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Les œuvres chorales-orchestrales de Ralph Vaughan Williams : autographes, contexte, ...

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Numéro de l'objet eBay :156055242778

Dernière mise à jour : juin 17, 2024 11:39:47 HAEAfficher toutes les modificationsAfficher toutes les modifications

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État: Très bon: Un livre qui n’a pas l’air neuf et qui a été lu, mais qui est en excellent état. La ... Très bon: Un livre qui n’a pas l’air neuf et qui a été lu, mais qui est en excellent état. La couverture ne présente aucun dommage apparent et la jaquette (si applicable) est incluse (dans le cas des livres à reliure). Il n'y a aucune page manquante ou endommagée, aucun pli, aucune déchirure, aucun passage surligné ou souligné et aucune inscription en marge. Il est possible que le contreplat porte d'infimes marques d'identification. Le livre présente des traces d'usure infimes. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)

Release Year: 2019

Book Title: The Choral-Orchestral Works of Ralph Vaughan Williams: Autogra...

ISBN: 9781793606006

Subject Area: Music

Publication Name: Choral-Orchestral Works of Ralph Vaughan Williams : Autographs, Context, Discourse

Publisher: Lexington Books/Fortress Academic

Item Length: 9.3 in

Subject: History & Criticism, Genres & Styles / Choral

Publication Year: 2019

Type: Textbook

Format: Hardcover

Language: English

Item Height: 1 in

Author: Stephen Town

Item Weight: 24.4 Oz

Item Width: 6.3 in

Number of Pages: 324 Pages

À propos de ce produit

Product Identifiers

Publisher

Lexington Books/Fortress Academic

ISBN-10

1793606005

ISBN-13

9781793606006

eBay Product ID (ePID)

4038476309

Product Key Features

Number of Pages

324 Pages

Publication Name

Choral-Orchestral Works of Ralph Vaughan Williams : Autographs, Context, Discourse

