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Musique dans la civilisation occidentale, volume I : l'Antiquité à travers le baroque
by Wright, Craig; Simms, Bryan R. | PB | Acceptable
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Numéro de l'objet eBay :195736969718
Dernière mise à jour : avr. 19, 2024 04:59:31 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Acceptable
- Remarques du vendeur
- Binding
- Paperback
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- Yes
- ISBN
- 9780495008651
- Publication Year
- 2005
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Music in Western Civilization Vol. 1 : Antiquity Through the Baroque
- Item Height
- 0.7in
- Item Length
- 10.9in
- Publisher
- Wadsworth
- Item Width
- 8.5in
- Item Weight
- 29.9 Oz
- Number of Pages
- 752 Pages
À propos de ce produit
Product Information
MUSIC IN WESTERN CIVILIZATION by Wright and Simms places music in the context of the politics and personalities, and the arts and humanities of each period of Western intellectual history. The importance of cultural context is evidenced by chapters entitled "Richard Strauss in Berlin," "Johann Sebastian Bach: Vocal Music in Leipzig," and "Music in Medieval Paris: Polyphony at Notre Dame." The writing is crystal clear, and student comprehension is increased by means of boldface Key Terms and by concise chapter summaries. The eighty-three brief chapters allow instructors to pick and choose which material they wish to emphasize, and it is available in three formats: comprehensive edition, 2 volumes, and 3 volumes. Moreover, the text is as comprehensive as it is clear. All major composers, styles, and genres are covered. 224 pieces are discussed, with additional commentary and complete musical scores in an accompanying anthology prepared by Professor Timothy Roden. The anthology is available in a two-as well as a three volume set to meet the needs of various course structures. Recordings of all 224 pieces are available on the 13 CDs, and student exercises and analysis questions are found in a companion Student Workbook. In sum, the text of Wright and Simms will revolutionize the teaching of music history because it situates music in its cultural context, yet does so in a way that is clear and easy to understand.
Product Identifiers
Publisher
Wadsworth
ISBN-10
0495008656
ISBN-13
9780495008651
eBay Product ID (ePID)
45028733
Product Key Features
Publication Name
Music in Western Civilization Vol. 1 : Antiquity Through the Baroque
Format
Trade Paperback
Language
English
Publication Year
2005
Type
Textbook
Number of Pages
752 Pages
Dimensions
Item Length
10.9in
Item Height
0.7in
Item Width
8.5in
Item Weight
29.9 Oz
Additional Product Features
Reviews
The writing is focused, vivid, and engaging---the strongest I have seen in a college textbook for majors studying Western art music. The author excels at breathing life into the works of prominent composers, and at setting in sharp relief the historical and cultural circumstances that engendered them., [The writing] was the book's principle strength. It is a truly accessible book…Students might even become better writers by reading this textbook! It's probably alone in its field in this respect, and I can't praise it enough., [The writing] was the book's principle strength. It is a truly accessible book?Students might even become better writers by reading this textbook! It's probably alone in its field in this respect, and I can't praise it enough., [The writing] was the book's principle strength. It is a truly accessible book...Students might even become better writers by reading this textbook! It's probably alone in its field in this respect, and I can't praise it enough., PART I: ANTIQUITY AND THE MIDDLE AGES.1. Music in Ancient Greece.2. Antiquity to the Middle Ages: Music in Rome, Jerusalem, and the Early Christian World.3. Music in the Monastery and Convent.4. Music Theory in the Monastery: John of St. Gall and Guido of Arezzo.5. Later Medieval Chant: Tropes, Sequences, and the Liturgical Drama of Hildegard of Bingen.6. Troubadours and Trouvères.7. Early Polyphony.8. Music in Medieval Paris: Polyphony at Notre Dame.9. Music in the Cathedral Close and University: Conductus and Motet.10. In the Parisian Master's Study: Music Theory of the Ars Antiqua and Ars Nova.11. Music at the Court of the French Kings.12. Fourteenth-Century Music in Reims: Guillaume de Machaut.13. Avignon, Symbolic Scores, and the Ars Subtilior.MUSICAL INTERLUDE 1. FROM MEDIEVAL MANUSCRIPT TO MODERN PERFORMANCE.PART II: THE LATE MIDDLE AGES AND EARLY RENAISSANCE.14. Music in Florence, 1350-1425.15. Music at the Cathedral of Florence.16. Music in England.17. Music at the Court of Burgundy.18. Music at the French Royal Court.19. Music in the Low Countries.PART III: THE LATE RENAISSANCE.MUSICAL INTERLUDE 2. MUSICAL HUMANISM AND THE RENAISSANCE.20. Popular Music in Florence, 1475-1540: Carnival Song and Lauda, Frottola, and Early Madrigal.21. Josquin Des Prez and Music in Ferrara.MUSICAL INTERLUDE 3. MUSIC PRINTING DURING THE RENAISSANCE.22. Music in Renaissance Paris.23. Renaissance Instruments and Instrumental Music.MUSICAL INTERLUDE 4. MUSIC THEORY IN THE RENAISSANCE.24. Music in Three German Cities: The Protestant-Catholic Confrontation.25. Rome and the Music of the Counter-Reformation.26. Music in Elizabethan England, Part I: Early Vocal Music.27. Music in Elizabethan England, Part II: Instrumental Music and Later Vocal Music.28. The Later Madrigal in Ferrara and Mantua: Gesualdo and Monteverdi., Finally a textbook that examines the history if music in the wider context of Western civilization. The reader gets a clear sense of how music functioned in society., [The writing] was the book’s principle strength. It is a truly accessible book…Students might even become better writers by reading this textbook! It’s probably alone in its field in this respect, and I can’t praise it enough.
