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I Would Die 4 U: Why Prince Became an Icon by Tour ?

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État
Bon
Un livre qui a été lu, mais qui est en bon état. La couverture présente des dommages infimes, par exemple des éraflures, mais aucun trou ni aucune déchirure. Dans le cas des livres à reliure, la jaquette peut ne pas être incluse. La reliure présente des traces d'usure minimes. La plupart des pages ne sont pas endommagées et les plis, les déchirures, les passages soulignés ou surlignés et les inscriptions en marge sont minimes. Il n'y a aucune page manquante. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)
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“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ...
Binding
Hardcover
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
9781476705491
Book Title
I Would Die 4U : Why Prince Became an Icon
Item Length
8.4 in
Publisher
Free Press
Publication Year
2013
Format
Hardcover
Language
English
Item Height
0.7 in
Author
Touré
Genre
Biography & Autobiography, Music, Social Science
Topic
Composers & Musicians, Popular Culture, Genres & Styles / Rock
Item Width
5.5 in
Item Weight
10.1 Oz
Number of Pages
176 Pages

À propos de ce produit

Product Information

Celebrated journalist, TV personality, and award-winning author Tour investigates one of the most enigmatic and fascinating figures in contemporary American culture: Prince. Celebrated journalist, TV personality, and award-winning author Tour investigates one of the most enigmatic and fascinating figures in contemporary American culture: PRINCE Drawing on new research and enlivened by Tour 's unique pop-cultural fluency, I Would Die 4 U relies on surprising and in-depth interviews with Prince's band members, former girlfriends, musicologists, and even Bible scholars to deconstruct the artist's life and work. Prince's baby boomer status allowed him to play a wise older brother to the latchkey kids of generation X. Defying traditional categories of race, gender, and sexuality, he nonetheless presents a very traditional conception of religion and God in his music. He was an MTV megastar and a religious evangelist, using images of sex and profanity to invite us into a musical conversation about the healing power of God. By demystifying the man and his music, I Would Die 4 U shows us how Prince defined a generation.

Product Identifiers

Publisher
Free Press
ISBN-10
1476705496
ISBN-13
9781476705491
eBay Product ID (ePID)
117312677

Product Key Features

Book Title
I Would Die 4U : Why Prince Became an Icon
Author
Touré
Format
Hardcover
Language
English
Topic
Composers & Musicians, Popular Culture, Genres & Styles / Rock
Publication Year
2013
Genre
Biography & Autobiography, Music, Social Science
Number of Pages
176 Pages

Dimensions

Item Length
8.4 in
Item Height
0.7 in
Item Width
5.5 in
Item Weight
10.1 Oz

Additional Product Features

Lc Classification Number
Ml420.P974t68 2013
Reviews
Praise for Who''s Afraid of Post-Blackness? : "Tour demolishes the notion that there is only one way to be racially authentic . . . funny, hip and current ." -Gwen Ifill, The Washington Post " One of the most acutely observed accounts of what it is like to be young, black, and middle-class in America .Tour inventively draws on a range of evidence . . . for a performancecarried through with unsparing honesty." --Orlando Patterson, The New York Times Book Review "[T]he ever provocative Tour boldly articulates the complicated issues of self and racial identity in the age of Obama." -- Vanity Fair "Apersonal and scholarly dissection of race issues in modern America. . .. With the help of an array of writers, performers, comedians, artistsand intellectuals, among others, the author attempts to reach aconsensus on what is typical or otherwise for African-Americans, as wellas what Black identity means in the modern era. Yet despite the chorus of voices, the most powerful voice belongs to Tour. Whilehis collected anecdotal evidence provides a necessary framework, hispersonal experiences with race ring loudest of all. A likely bellwetherfor America''s future struggles with race." -- Kirkus Reviews "Awelcome response to the ''self-appointed identity cops'' who would arrestand banish those they consider insufficiently black. Perceptivelyanalyze[s] a new sensibility in black art and culture to illustrate thecomplex and fluid racial identification Tour dubs ''post-blackness.''" -- San Francisco Chronicle "Tourcandidly tackles a burning issue confronting us today. Black America isundeniably a community ''free, but not equal,'' and people from all walksof life are compelled to devise new approaches to confronting today''sstructural inequalities. Here Tour explores insights from manyperspectives to help guide the way." --Reverend Jesse L. Jackson, Sr. " This book is quintessential Tour: smart, funny, irreverent, and provocative as hell. Rejecting old school racial dogma and new school myths aboutpost-raciality, he offers a powerful and original thesis on the