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Travaux d'appareil photo : la photographie et le mot du XXe siècle (Nord 2005)
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- Achat immédiatTravaux d'appareil photo : la photographie et le mot du XXe siècle (Nord 2005)
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Expédition :
Lieu : Houston, Texas, États-Unis
Livraison :
Livraison prévue entre le ven. 7 juin et le mer. 12 juin à 43230
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Numéro de l'objet eBay :176368609914
Caractéristiques de l'objet
- État
- Type
- Novel
- Era
- 2000s
- Signed
- No
- Ex Libris
- No
- Narrative Type
- Nonfiction
- Personalized
- No
- Features
- Illustrated, Dust Jacket
- Original Language
- English
- Intended Audience
- Adults, Young Adults
- Inscribed
- No
- Edition
- First Edition
- ISBN
- 9780195173567
- Book Title
- Camera Works : Photography and the Twentieth-Century Word
- Item Length
- 6.2in
- Publisher
- Oxford University Press, Incorporated
- Publication Year
- 2005
- Format
- Hardcover
- Language
- English
- Item Height
- 1in
- Genre
- Photography, Literary Criticism
- Topic
- General, Criticism
- Item Width
- 9.4in
- Item Weight
- 18.4 Oz
- Number of Pages
- 270 Pages
À propos de ce produit
Product Information
Camera Works is about the impact of photography and film on modern art and literature. For many artists and writers, these new media offered hope of new means of representation, neither linguistic nor pictorial, but hovering in a kind of utopian space between. At the same time, the new media introduced a dramatic element of novelty into the age-old evidence of the senses. For the avant-garde, the challenges of the new media were the modern in its most concentrated form, but even for aesthetically unadventurous writers they constituted an element of modern experience that could hardly be ignored. Camera Works thus traces some of the more utopian projects of the transatlantic avant-garde, including the Readie machine of Bob Brown, which was to turn stories and poems into strips of linguistic film. The influence of photography and film on the avant-garde is traced from the early days of Camera Work , through the enthusiasm of Eugene Jolas and the contributors to his magazine transition, to the crisis created by the introduction of sound in the late 1920s. Subsequent chapters describe the entirely new kind of sensory enjoyment brought into modern American fiction by the new media. What Fitzgerald calls "spectroscopic gayety," the enjoyable disorientation of the senses by machine perception, turns out to be a powerful force in much American fiction. The revolutionary possibilities of this new spectatorship and its limitations are pursued through a number of examples, including Dos Passos, James Weldon Johnson, and Hemingway. Together, these chapters offer a new and substantially different account of the relationship between modern American literature and the mediatized society of the early twentieth century. With a comprehensive introduction and detailed particular readings, Camera Works substantiates a new understanding of the formal and historical bases of modernism. It argues that when modern literature and art respond to modernity, on a formal level, they are responding to the intervention of technology in the transmission of meaning, an intervention that unsettles all the terms in the essential relationship of human consciousness to the world of phenomena.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195173562
ISBN-13
9780195173567
eBay Product ID (ePID)
30767809
Product Key Features
Book Title
Camera Works : Photography and the Twentieth-Century Word
Format
Hardcover
Language
English
Topic
General, Criticism
Publication Year
2005
Genre
Photography, Literary Criticism
Number of Pages
270 Pages
Dimensions
Item Length
6.2in
Item Height
1in
Item Width
9.4in
Item Weight
18.4 Oz
Additional Product Features
Lc Classification Number
Tr183.N67 2005
Reviews
"Photography, Michael North argues in this exciting and profoundly original study, has for too long been understood as just another medium, with its particular possibilities and conventions--a medium, moreover, that provides for 'realistic' representation. But understood properly in its mode and function, photography emerges as itself a kind of modern writing, its inherent mediation itself determining how we view the world in words. In a series of provocative and groundbreaking chapters, ranging from Stieglitz'sCamera Workand the Readies of Bob Brown to the novels of Fitzgerald, Dos Passos, and Hemingway, North shows that recorded mediation, in its aesthetic, social, and cultural effects, is at the very core of the literature we call Modernist."--Marjorie Perloff, Stanford University "Camera Worksoffers vivid new takes on literary Modernism, showing how the evolving technologies of photography and film exerted a profound and often problematic influence on the writings of the period. North's readings of even the most familiar modernist texts offer a range of excitingly unfamiliar perspectives."--Peter Nicholls, University of Sussex, "Photography, Michael North argues in this exciting and profoundly original study, has for too long been understood as just another medium, with its particular possibilities and conventions--a medium, moreover, that provides for 'realistic' representation. But understood properly in its mode and function, photography emerges as itself a kind of modern writing, its inherent mediation itself determining how we view the world in words. In a series of provocative and groundbreaking chapters, ranging from Stieglitz's Camera Work and the Readies of Bob Brown to the novels of Fitzgerald, Dos Passos, and Hemingway, North shows that recorded mediation, in its aesthetic, social, and cultural effects, is at the very core of the literature we call Modernist."--Marjorie Perloff, Stanford University "Camera Works offers vivid new takes on literary Modernism, showing how the evolving technologies of photography and film exerted a profound and often problematic influence on the writings of the period. North's readings of even the most familiar modernist texts offer a range of excitingly unfamiliar perspectives."