Table of Content
PART I: ANTIQUITY AND THE MIDDLE AGES.1. Music in Ancient Greece.2. Antiquity to the Middle Ages: Music in Rome, Jerusalem, and the Early Christian World.3. Music in the Monastery and Convent.4. Music Theory in the Monastery: John of St. Gall and Guido of Arezzo.5. Later Medieval Chant: Tropes, Sequences, and the Liturgical Drama of Hildegard of Bingen.6. Troubadours and Trouvères.7. Early Polyphony.8. Music in Medieval Paris: Polyphony at Notre Dame.9. Music in the Cathedral Close and University: Conductus and Motet.10. In the Parisian Master''s Study: Music Theory of the Ars Antiqua and Ars Nova.11. Music at the Court of the French Kings.12. Fourteenth-Century Music in Reims: Guillaume de Machaut.13. Avignon, Symbolic Scores, and the Ars Subtilior.MUSICAL INTERLUDE 1. FROM MEDIEVAL MANUSCRIPT TO MODERN PERFORMANCE.PART II: THE LATE MIDDLE AGES AND EARLY RENAISSANCE.14. Music in Florence, 1350-1425.15. Music at the Cathedral of Florence.16. Music in England.17. Music at the Court of Burgundy.18. Music at the French Royal Court.19. Music in the Low Countries.PART III: THE LATE RENAISSANCE.MUSICAL INTERLUDE 2. MUSICAL HUMANISM AND THE RENAISSANCE.20. Popular Music in Florence, 1475-1540: Carnival Song and Lauda, Frottola, and Early Madrigal.21. Josquin Des Prez and Music in Ferrara.MUSICAL INTERLUDE 3. MUSIC PRINTING DURING THE RENAISSANCE.22. Music in Renaissance Paris.23. Renaissance Instruments and Instrumental Music.MUSICAL INTERLUDE 4. MUSIC THEORY IN THE RENAISSANCE.24. Music in Three German Cities: The Protestant-Catholic Confrontation.25. Rome and the Music of the Counter-Reformation.26. Music in Elizabethan England, Part I: Early Vocal Music.27. Music in Elizabethan England, Part II: Instrumental Music and Later Vocal Music.28. The Later Madrigal in Ferrara and Mantua: Gesualdo and Monteverdi.PART IV: BAROQUE MUSIC.29. Early Baroque Music.30. The Birth of Opera: Florence, Mantua, and Venice.31. The Concerted Style in Venice and Dresden.32. Religious Music in Baroque Rome.33. Instrumental Music in Italy.34. Instrumental Music in Germany and Austria.35. Music in Paris and at the Court of Versailles, Part I: Vocal Music.36. Music in Paris and at the Court of Versailles, Part II: Instrumental Music.Musical Interlude 5: From Ancient to Modern: Aspects of Baroque Music Theory.37. Music in London, Part I: Henry Purcell.38. Music in London, Part II: George Frideric Handel.39. Johann Sebastian Bach: Instrumental Music in Weimar and Cöthen.40. Johann Sebastian Bach: Vocal Music in Leipzig.
Copyright Date
2006
Target Audience
College Audience
Topic
History & Criticism, General
Illustrated
Yes
Genre
Education, Music
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Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :195736969718
Dernière mise à jour : avr. 19, 2024 04:59:31 HAEAfficher toutes les modificationsAfficher toutes les modifications
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