statusof Blackness in the 21st century. Through his sharp analysis and honestreflections, Tour challenges us to embrace a more mature,sophisticated, and ultimately liberating notion of racial identity. Anyserious conversation on race and culture must begin with this book." --Dr. Marc Lamont Hill, Columbia University Professor and host of "Our World With Black Enterprise" " Who''s Afraid of Post-Blackness is a necessary book.To fulfill your potential as an individual or as apeople, you need a clear sense of self.Tour has done the difficultbut liberating work of moving the discussion of race beyond the BlackPower-era thinking of the 1970''s into the 21st Century." -- Reggie Hudlin, filmmaker "Afascinating conversation among some of America''s most brilliant andinsightful Black thinkers candidly exploring Black identity in Americatoday. Tour powerfully captures the pain and dissonance of BlackAmericans'' far too often unrequited love for our great nation." --Benjamin Todd Jealous, President and CEO of the NAACP " Who''s Afraid of Post-Blackness is a tour de force! I applaud Tour''s courage in standing up and telling it like it is. This special book will make you think, laugh, cry--and it will make you look at race and at yourself differently ." --Amy DuBois Barnett, Editor-in-Chief, Ebony "Tourhas taken a question I have asked myself uncountable times over thecourse of my life and asked it of everyone: ''What does it mean to beBlack?'' The answers in this book are thought-provoking, uplifting,hilarious and sometimes sad. His sharp writing and self-effacing storieshelp digest some hard facts about how identity can be used for andagainst each of us - and why it matters so much to all of us." --Soledad O''Brien, CNN anchor and special correspondent, In terms of creativity, energy, influence, and sheer virtuosity, few musicians in my lifetime rival Prince -- and in Toure, he's met his perfect authorial match. As a fanboy of both, I was waiting excitedly for this book, but it's even better than I expected. In these illuminating pages, Toure reveals Prince as an artist and cultural force in full.  , Toure is one of my favorite writers and Prince is on the Mount Rushmore of modern music and this is the best book about Prince I've ever read., Praise for Tour: "[An] apostle of the hip-hop aesthetic ." e"Darryl Pinckney, New York Review of Books "Tour is one of our natione(tm)s most astute and witty observes of the American scene .Not only is he one of the most gifted writers of his generation, buthis sharp insight, poetic phrasing, and biting humore"and his brilliantcommand of so many aspects of pop culturee"make his dazzling performanceon page a sheer joy to read.e e"Michael Eric Dyson, Georgetown University "Tour is an exceptional journalist...He ise"if you can imagine ite" Oscar Wilde as a street thug . This is the marvelous tone he's been able to achieve." e"Tom Wolfe "Tour has the sarcasm, intellect, and dogged nose for narrative that has made him his generatione(tm)s premiere chronicler of the chaos, ambition, and boundary-crossing that have accompaniedAfrican-American culturee(tm)s rude and ingenious takeover of American Pop,Inc.e e"Greg Tate "From 50 Cent to Dale Earnhardt, Jr., we sentTour out on stories and he got it, whatever it was, every time. Hiswork is like his subjects: stylish, vivid, and burning with energy .ee"Jann Wenner, founder of Rolling Stone, Praise for Tour: "[An] apostle of the hip-hop aesthetic ." --Darryl Pinckney, New York Review of Books "Tour is one of our nation's most astute and witty observes of the American scene . Not only is he one of the most gifted writers of his generation, but his sharp insight, poetic phrasing, and biting humor--and his brilliant command of so many aspects of pop culture--make his dazzling performance on page a sheer joy to read." --Michael Eric Dyson, Georgetown University "Tour is an exceptional journalist...He is--if you can imagine it-- Oscar Wilde as a street thug . This is the marvelous tone he's been able to achieve." --Tom Wolfe "Tour has the sarcasm, intellect, and dogged nose for narrative that has made him his generation's premiere chronicler of the chaos, ambition, and boundary-crossing that have accompanied African-American culture's rude and ingenious takeover of American Pop, Inc." --Greg Tate "From 50 Cent to Dale Earnhardt, Jr., we sent Tour out on stories and he got it, whatever it was, every time. His work is like his subjects: stylish, vivid, and burning with energy ."--Jann Wenner, founder of Rolling Stone, "For those who understand how singular an artist Prince is, this book -- every bit obsessive and revelatory as its subject -- will be a great pleasure. For everyone else, it¹s mandatory. It unfolds like a good mystery, as cryptic clues are deciphered one after another." , Praise for Touré: "[An] apostle of the hip-hop aesthetic ." --Darryl Pinckney, New York Review of Books "Touré is one of our nation's most astute and witty observes of the American scene .Not only is he one of the most gifted writers of his generation, buthis sharp insight, poetic phrasing, and biting humor--and his brilliantcommand of so many aspects of pop culture--make his dazzling performanceon page a sheer joy to read." --Michael Eric Dyson, Georgetown University "Touré is an exceptional journalist...He is--if you can imagine it-- Oscar Wilde as a street thug .  