--Peter Nicholls, University of Sussex, "Photography, Michael North argues in this exciting and profoundlyoriginal study, has for too long been understood as just another medium, withits particular possibilities and conventions--a medium, moreover, that providesfor 'realistic' representation. But understood properly in its mode andfunction, photography emerges as itself a kind of modern writing, its inherentmediation itself determining how we view the world in words. In a series ofprovocative and groundbreaking chapters, ranging from Stieglitz's Camera Workand the Readies of Bob Brown to the novels of Fitzgerald, Dos Passos, andHemingway, North shows that recorded mediation, in its aesthetic, social, andcultural effects, is at the very core of the literature we callModernist."--Marjorie Perloff, Stanford University, "Photography, Michael North argues in this exciting and profoundly original study, has for too long been understood as just another medium, with its particular possibilities and conventions--a medium, moreover, that provides for 'realistic' representation. But understood properly in its mode and function, photography emerges as itself a kind of modern writing, its inherent mediation itself determining how we view the world in words. In a series of provocative and groundbreaking chapters, ranging from Stieglitz's Camera Work and the Readies of Bob Brown to the novels of Fitzgerald, Dos Passos, and Hemingway, North shows that recorded mediation, in its aesthetic, social, and cultural effects, is at the very core of the literature we call Modernist."--Marjorie Perloff, Stanford University " Camera Works offers vivid new takes on literary Modernism, showing how the evolving technologies of photography and film exerted a profound and often problematic influence on the writings of the period. North's readings of even the most familiar modernist texts offer a range of excitingly unfamiliar perspectives."--Peter Nicholls, University of Sussex, "Camera Works offers vivid new takes on literary Modernism, showing howthe evolving technologies of photography and film exerted a profound and oftenproblematic influence on the writings of the period. North's readings of eventhe most familiar modernist texts offer a range of excitingly unfamiliarperspectives."--Peter Nicholls, University of Sussex, "Photography, Michael North argues in this exciting and profoundly original study, has for too long been understood as just another medium, with its particular possibilities and conventions--a medium, moreover, that provides for 'realistic' representation. But understood properly in its mode and function, photography emerges as itself a kind of modern writing, its inherent mediation itself determining how we view the world in words. In a series of provocative and groundbreaking chapters, ranging from Stieglitz's Camera Work and the Readies of Bob Brown to the novels of Fitzgerald, Dos Passos, and Hemingway, North shows that recorded mediation, in its aesthetic, social, and cultural effects, is at the very core of the literature we call Modernist."--Marjorie Perloff, Stanford University"Camera Works offers vivid new takes on literary Modernism, showing how the evolving technologies of photography and film exerted a profound and often problematic influence on the writings of the period. North's readings of even the most familiar modernist texts offer a range of excitingly unfamiliar perspectives."--Peter Nicholls, University of Sussex, "Photography, Michael North argues in this exciting and profoundly original study, has for too long been understood as just another medium, with its particular possibilities and conventions--a medium, moreover, that provides for 'realistic' representation. But understood properly in its modeand function, photography emerges as itself a kind of modern writing, its inherent mediation itself determining how we view the world in words. In a series of provocative and groundbreaking chapters, ranging from Stieglitz's Camera Work and the Readies of Bob Brown to the novels of Fitzgerald, DosPassos, and Hemingway, North shows that recorded mediation, in its aesthetic, social, and cultural effects, is at the very core of the literature we call Modernist."--Marjorie Perloff, Stanford University, "Camera Works offers vivid new takes on literary Modernism, showing how the evolving technologies of photography and film exerted a profound and often problematic influence on the writings of the period. North's readings of even the most familiar modernist texts offer a range of excitinglyunfamiliar perspectives."--Peter Nicholls, University of Sussex
Copyright Date
2005
Lccn
2004-021478
Dewey Decimal
770/.1
Intended Audience
Trade
Dewey Edition
22
Illustrated
Yes
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :176368609914
Expédition et manutention
Lieu où se trouve l'objet :
Houston, Texas, États-Unis
Expédition :
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Lieux exclus :
Barbade, Guadeloupe, Guyane française, Libye, Martinique, Nouvelle-Calédonie, Polynésie française, Russie, Réunion, Ukraine, Venezuela
| Expédition et manutention | À | Service | Livraison*Voir les remarques sur la livraison |
|---|---|---|---|
| 4,87 $US (environ 6,64 $C) | États-Unis | Expédition au tarif économique (USPS Media MailTM) | Livraison prévue entre le ven. 7 juin et le mer. 12 juin à 43230 |
| Délai de manutention |
|---|
| Expédition dans les 3 jours ouvrables après réception du paiement. |
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_***r (564)- Évaluation laissée par l'acheteur.
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Fast delivery and well packaged thank you 😁
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Amazing packaging and the comic book was covered in it’s original wrap! I love this book so much and now I have 2 Deadpool comics! The quality is epic I wasn’t expecting the comic to be in mint condition, perfect overall and very lovely seller!
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5-star perfect: product, communication, shipping ***** highly recommended!