Language

English

Publication Year

2019

Subject

History & Criticism, Genres & Styles / Choral

Type

Textbook

Author

Stephen Town

Subject Area

Music

Format

Hardcover

Dimensions

Item Height

1 in

Item Weight

24.4 Oz

Item Length

9.3 in

Item Width

6.3 in

Additional Product Features

Intended Audience

Scholarly & Professional

LCCN

2019-955303

Reviews

This magnum opus by Stephen Town represents the most significant contribution of the decade to the understanding and literature of Vaughan-Williams's choral-orchestral works. Town takes an impressive holistic approach to the music by examining the most intricate aspects of thirteen masterworks. He provides penetrating insights into Vaughan-Williams's compositional process, primarily by using Jan LaRue's system of style analysis. In addition, Town carefully describes the physical condition and characteristics of each manuscript. Most importantly, his thoughts and conclusions, based on his own knowledge as well as his review of the existing literature, are thorough, illuminating, and exhaustive. Finally, a wealth of footnotes at the end of each chapter provides supplementary details that are fascinating, pertinent, and extensive. This book is a definite "must-have" for all scholars and serious admirers of Vaughan-Williams and his choral-orchestral music., Until now, the British Museum has long been the one-stop shop to pore over RVW's autographs in all their messy, convoluted glory. From wielding a pocketknife to erase inked-in passages, to carefully uncovering multiple paste-over layers, Dr. Stephen Town delivers a compelling paper trail - and a guided turn-of-the-microscope-lens mystery novel - of serious and insightful scholarship.It's not merely the method that fascinates here--it's the results. You'll want scores, and a Book of Common Prayer, in hand as you trace compositional development through the autograph lens. Town's account is more than standard analysis: it reveals the composer's growth across his seasons of life. Wisdom and prowess culminates in the winter of RVW's life - marriage, revisiting old friends (previous compositions), introspection, and reconciliation.A Vaughan Williams Charterhouse Fellow, Dr. Stephen Town's autograph analyses constitute a significant contribution to the acme of musicological contributions to the life and works of Ralph Vaughan Williams. They are a-must read and engaging reading., Until now, the British Museum has long been the one-stop shop to pore over RVW's autographs in all their messy, convoluted glory. From wielding a pocketknife to erase inked-in passages, to carefully uncovering multiple paste-over layers, Dr. Stephen Town delivers a compelling paper trail - and a guided turn-of-the-microscope-lens mystery novel - of serious and insightful scholarship. It's not merely the method that fascinates here--it's the results. You'll want scores, and a Book of Common Prayer, in hand as you trace compositional development through the autograph lens. Town's account is more than standard analysis: it reveals the composer's growth across his seasons of life. Wisdom and prowess culminates in the winter of RVW's life - marriage, revisiting old friends (previous compositions), introspection, and reconciliation. A Vaughan Williams Charterhouse Fellow, Dr. Stephen Town's autograph analyses constitute a significant contribution to the acme of musicological contributions to the life and works of Ralph Vaughan Williams. They are a-must read and engaging reading., Stephen Town is the perfect storm of meticulous researcher, practicing and performing vocal musician, and compelling writer. The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse blends Town's ability to capture the complete picture of what a performing musician wants to know about the history of these works, the theoretical underpinnings that matter to conductors and therefore listeners, and the unique insights of a performer passionate about music making while remaining objective about the performance material. By embracing all of Vaughan Williams's choral-orchestral works, this study gives us insight into each individual work as informed by the complete oeuvre. As a frequent performer of these works, Town's guide will now be my first-reach as I prepare for the next journey with Vaughan Williams., Stephen Town is the perfect storm of meticulous researcher, practicing and performing vocal musician, and compelling writer. The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse blends Town's ability to capture the complete picture of what a performing musician wants to know about the history of these works, the theoretical underpinnings that matter to conductors and therefore listeners, and the unique insights of a performer passionate about music making while remaining objective about the performance material. By embracing all of Vaughan Williams' choral-orchestral works, this study gives us insight into each individual work as informed by the complete oeuvre. As a frequent performer of these works, Town's guide will now be my first-reach as I prepare for the next journey with Vaughan Williams., This magnum opus by Stephen Town represents the most significant contribution of the decade to the understanding and literature of Vaughan-Williams' choral-orchestral works. Town takes an impressive holistic approach to the music by examining the most intricate aspects of thirteen masterworks. He provides penetrating insights into Vaughan-Williams' compositional process, primarily by using Jan LaRue's system of style analysis. In addition, Town carefully describes the physical condition and characteristics of each manuscript. Most importantly, his thoughts and conclusions, based on his own knowledge as well as his review of the existing literature, are thorough, illuminating, and exhaustive. Finally, a wealth of footnotes at the end of each chapter provides supplementary details that are fascinating, pertinent, and extensive. This book is a definite "must-have" for all scholars and serious admirers of Vaughan-Williams and his choral-orchestral music.

Dewey Edition

CLASSIFICATION_METADATA

{"IsNonfiction":["Yes"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Hardcover"],"IsChildren":["No"],"Genre":["MUSIC"],"Topic":["Genres & Styles / Choral","History & Criticism"],"IsTextBook":["Yes"],"IsFiction":["No"]}

Illustrated

Yes

Dewey Decimal

780.92

Table Of Content

Chapter One: Vexilla Regis Chapter Two: Mass Chapter Three: A Sea Symphony Chapter Four: Sancta Civitas Chapter Five: Benedicite Chapter Six: Magnificat Chapter Seven: Five Tudor Portraits Chapter Eight: Dona Nobis Pacem Chapter Nine: Thanksgiving for Victory/A Song of Thanksgiving Chapter Ten: Fantasia (Quasi Variazione) on the 'Old 104th' Psalm Tune Chapter Eleven: The Sons of Light Chapter Twelve: Hodie (This Day) Chapter Thirteen: The Bridal Day/Epithalamion Chapter Thirteen Appendix: The Bridal Day and Epithalamion as Set by Ralph Vaughan Williams