This is the marvelous tone he's been able to achieve." --Tom Wolfe "Touré has the sarcasm, intellect, and dogged nose for narrative that has made him his generation's premiere chronicler of the chaos, ambition, and boundary-crossing that have accompaniedAfrican-American culture's rude and ingenious takeover of American Pop,Inc." --Greg Tate "From 50 Cent to Dale Earnhardt, Jr., we sentTouré out on stories and he got it, whatever it was, every time. Hiswork is like his subjects: stylish, vivid, and burning with energy ."--Jann Wenner, founder of Rolling Stone, Praise for Who''s Afraid of Post-Blackness? : "Touré demolishes the notion that there is only one way to be racially authentic . . . funny, hip and current ." -Gwen Ifill, The Washington Post " One of the most acutely observed accounts of what it is like to be young, black, and middle-class in America . Touré inventively draws on a range of evidence . . . for a performance carried through with unsparing honesty." -Orlando Patterson, The New York Times Book Review "[T]he ever provocative Touré boldly articulates the complicated issues of self and racial identity in the age of Obama." - Vanity Fair "A personal and scholarly dissection of race issues in modern America. . . . With the help of an array of writers, performers, comedians, artists and intellectuals, among others, the author attempts to reach a consensus on what is typical or otherwise for African-Americans, as well as what Black identity means in the modern era. Yet despite the chorus of voices, the most powerful voice belongs to Touré.  While his collected anecdotal evidence provides a necessary framework, his personal experiences with race ring loudest of all. A likely bellwether for America''s future struggles with race." - Kirkus Reviews "A welcome response to the ''self-appointed identity cops'' who would arrest and banish those they consider insufficiently black. Perceptively analyze[s] a new sensibility in black art and culture to illustrate the complex and fluid racial identification Touré dubs ''post-blackness.''" - San Francisco Chronicle "Touré candidly tackles a burning issue confronting us today. Black America is undeniably a community ''free, but not equal,'' and people from all walks of life are compelled to devise new approaches to confronting today''s structural inequalities. Here Touré explores insights from many perspectives to help guide the way." -Reverend Jesse L. Jackson, Sr. " This book is quintessential Touré: smart, funny, irreverent, and provocative as hell. Rejecting old school racial dogma and new school myths about post-raciality, he offers a powerful and original thesis on the status of Blackness in the 21st century. Through his sharp analysis and honest reflections, Touré challenges us to embrace a more mature, sophisticated, and ultimately liberating notion of racial identity. Any serious conversation on race and culture must begin with this book." -Dr. Marc Lamont Hill, Columbia University Professor and host of "Our World With Black Enterprise" " Who''s Afraid of Post-Blackness is a necessary book. To fulfill your potential as an individual or as a people, you need a clear sense of self. Touré has done the difficult but liberating work of moving the discussion of race beyond the Black Power-era thinking of the 1970''s into the 21st Century." - Reggie Hudlin, filmmaker "A fascinating conversation among some of America''s most brilliant and insightful Black thinkers candidly exploring Black identity in America today. Touré powerfully captures the pain and dissonance of Black Americans'' far too often unrequited love for our great nation." -Benjamin Todd Jealous, President and CEO of the NAACP " Who''s Afraid of Post-Blackness is a tour de force! I applaud Touré''s courage in standing up and telling it like it is. This special book will make you think, laugh, cry-and it will make you look at race and at yourself differently ." -Amy DuBois Barnett, Editor-in-Chief, Ebony "Touré has taken a question I have asked myself uncountable times over the course of my life and asked it of everyone: ''What does it mean to be Black?'' The answers in this book are thought-provoking, uplifting, hilarious and sometimes sad. His sharp writing and self-effacing stories help digest some hard facts about how identity can be used for and against each of us - and why it matters so much to all of us." -Soledad O''Brien, CNN anchor and special correspondent, Praise for Who''s Afraid of Post-Blackness? : "TourÉ demolishes the notion that there is only one way to be racially authentic . . . funny, hip and current ." Gwen Ifill, The Washington Post " One of the most acutely observed accounts of what it is like to be young, black, and middle-class in America . TourÉ inventively draws on a range of evidence . . . for a performance carried through with unsparing honesty." -Orlando Patterson, The New York Times Book Review "[T]he ever provocative TourÉ boldly articulates the complicated issues of self and racial identity in the age of Obama." - Vanity Fair "A personal and scholarly dissection of race issues in modern America. . . . With the help of an array of writers, performers, comedians, artists and intellectuals, among others, the author attempts to reach a consensus on what is typical or otherwise for African-Americans, as well as what Black identity means in the modern era. Yet despite the chorus of voices, the most powerful voice belongs to TourÉ.  