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NOUVEAU CINÉMA LATINO-AMÉRICAIN, VOLUME 1 : THÉORIES, PRATIQUES, par Michael T. Martin

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Numéro de l'objet eBay :186423945183

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“Book is in Like New / near Mint Condition. Will include dust jacket if it originally came with ...
ISBN-10
0814325858
Book Title
New Latin American Cinema, Volume 1: Theories, Practices, and
ISBN
9780814325858
Publication Name
New Latin American Cinema Vol. 1 : Theory, Practices, and Transcontinental Articulations
Item Length
9in
Publisher
Wayne State University Press
Publication Year
1997
Series
Contemporary Approaches to Film and Media Ser.
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
3.3in
Author
Michael T. Martin
Item Width
6in
Item Weight
20 Oz
Number of Pages
332 Pages

À propos de ce produit

Product Information

Mapping the historical and cultural contexts of film practices in Latin America, this two-volume collection of programmatic statements, essays and interviews is devoted to the study of a theorized, dynamic and unfinished cinematic movement. Forged by Latin America's post-colonial environment of underdevelopment and dependency, the New Latin American Cinema movement has sought to inscribe itself in Latin America's struggles for cultural and economic autonomy. ""Volume One"" - this work - explores the formation of the New Latin American Cinema movement, its national and continental implications (including the diasporic/exilic experience) and transcontinental articulations through the writings of pioneer film-makers and scholars. Glauber Rocha, Julio Garcia Espinosa, Jorge Sanjines, Fernando Solanas and Octavio Getino address the central question of the Latin American aesthetic - a particular style and production method connected with the political and social conditions and circumstances of Latin America. Ana Lopez, Julianne Burton and Michael Chanan examine the movement's formation in the 1950s and its development through the 1980s in a socio-historical context, paying special attention to modes of production and consumption. Paul Willemen assesses the movement's relevance to radical film practice and theory in the First and Third Worlds, and Antonio Skarmeta calls for a distribution network of Third World Cinema on a pan-European level. The volume concludes with essays by Ruby Rich and Zuzana M. Pick who address, from widely different approaches, the issues of the movement's adaptability, renovation and identity, in consideration of its evolution since the 1950s. ""Volume Two"" comprises essays on the development of the New Latin American Cinema as a comparative national project. Essays are grouped by nation into two regions - Middle and Central America and Caribbean and South America - for comparitive study, particularly between capitalist and post-revolutionary socialist formations. The selected essays examine the relationship between cinema and nationhood and the ambiguous categories of culture, identity and nation within the socio-historical specificities of the movement's development, especially in Cuba, Brazil, Mexico, Chile and Argentina. This collection should serve as an essential reference and research tool for the study of world cinema. The collection, while celebrating the diversity and innovation of the New Latin American Cinema, explicates the historical importance of filmmaking as a cultural form and political practice in Latin America.

Product Identifiers

Publisher
Wayne State University Press
ISBN-10
0814325858
ISBN-13
9780814325858
eBay Product ID (ePID)
458506

Product Key Features

Author
Michael T. Martin
Publication Name
New Latin American Cinema Vol. 1 : Theory, Practices, and Transcontinental Articulations
Format
Trade Paperback
Language
English
Publication Year
1997
Series
Contemporary Approaches to Film and Media Ser.
Type
Textbook
Number of Pages
332 Pages

Dimensions

Item Length
9in
Item Height
3.3in
Item Width
6in
Item Weight
20 Oz

Additional Product Features

Series Volume Number
Vol. 1
Lc Classification Number
Pn1993.5.L3n48 1997
Volume Number
Vol. 1
Reviews
Michael T. Martin's New Latin American Cinema is an indispensable resource for scholars and students of international cinema, mass-mediated culture, art, and politics. The two-volume anthology brings together major theoretical statements by participants in the continent-wide movement, seminal critical and contextual analyses, discussions of international implications and articulations, and essays tracing cinematic developments in individual countries. A timely, well-organized and thoughtful compilation with contributions from the leading scholars of Latin American cinema, it will quickly become the standard work in the field.
Copyright Date
1997
Topic
Caribbean & Latin American, Film / General, Film / History & Criticism
Lccn
96-046741
Dewey Decimal
791.43/098
Intended Audience
Scholarly & Professional
Dewey Edition
22
Genre
Art, Literary Collections, Performing Arts

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