

Caractéristiques de l'objet

État: Comme neuf: Un livre qui a l’air neuf mais qui a été lu. La couverture ne présente pas d’usure et ... Comme neuf: Un livre qui a l’air neuf mais qui a été lu. La couverture ne présente pas d’usure et la jaquette est incluse (dans le cas des livres reliés). Il n'y a aucune page manquante ou endommagée, aucun pli, aucune déchirure, aucun passage surligné ou souligné et aucune inscription en marge. Il est possible que le contreplat porte d'infimes marques d'identification. Le livre présente des traces d'usure infimes. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)

ISBN: 9781902210544

Subject Area: Literary Criticism, Drama

Publication Name: Samuel Beckett's Self-Referential Drama : the Sensitive Chaos, 2nd Edition

Publisher: Liverpool University Press

Item Length: 6.2 in

Subject: Drama, European / General, General

Publication Year: 2002

Type: Textbook

Format: Hardcover

Language: English

Item Height: 0.8 in

Author: Shimon Levy

Item Weight: 15.5 Oz

Item Width: 9.1 in

Number of Pages: 187 Pages

À propos de ce produit

Product Identifiers

Publisher

Liverpool University Press

ISBN-10

1902210549

ISBN-13

9781902210544

eBay Product ID (ePID)

1909983

Product Key Features

Number of Pages

187 Pages

Publication Name

Samuel Beckett's Self-Referential Drama : the Sensitive Chaos, 2nd Edition

Language

English

Subject

Drama, European / General, General

Publication Year

2002

Type

Textbook

Subject Area

Literary Criticism, Drama

Author

Shimon Levy

Format

Hardcover

Dimensions

Item Height

0.8 in

Item Weight

15.5 Oz

Item Length

6.2 in

Item Width

9.1 in

Additional Product Features

Edition Number

Intended Audience

College Audience

LCCN

2002-018781

Reviews

"As before, the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alikeâ€¦ Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context." - Journal of Beckett Studies, "As before, the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context." Journal of Beckett Studies, "... the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context..." -- Journal of Beckett Studies., "This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." S. E. Gontarski, Florida State University; Editor, Journal of Beckett Studies, "As before, the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context." -- Journal of Beckett Studies, "This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." -- S. E. Gontarski, Sarah Herndon Professor of English, Florida State University; Editor, Journal of Beckett Studies., "... the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context..." -- Journal of Beckett Studies. "An intelligent, often fascinating analysis of Beckett's work." -- Choice. "This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." -- S. E. Gontarski, Sarah Herndon Professor of English, Florida State University; Editor, Journal of Beckett Studies., "This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." -S. E. Gontarski, Florida State University; Editor, Journal of Beckett Studies

CLASSIFICATION_METADATA

{"IsNonfiction":["No"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Hardcover"],"IsChildren":["No"],"Genre":["LITERARY CRITICISM","DRAMA"],"Topic":["European / General","Drama","General"],"IsTextBook":["Yes"],"IsFiction":["Yes"]}

Table Of Content

Contents: Preface; Introduction: Self-Organisation in the Middle of Chaos; Philosophical Notions; The Message of the Medium -- Theatrical Techniques; The Poetics of Offstage; The Radioplays; "Spirit Made Light" -- Film and TV Plays; Godot -- Resolution or Revolution?; I's and Eyes: A Hermeneutical Circle; Epilogue: Six She's and other Not I Proxies; Index.

Edition Description

Revised edition,Expurgated edition

Synopsis

An exploration of Samuel Beckett's drama, using the criteria that ensue from the works themselves, with particular attention given to the relationship between the medium and the message. This fully revised second edition includes chapters on the radioplays and film and television scripts., This book covers Beckett's complete dramatic works, which are examined through various expressive means: space, light, stage properties and costumes; acting, silences, vocal non-verbal expressions such as cries and whispers; and the notion of "being seen." A recurrent theme is how Beckett's self-referential and meta-theatrical plays refer back to the playwright's artistic self-consciousness and extend an invitation for an authentic dialogue with real people in the audience. This fully revised second edition includes five new chapters. "Spirit Made Light" demonstrates that Beckett's preoccupation with spiritual matters is uniquely exemplified through his film and TV scripts. A chapter on contemporary chaos theory highlights the many instances of his delicate balance between "order" and "disorder." "Godot as an Israeli Culture Hero" discusses Beckett's reception in Israel. "I on the Threshold of Offstage" explores the notion of a theatrically active void; and "On and Offstage: Spiritual Performatives in Beckett's Drama" deals with Beckett's works as they reveal a unique brinkmanship between accepting and rejecting religion and the Divine, his lucidly intellectual approach, his merciless scepticism, and his frequent ridiculing attitude towards sentimental and simplistic notions of "the spiritual" juxtaposed with his intensive quest for a "beyond."

LC Classification Number

PR6003.E282Z77134

2002

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Numéro de l'objet eBay :234942753539

Expédition et manutention

Lieu où se trouve l'objet :

Portland, Oregon, États-Unis

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