While his collected anecdotal evidence provides a necessary framework, his personal experiences with race ring loudest of all. A likely bellwether for America''s future struggles with race." - Kirkus Reviews "A welcome response to the 'self-appointed identity cops' who would arrest and banish those they consider insufficiently black. Perceptively analyze[s] a new sensibility in black art and culture to illustrate the complex and fluid racial identification TourÉ dubs 'post-blackness.'" - San Francisco Chronicle "TourÉ candidly tackles a burning issue confronting us today. Black America is undeniably a community 'free, but not equal,' and people from all walks of life are compelled to devise new approaches to confronting today's structural inequalities. Here TourÉ explores insights from many perspectives to help guide the way." -Reverend Jesse L. Jackson, Sr. " This book is quintessential TourÉ: smart, funny, irreverent, and provocative as hell. Rejecting old school racial dogma and new school myths about post-raciality, he offers a powerful and original thesis on the status of Blackness in the 21st century. Through his sharp analysis and honest reflections, TourÉ challenges us to embrace a more mature, sophisticated, and ultimately liberating notion of racial identity. Any serious conversation on race and culture must begin with this book." -Dr. Marc Lamont Hill, Columbia University Professor and host of "Our World With Black Enterprise" " Who''s Afraid of Post-Blackness is a necessary book. To fulfill your potential as an individual or as a people, you need a clear sense of self. TourÉ has done the difficult but liberating work of moving the discussion of race beyond the Black Power-era thinking of the 1970''s into the 21st Century." - Reggie Hudlin, filmmaker "A fascinating conversation among some of America's most brilliant and insightful Black thinkers candidly exploring Black identity in America today. TourÉ powerfully captures the pain and dissonance of Black Americans' far too often unrequited love for our great nation." -Benjamin Todd Jealous, President and CEO of the NAACP " Who''s Afraid of Post-Blackness is a tour de force! I applaud TourÉ's courage in standing up and telling it like it is. This special book will make you think, laugh, cry-and it will make you look at race and at yourself differently ." -Amy DuBois Barnett, Editor-in-Chief, Ebony "TourÉ has taken a question I have asked myself uncountable times over the course of my life and asked it of everyone: 'What does it mean to be Black?' The answers in this book are thought-provoking, uplifting, hilarious and sometimes sad. His sharp writing and self-effacing stories help digest some hard facts about how identity can be used for and against each of us and why it matters so much to all of us." -Soledad O'Brien, CNN anchor and special correspondent, In terms of creativity, energy, influence, and sheer virtuosity, few musicians in my lifetime rival Prince -- and in Toure, he's met his perfect authorial match. As a fanboy of both, I was waiting excitedly for this book, but it's even better than I expected. In these illuminating pages, Toure reveals Prince as an artist and cultural force in full., For those who understand how singular an artist Prince is, this book -- every bit obsessive and revelatory as its subject -- will be a great pleasure. For everyone else, its mandatory. It unfolds like a good mystery, as cryptic clues are deciphered one after another., eoeA worthwhile addition to the relatively small number of decent books about Prince. Ite(tm)s certainly bound to be a conversation (or possibly debate) starter for serious Prince fans.e, Praise for Touré: "[An] apostle of the hip-hop aesthetic ." --Darryl Pinckney, New York Review of Books "Touré is one of our nation's most astute and witty observes of the American scene . Not only is he one of the most gifted writers of his generation, but his sharp insight, poetic phrasing, and biting humor--and his brilliant command of so many aspects of pop culture--make his dazzling performance on page a sheer joy to read." --Michael Eric Dyson, Georgetown University "Touré is an exceptional journalist...He is--if you can imagine it-- Oscar Wilde as a street thug . This is the marvelous tone he's been able to achieve." --Tom Wolfe "Touré has the sarcasm, intellect, and dogged nose for narrative that has made him his generation's premiere chronicler of the chaos, ambition, and boundary-crossing that have accompanied African-American culture's rude and ingenious takeover of American Pop, Inc." --Greg Tate "From 50 Cent to Dale Earnhardt, Jr., we sent Touré out on stories and he got it, whatever it was, every time. His work is like his subjects: stylish, vivid, and burning with energy ."