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VOIX DÉCOLONIALES : études culturelles chicana et chicano au 21ème siècle. Aldama

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Très bon

“Some Highlighting.”

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Lieu : Montebello, California, États-Unis

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Numéro de l'objet eBay :182601078932

Dernière mise à jour : août 01, 2021 00:21:15 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État: Très bon

Remarques du vendeur: “Some Highlighting.”

Subject: Social Sciences

Product Type: Paperback

ISBN: 9780253214928

EAN: 9780253214928

Publication Year: 2002

Type: Textbook

Format: Trade Paperback

Language: English

Publication Name: Decolonial Voices : Chicana and Chicano Cultural Studies in the 21st Century

Item Height: 0.6in

Author: Naomi Quiñonez

Item Length: 9.3in

Publisher: Indiana University Press

Item Width: 6.1in

Item Weight: 22.4 Oz

Number of Pages: 432 Pages

À propos de ce produit

Product Information

The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women's and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies. Contributors include Norma Alarcón, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chávez Candelaria, Alejandra Elenes, Ramón Garcia, María Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia María de la Luz Montes, Laura Elisa Pérez, Naomi Quiñonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, José David Saldívar, Anna Sandoval, and Jonathan Xavier Inda.

Product Identifiers

Publisher

Indiana University Press

ISBN-10

0253214920

ISBN-13

9780253214928

eBay Product ID (ePID)

1948900

Product Key Features

Author

Naomi Quiñonez

Publication Name

Decolonial Voices : Chicana and Chicano Cultural Studies in the 21st Century

Format

Trade Paperback

Language

English

Publication Year

2002

Type

Textbook

Number of Pages

432 Pages

Dimensions

Item Length

9.3in

Item Height

0.6in

Item Width

6.1in

Item Weight

22.4 Oz

Additional Product Features

Lc Classification Number

E184.M5d34 2001

Grade from

College Graduate Student

Reviews

"Aldama (Arizona State Univ.) and Qui ones (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender.... This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life." -- Choice, November 2002, Aldama (Arizona State Univ.) and Quiñones (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender.... This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life., Aldama (Arizona State Univ.) and Quinones (Quinones) (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender. The situation of undocumented workers gets full attention. The collection is especially strong on Chicana issues, redressing the male-centered atmosphere of the early Chicano movement. The level of the writing is high, though a few of the essays are sodden with jargon. The editors provide no overall bibliography, but most of the essays have lengthy bibliographies of their own. The index is unusually detailed, which is very helpful with a wide-ranging collection like this one. The use of illustrations where needed, as in the treatment of film and body art, is a bonus. This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life. The work closest to it in spirit is Criticism in the Borderlands, ed. by Hector (Hector) Calderon (Calderon) and Jose (Jose) David Saldivar (Saldivar) (CH, Jun'92), though Decolonial Voices gives more attention to popular culture. All collections.B./P>--B. Almon, University of Alberta"Choice" (01/01/2002), "Aldama (Arizona State Univ.) and Quiñones (Quinones) (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender. The situation of undocumented workers gets full attention. The collection is especially strong on Chicana issues, redressing the male-centered atmosphere of the early Chicano movement. The level of the writing is high, though a few of the essays are sodden with jargon. The editors provide no overall bibliography, but most of the essays have lengthy bibliographies of their own. The index is unusually detailed, which is very helpful with a wide-ranging collection like this one. The use of illustrations where needed, as in the treatment of film and body art, is a bonus. This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life. The work closest to it in spirit is Criticism in the Borderlands , ed. by Héctor (Hector) Calderón (Calderon) and José (Jose) David Saldívar (Saldivar) (CH, Jun'92), though Decolonial Voices gives more attention to popular culture. All collections."--B. Almon, University of Alberta, Choice , November 2002 "Aldama (Arizona State Univ.) and Quiñones (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender. . . . This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life.November 2002"-- Choice, "Aldama (Arizona State Univ.) and Quiñones (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender.... This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life." -Choice, November 2002, Aldama (Arizona State Univ.) and Quiñones (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender. . . . This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life.November 2002, Aldama (Arizona State Univ.) and Quiñones (Quinones) (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender. The situation of undocumented workers gets full attention. The collection is especially strong on Chicana issues, redressing the male-centered atmosphere of the early Chicano movement. The level of the writing is high, though a few of the essays are sodden with jargon. The editors provide no overall bibliography, but most of the essays have lengthy bibliographies of their own. The index is unusually detailed, which is very helpful with a wide-ranging collection like this one. The use of illustrations where needed, as in the treatment of film and body art, is a bonus. This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life. The work closest to it in spirit is Criticism in the Borderlands , ed. by Héctor (Hector) Calderón (Calderon) and José (Jose) David Saldívar (Saldivar) (CH, Jun'92), though Decolonial Voices gives more attention to popular culture. All collections., "Aldama (Arizona State Univ.) and Quiñones (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender.... This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life." -- Choice, November 2002