Synopsis

The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams's choral-orchestral works. The contents include an equitable choice of pieces from the various stages in the life of the composer and an analysis of pieces from the various stages of Williams's life. The earliest are taken from the pre-World War I years, when Vaughan Williams was constructing his identity as an academic and musician-Vexilla Regis (1894), Mass (1899), and A Sea Symphony (1910). The middle group are chosen from the interwar period-Sancta Civitas (1925), Benedicite (1929), Magnificat (1932), Five Tudor Portraits (1935), Dona nobis pacem (1936)-written after Vaughan Williams had found his mature voice. The last cluster-Thanksgiving for Victory (1944), Fantasia (Quasi Variazione) on the 'Old 104' Psalm Tune (1949), Sons of Light (1950), Hodie (1954), The Bridal Day/Epithalamion (1938/1957)-typify the works finished or revisited during the final years of the composer's life, near the end of the Second World War and immediately before or after his second marriage (1953)., The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams's choral-orchestral works. The contents include an equitable choice of pieces from the various stages in the life of the composer and an analysis of pieces from the various stages of Williams's life. The earliest are taken from the pre-World War I years, when Vaughan Williams was constructing his identity as an academic and musician--Vexilla Regis (1894), Mass (1899), and A Sea Symphony (1910). The middle group are chosen from the interwar period--Sancta Civitas (1925), Benedicite (1929), Magnificat (1932), Five Tudor Portraits (1935), Dona nobis pacem (1936)--written after Vaughan Williams had found his mature voice. The last cluster--Thanksgiving for Victory (1944), Fantasia (Quasi Variazione) on the 'Old 104' Psalm Tune(1949), Sons of Light (1950), Hodie (1954), The Bridal Day/Epithalamion (1938/1957)--typify the works finished or revisited during the final years of the composer's life, near the end of the Second World War and immediately before or after his second marriage (1953)., The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams'' choral-orchestral works., The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams' choral-orchestral works. The contents include an equitable choice of pieces from the various stages in the life of the composer and an analysis of pieces from the various stages of Williams' life. The earliest are taken from the pre-World War I years, when Vaughan Williams was constructing his identity as an academic and musician-Vexilla Regis (1894), Mass (1899), and A Sea Symphony (1910). The middle group are chosen from the interwar period-Sancta Civitas (1925), Benedicite (1929), Magnificat (1932), Five Tudor Portraits (1935), Dona nobis pacem (1936)-written after Vaughan Williams had found his mature voice. The last cluster-Thanksgiving for Victory (1944), Fantasia (Quasi Variazione) on the 'Old 104' Psalm Tune (1949), Sons of Light (1950), Hodie (1954), The Bridal Day/Epithalamion (1938/1957)-typify the works finished or revisited during the final years of the composer's life, near the end of the Second World War and immediately before or after his second marriage (1953)., The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams' choral-orchestral works. The contents include an equitable choice of pieces from the various stages in the life of the composer and an analysis of pieces from the various stages of Williams' life. The earliest are taken from the pre-World War I years, when Vaughan Williams was constructing his identity as an academic and musician--Vexilla Regis (1894), Mass (1899), and A Sea Symphony (1910). The middle group are chosen from the interwar period--Sancta Civitas (1925), Benedicite (1929), Magnificat (1932), Five Tudor Portraits (1935), Dona nobis pacem (1936)--written after Vaughan Williams had found his mature voice. The last cluster--Thanksgiving for Victory (1944), Fantasia (Quasi Variazione) on the 'Old 104' Psalm Tune (1949), Sons of Light (1950), Hodie (1954), The Bridal Day/Epithalamion (1938/1957)--typify the works finished or revisited during the final years of the composer's life, near the end of the Second World War and immediately before or after his second marriage (1953).

LC Classification Number

ML410.V3T68 2020

ebay_catalog_id

2019

Description de l'objet du vendeur

Le vendeur assume l'entière responsabilité de cette annonce.

Numéro de l'objet eBay :156055242778

Dernière mise à jour : juin 17, 2024 11:39:47 HAEAfficher toutes les modificationsAfficher toutes les modifications

Expédition et manutention

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El Dorado, Kansas, États-Unis

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