--Jann Wenner, founder of Rolling Stone, A worthwhile addition to the relatively small number of decent books about Prince. It's certainly bound to be a conversation (or possibly debate) starter for serious Prince fans., Praise for Who''s Afraid of Post-Blackness? : "Touré demolishes the notion that there is only one way to be racially authentic . . . funny, hip and current ." -Gwen Ifill, The Washington Post " One of the most acutely observed accounts of what it is like to be young, black, and middle-class in America . Touré inventively draws on a range of evidence . . . for a performance carried through with unsparing honesty." --Orlando Patterson, The New York Times Book Review "[T]he ever provocative Touré boldly articulates the complicated issues of self and racial identity in the age of Obama." -- Vanity Fair "A personal and scholarly dissection of race issues in modern America. . . . With the help of an array of writers, performers, comedians, artists and intellectuals, among others, the author attempts to reach a consensus on what is typical or otherwise for African-Americans, as well as what Black identity means in the modern era. Yet despite the chorus of voices, the most powerful voice belongs to Touré. While his collected anecdotal evidence provides a necessary framework, his personal experiences with race ring loudest of all. A likely bellwether for America''s future struggles with race." -- Kirkus Reviews "A welcome response to the ''self-appointed identity cops'' who would arrest and banish those they consider insufficiently black. Perceptively analyze[s] a new sensibility in black art and culture to illustrate the complex and fluid racial identification Touré dubs ''post-blackness.''" -- San Francisco Chronicle "Touré candidly tackles a burning issue confronting us today. Black America is undeniably a community ''free, but not equal,'' and people from all walks of life are compelled to devise new approaches to confronting today''s structural inequalities. Here Touré explores insights from many perspectives to help guide the way." --Reverend Jesse L. Jackson, Sr. " This book is quintessential Touré: smart, funny, irreverent, and provocative as hell. Rejecting old school racial dogma and new school myths about post-raciality, he offers a powerful and original thesis on the status of Blackness in the 21st century. Through his sharp analysis and honest reflections, Touré challenges us to embrace a more mature, sophisticated, and ultimately liberating notion of racial identity. Any serious conversation on race and culture must begin with this book." --Dr. Marc Lamont Hill, Columbia University Professor and host of "Our World With Black Enterprise" " Who''s Afraid of Post-Blackness is a necessary book. To fulfill your potential as an individual or as a people, you need a clear sense of self. Touré has done the difficult but liberating work of moving the discussion of race beyond the Black Power-era thinking of the 1970''s into the 21st Century." -- Reggie Hudlin, filmmaker "A fascinating conversation among some of America''s most brilliant and insightful Black thinkers candidly exploring Black identity in America today. Touré powerfully captures the pain and dissonance of Black Americans'' far too often unrequited love for our great nation." --Benjamin Todd Jealous, President and CEO of the NAACP " Who''s Afraid of Post-Blackness is a tour de force! I applaud Touré''s courage in standing up and telling it like it is. This special book will make you think, laugh, cry--and it will make you look at race and at yourself differently ." --Amy DuBois Barnett, Editor-in-Chief, Ebony "Touré has taken a question I have asked myself uncountable times over the course of my life and asked it of everyone: ''What does it mean to be Black?'' The answers in this book are thought-provoking, uplifting, hilarious and sometimes sad. His sharp writing and self-effacing stories help digest some hard facts about how identity can be used for and against each of us - and why it matters so much to all of us." --Soledad O''Brien, CNN anchor and special correspondent, For those who understand how singular an artist Prince is, this book -- every bit obsessive and revelatory as its subject -- will be a great pleasure. For everyone else, it¹s mandatory. It unfolds like a good mystery, as cryptic clues are deciphered one after another., Praise for Who''s Afraid of Post-Blackness? : eoeTour demolishes the notion that there is only one way to be racially authentic . . . funny, hip and current .e e"Gwen Ifill, The Washington Post eoe One of the most acutely observed accounts of what it is like to be young, black, and middle-class in America .Tour inventively