Table of Content

Contents Acknowledgments Foreword by María Herrera-Sobek Introduction: Peligro! Subversive Subjects: Chicana and Chicano Cultural Studies in the 21st Century." Arturo J. Aldama and Naomi Quiñonez. PART I: DANGEROUS BODIES 1. Arturo J. Aldama, "Borders, Violence and the Struggles for Chicana/o Subjectivity." 2. Laura Pérez, "Dresses and Body Decoration in Contemporary Chicana Art." 3. Ramón Garcia, "New Iconographies: Film Culture in Chicano Cultural Production." 4. Frederick Luis Aldama, "New Millennia Chicano/a Bodies in Edward J. Olmos' American Me." 5. Jonathan Xavier Inda, "Biopower, Reproduction, and the Migrant Woman's Body." 6. Norma Alarcón, "Anzaldúa's Frontera: Inscribing Gynetics." PART II: DISMANTLING COLONIAL/ PATRIARCHAL LEGACIES 7. Naomi Quiñonez, "Hijas de La Malinche: Re-Writing Postcolonial Discourse Through the Literature of First Wave Chicana Writers." 8. Patricia Penn Hilden, "How the Border Lies: Some Historical Reflections." 9. Amelia María de la Luz Montes, "How I am Received": Nationalism, Race and Gender in Who Would Have Thought It?" 10. Cordelia Candelaria, "Engendering Re/Solutions: The (Feminist) Legacy of Estela Portillo Trambley (1926-1998)." 11. Anna Sandoval, "Unir Los Lazos: Toward a Comparative Study of Chicana and Mexicana Literature." 12. Sarah Ramirez, "Borders, Feminism and Spirituality: Movements in Chicana Artistic Revisioning." PART III: MAPPING SPACE AND RECLAIMING PLACE 13. Alejandra Elenes, "Border/Transformative Pedagogies at the End of the Millennium: Chicana/o Cultural Studies and Education." 14. José David Saldívar, "On the Bad Edge of La Frontera." 15. Pancho McFarland, "'Here is Something You Can't Understand': Chicano Rap and the Critique of Globalization." 16. Gaye T. M Johnson, "A Sifting of Centuries: Afro-Chicana/o Interaction and Popular Musical Culture." 17. Alberto Ledesma, "Chicana/o Undocumented Immigrant Narratives as Acts of Political and Intellectual Responsibility." 18. Delberto Dario Ruiz, "Teki Lenguas del Yollotzin (Cut Tongues From the Heart): Colonial Impositions, Hegemonic Borders and Shifting Spaces." 19. Rolando J. Romero. "The Alamo, Slavery and the Politics of Memory." 20. Vicki Ruiz, "Color Coding: Reflections at the Millennium." Contributors Index

2002

Topic

Caribbean & Latin American, Ethnic Studies / Hispanic American Studies, American / Hispanic American, North America, Latin America / General, Colonialism & Post-Colonialism

Lccn

2001-039495

Dewey Decimal

305.868/72073

Intended Audience

Scholarly & Professional

Dewey Edition

Illustrated

Yes

Genre

Art, Literary Criticism, History, Social Science, Political Science

Description de l'objet du vendeur

Le vendeur assume l'entière responsabilité de cette annonce.

Numéro de l'objet eBay :182601078932

Dernière mise à jour : août 01, 2021 00:21:15 HAEAfficher toutes les modificationsAfficher toutes les modifications

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Lieu où se trouve l'objet :

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Expédition et manutention	À	Service	Livraison*Voir les remarques sur la livraison
3,99 $US (environ 5,45 $C)	États-Unis	Expédition au tarif économique (USPS Media MailTM)	Livraison prévue entre le sam. 1 juin et le mer. 5 juin à 43230
6,99 $US (environ 9,55 $C)	États-Unis	Expedited Shipping	Livraison prévue entre le mer. 29 mai et le ven. 31 mai à 43230

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