draws on a range of evidence . . . for a performancecarried through with unsparing honesty.e e"Orlando Patterson, The New York Times Book Review eoe[T]he ever provocative Tour boldly articulates the complicated issues of self and racial identity in the age of Obama.e e" Vanity Fair eoeApersonal and scholarly dissection of race issues in modern America. . .. With the help of an array of writers, performers, comedians, artistsand intellectuals, among others, the author attempts to reach aconsensus on what is typical or otherwise for African-Americans, as wellas what Black identity means in the modern era. Yet despite the chorus of voices, the most powerful voice belongs to Tour. Whilehis collected anecdotal evidence provides a necessary framework, hispersonal experiences with race ring loudest of all. A likely bellwetherfor America''s future struggles with race.e e" Kirkus Reviews eoeAwelcome response to the e~self-appointed identity copse(tm) who would arrestand banish those they consider insufficiently black. Perceptivelyanalyze[s] a new sensibility in black art and culture to illustrate thecomplex and fluid racial identification Tour dubs e~post-blackness.e(tm)e e" San Francisco Chronicle eoeTourcandidly tackles a burning issue confronting us today. Black America isundeniably a community e~free, but not equal,e(tm) and people from all walksof life are compelled to devise new approaches to confronting todaye(tm)sstructural inequalities. Here Tour explores insights from manyperspectives to help guide the way.e e"Reverend Jesse L. Jackson, Sr. eoe This book is quintessential Tour: smart, funny, irreverent, and provocative as hell. Rejecting old school racial dogma and new school myths aboutpost-raciality, he offers a powerful and original thesis on the statusof Blackness in the 21st century. Through his sharp analysis and honestreflections, Tour challenges us to embrace a more mature,sophisticated, and ultimately liberating notion of racial identity. Anyserious conversation on race and culture must begin with this book.e e"Dr. Marc Lamont Hill, Columbia University Professor and host of eoeOur World With Black Enterprisee eoe Who''s Afraid of Post-Blackness is a necessary book.To fulfill your potential as an individual or as apeople, you need a clear sense of self.Tour has done the difficultbut liberating work of moving the discussion of race beyond the BlackPower-era thinking of the 1970''s into the 21st Century.e e" Reggie Hudlin, filmmaker eoeAfascinating conversation among some of Americae(tm)s most brilliant andinsightful Black thinkers candidly exploring Black identity in Americatoday. Tour powerfully captures the pain and dissonance of BlackAmericanse(tm) far too often unrequited love for our great nation.e e"Benjamin Todd Jealous, President and CEO of the NAACP eoe Who''s Afraid of Post-Blackness is a tour de force! I applaud Toure(tm)s courage in standing up and telling it like it is. This special book will make you think, laugh, crye"and it will make you look at race and at yourself differently .e e"Amy DuBois Barnett, Editor-in-Chief, Ebony eoeTourhas taken a question I have asked myself uncountable times over thecourse of my life and asked it of everyone: e~What does it mean to beBlack'e(tm) The answers in this book are thought-provoking, uplifting,hilarious and sometimes sad. His sharp writing and self-effacing storieshelp digest some hard facts about how identity can be used for andagainst each of us e" and why it matters so much to all of us.e e"Soledad Oe(tm)Brien, CNN anchor and special correspondent, Praise for Who''s Afraid of Post-Blackness? : "Touré demolishes the notion that there is only one way to be racially authentic . . . funny, hip and current ." -Gwen Ifill, The Washington Post " One of the most acutely observed accounts of what it is like to be young, black, and middle-class in America .Touré inventively draws on a range of evidence . . . for a performancecarried through with unsparing honesty." --Orlando Patterson, The New York Times Book Review "[T]he ever provocative Touré boldly articulates the complicated issues of self and racial identity in the age of Obama." -- Vanity Fair "Apersonal and scholarly dissection of race issues in modern America. . .. With the help of an array of writers, performers, comedians, artistsand intellectuals, among others, the author attempts to reach aconsensus on what is typical or otherwise for African-Americans, as wellas what Black identity means in the modern era. Yet despite the chorus of voices, the most powerful voice belongs to Touré.  Whilehis collected anecdotal evidence provides a necessary framework, hispersonal experiences with race ring loudest of all. A likely bellwetherfor America''s future struggles with race." -- Kirkus Reviews "Awelcome response to the ''self-appointed identity cops'' who would arrestand banish those they consider insufficiently black. Perceptivelyanalyze[s] a new sensibility in black art and culture to illustrate thecomplex and fluid racial identification Touré dubs ''post-blackness.''" -- San Francisco Chronicle "Tourécandidly tackles a burning issue confronting us today. Black America isundeniably a community ''free, but not equal,'' and people from all walksof life are compelled to devise new approaches to confronting today''sstructural inequalities. Here Touré explores insights from manyperspectives to help guide the way." --Reverend Jesse L. Jackson, Sr. " This book is quintessential Touré: smart, funny, irreverent, and provocative as hell. Rejecting old school racial dogma and new school myths aboutpost-raciality, he offers a powerful and original thesis on the statusof Blackness in the 21st century. Through his sharp analysis and honestreflections, Touré challenges us to embrace a more mature,sophisticated, and ultimately liberating notion of racial identity. Anyserious conversation on race and culture must begin with this book." --Dr. Marc Lamont Hill, Columbia University Professor and host of "Our World With Black Enterprise" " Who''s Afraid of Post-Blackness is a necessary book. To fulfill your potential as an individual or as apeople, you need a clear sense of self. Touré has done the difficultbut liberating work of moving the discussion of race beyond the BlackPower-era thinking of the 1970''s into the 21st Century." -- Reggie Hudlin, filmmaker "Afascinating conversation among some of America''s most brilliant andinsightful Black thinkers candidly exploring Black identity in Americatoday. Touré powerfully captures the pain and dissonance of BlackAmericans'' far too often unrequited love for our great nation." --Benjamin Todd Jealous, President and CEO of the NAACP " Who''s Afraid of Post-Blackness is a tour de force! I applaud Touré''s courage in standing up and telling it like it is. This special book will make you think, laugh, cry--and it will make you look at race and at yourself differently ." --Amy DuBois Barnett, Editor-in-Chief, Ebony "Touréhas taken a question I have asked myself uncountable times over thecourse of my life and asked it of everyone: ''What does it mean to beBlack?'' The answers in this book are thought-provoking, uplifting,hilarious and sometimes sad. His sharp writing and self-effacing storieshelp digest some hard facts about how identity can be used for andagainst each of us - and why it matters so much to all of us." --Soledad O''Brien, CNN anchor and special correspondent, eoeIt took the singular talent and journalistic skills of Toure to capture the wild genius and larger than life influence of Prince.e, Based on his Du Bois Lectures at Harvard, Toure has written a thoughtful and compelling book that is both a full and sensitive explication of the genius of Prince's music, as well as his exemplary role as an seminal figure in contemporary American culture.  It is must reading for any student of popular culture., eoeFor those who understand how singular an artist Prince is, this book -- every bit obsessive and revelatory as its subject -- will be a great pleasure. For everyone else, its mandatory. It unfolds like a good mystery, as cryptic clues are deciphered one after another.e, Based on his Du Bois Lectures at Harvard, Toure has written a thoughtful and compelling book that is both a full and sensitive explication of the genius of Prince's music, as well as his exemplary role as an seminal figure in contemporary American culture. It is must reading for any student of popular culture., In terms of creativity, energy, influence, and sheer virtuosity, few musicians in my lifetime rival Prince -- and in Toure, he's met his perfect authorial match. As a fanboy of both, I was waiting excitedly for this book, but it's even better than I expected. In these illuminating pages, Toure revealsPrince as an artist and cultural force in full., Praise for Touré: "[An] apostle of the hip-hop aesthetic ." -Darryl Pinckney, New York Review of Books "Touré is one of our nation's most astute and witty observes of the American scene . Not only is he one of the most gifted writers of his generation, but his sharp insight, poetic phrasing, and biting humor-and his brilliant command of so many aspects of pop culture-make his dazzling performance on page a sheer joy to read." -Michael Eric Dyson, Georgetown University "Touré is an exceptional journalist...He is-if you can imagine it- Oscar Wilde as a street thug .  This is the marvelous tone he's been able to achieve." -Tom Wolfe "Touré has the sarcasm, intellect, and dogged nose for narrative that has made him his generation's premiere chronicler of the chaos, ambition, and boundary-crossing that have accompanied African-American culture's rude and ingenious takeover of American Pop, Inc." -Greg Tate "From 50 Cent to Dale Earnhardt, Jr., we sent Touré out on stories and he got it, whatever it was, every time. His work is like his subjects: stylish, vivid, and burning with energy ."-Jann Wenner, founder of Rolling Stone, It took the singular talent and journalistic skills of Toure to capture the wild genius and larger than life influence of Prince., Praise for Tour: "[An] apostle of the hip-hop aesthetic ." --Darryl Pinckney, New York Review of Books "Tour is one of our nation's most astute and witty observes of the American scene .Not only is he one of the most gifted writers of his generation, buthis sharp insight, poetic phrasing, and biting humor--and his brilliantcommand of so many aspects of pop culture--make his dazzling performanceon page a sheer joy to read." --Michael Eric Dyson, Georgetown University "Tour is an exceptional journalist...He is--if you can imagine it-- Oscar Wilde as a street thug . This is the marvelous tone he's been able to achieve." --Tom Wolfe "Tour has the sarcasm, intellect, and dogged nose for narrative that has made him his generation's premiere chronicler of the chaos, ambition, and boundary-crossing that have accompaniedAfrican-American culture's rude and ingenious takeover of American Pop,Inc." --Greg Tate "From 50 Cent to Dale Earnhardt, Jr., we sentTour out on stories and he got it, whatever it was, every time. Hiswork is like his subjects: stylish, vivid, and burning with energy ."--Jann Wenner, founder of Rolling Stone, Praise for Who''s Afraid of Post-Blackness? : "Tour demolishes the notion that there is only one way to be racially authentic . . . funny, hip and current ." -Gwen Ifill, The Washington Post " One of the most acutely observed accounts of what it is like to be young, black, and middle-class in America . Tour inventively draws on a range of evidence . . . for a performance carried through with unsparing honesty." --Orlando Patterson, The New York Times Book Review "[T]he ever provocative Tour boldly articulates the complicated issues of self and racial identity in the age of Obama." -- Vanity Fair "A personal and scholarly dissection of race issues in modern America. . . . With the help of an array of writers, performers, comedians, artists and intellectuals, among others, the author attempts to reach a consensus on what is typical or otherwise for African-Americans, as well as what Black identity means in the modern era. Yet despite the chorus of voices, the most powerful voice belongs to Tour. While his collected anecdotal evidence provides a necessary framework, his personal experiences with race ring loudest of all. A likely bellwether for America''s future struggles with race." -- Kirkus Reviews "A welcome response to the ''self-appointed identity cops'' who would arrest and banish those they consider insufficiently black. Perceptively analyze[s] a new sensibility in black art and culture to illustrate the complex and fluid racial identification Tour dubs ''post-blackness.''" -- San Francisco Chronicle "Tour candidly tackles a burning issue confronting us today. Black America is undeniably a community ''free, but not equal,'' and people from all walks of life are compelled to devise new approaches to confronting today''s structural inequalities. Here Tour explores insights from many perspectives to help guide the way." --Reverend Jesse L. Jackson, Sr. " This book is quintessential Tour: smart, funny, irreverent, and provocative as hell. Rejecting old school racial dogma and new school myths about post-raciality, he offers a powerful and original thesis on the status of Blackness in the 21st century. Through his sharp analysis and honest reflections, Tour challenges us to embrace a more mature, sophisticated, and ultimately liberating notion of racial identity. Any serious conversation on race and culture must begin with this book." --Dr. Marc Lamont Hill, Columbia University Professor and host of "Our World With Black Enterprise" " Who''s Afraid of Post-Blackness is a necessary book. To fulfill your potential as an individual or as a people, you need a clear sense of self. Tour has done the difficult but liberating work of moving the discussion of race beyond the Black Power-era thinking of the 1970''s into the 21st Century." -- Reggie Hudlin, filmmaker "A fascinating conversation among some of America''s most brilliant and insightful Black thinkers candidly exploring Black identity in America today. Tour powerfully captures the pain and dissonance of Black Americans'' far too often unrequited love for our great nation." --Benjamin Todd Jealous, President and CEO of the NAACP " Who''s Afraid of Post-Blackness is a tour de force! I applaud Tour''s courage in standing up and telling it like it is. This special book will make you think, laugh, cry--and it will make you look at race and at yourself differently ." --Amy DuBois Barnett, Editor-in-Chief, Ebony "Tour has taken a question I have asked myself uncountable times over the course of my life and asked it of everyone: ''What does it mean to be Black?'' The answers in this book are thought-provoking, uplifting, hilarious and sometimes sad. His sharp writing and self-effacing stories help digest some hard facts about how identity can be used for and against each of us - and why it matters so much to all of us." --Soledad O''Brien, CNN anchor and special correspondent
Copyright Date
2013
Target Audience
Trade
Lccn
2012-036623
Dewey Decimal
781.66092 B
Dewey Edition
23

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