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Objectif d'occasion Canon EF 16-35 mm F/2,8 II L USM - Ex location - Garantie 6 mois - Photo 2 sur 6

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Objectif d'occasion Canon EF 16-35 mm F/2,8 II L USM - Ex location - Garantie 6 mois

Name: Objectif d'occasion Canon EF 16-35 mm F/2,8 II L USM - Ex location - Garantie 6 mois
Brand: Canon
Price: 683.19 CAD
Availability: OutOfStock

État :

D'occasion

“The lens is in good condition fully working with no faults. It mounts smoothly onto the camera and ”... En savoir plussur l'état

Prix de vente :

390,00 GBP

Environ683,19 $C

Expédition :

Expédition non garantie vers : États-Unis. Pour connaître les options d'expédition, veuillez consulter la description de l'objet ou contacter le vendeur.. En savoir plussur l'expédition

Lieu : London, Royaume-Uni

Livraison :

Variable

Renvois :

Renvoi sous 30jours. L'acheteur paie les frais de port du renvoi. En savoir plus- pour en savoir plus sur les renvois

Paiements :

Magasinez en toute confiance

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Informations sur le vendeur

theflashcentre (2354)
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Numéro de l'objet eBay :156047302319

Dernière mise à jour : mai 08, 2024 11:45:35 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État: D'occasion

Remarques du vendeur: “The lens is in good condition fully working with no faults. It mounts smoothly onto the camera and ...

EAN: 4960999416632

Maximum Aperture: f/2.8

Brand: Canon

Series: Canon EF

Type: Zoom lens, Wide Angle, Zoom, High Quality

Focus Type: Auto & Manual

Mount: Canon EF

MPN: 1910B005AA, 1910B005

Focal Length: 16-35mm, Zoom

Item Weight: 640g

À propos de ce produit

Product Information

This Canon EF 16-35mm F/2.8 II L-series USM Lens with a focal length range from 16 mm to 35 mm is ready to accompany its users when taking photographs. Furthermore, it can be mounted on SLR cameras and it features auto and manual focus. In addition, this wide-angle zoom lens fitted with an Ultra Sonic Motor has 8.9 cm diameter and a weight of 640 g.

Product Identifiers

Brand

Canon

MPN

1910B005AA, 1910B005

EAN

4960999416632

eBay Product ID (ePID)

100065738

Product Key Features

Mount

Canon EF

Focal Length

16-35mm, Zoom

Maximum Aperture

f/2.8

Series

Canon EF

Type

Zoom lens, Wide Angle, Zoom, High Quality

Focus Type

Auto & Manual

Dimensions

Depth

11.2cm

Item Weight

640g

Additional Product Features

Magnification Factor

2.2x

Diameter

8.9cm

Focal Length (mm)

16-35mm

Camera Type

Dslr

Optical Zoom

2.2x

Product Line

Canon Ef

Description de l'objet du vendeur

Informations sur le vendeur professionnel

Numéro de TVA :

GB 755 7894 68

Le vendeur assume l'entière responsabilité de cette annonce.

Numéro de l'objet eBay :156047302319

Dernière mise à jour : mai 08, 2024 11:45:35 HAEAfficher toutes les modificationsAfficher toutes les modifications

Expédition et manutention

Le vendeur n'a pas indiqué un mode d'expédition vers : États-Unis. Veuillez contacter le vendeur pour demander l'expédition vers votre adresse.

Lieu où se trouve l'objet :

London, Royaume-Uni

Expédition :

Allemagne, Antigua-et-Barbuda, Arabie saoudite, Aruba, Australie, Autriche, Bahamas, Bahreïn, Barbade, Belgique, Bermudes, Bolivie, Brunéi Darussalam, Bulgarie, Bélize, Cambodge, Canada, Chili, Chine, Chypre, Colombie, Corée du Sud, Costa Rica, Danemark, Dominique, Espagne, Estonie, Finlande, France, Gibraltar, Grenade, Grèce, Guadeloupe, Guatemala, Guernesey, Guyane française, Honduras, Hongrie, Irlande, Islande, Israël, Italie, Jamaïque, Japon, Jersey, Jordanie, Koweït, Lettonie, Liechtenstein, Lituanie, Luxembourg, Macao, Malaisie, Maldives, Malte, Martinique, Mexique, Monaco, Montserrat, Norvège, Nouvelle-Zélande, Oman, Pakistan, Panama, Paraguay, Pays-Bas, Pologne, Portugal, Qatar, Roumanie, Royaume-Uni, République de Croatie, République dominicaine, République tchèque, Réunion, Saint-Kitts-et-Nevis, Sainte-Lucie, Salvador, Singapour, Slovaque, Slovénie, Sri Lanka, Suisse, Suède, Taïwan, Trinité-et-Tobago, Ukraine, Uruguay, Émirats arabes unis, Îles Caïmans, Îles Turks et Caicos

Lieux exclus :

Afghanistan, Libye, Nauru, Russie, Somalie, Yémen

Changer de pays :

Délai de manutention

Expédition dans les 2 jours ouvrables après réception du paiement.

Taxes

Le prix affiché inclut la TVA. Le montant final peut varier en fonction de l'adresse de livraison. En savoir plusEn savoir plus au sujet de la taxe sur la valeur ajoutée.

Taxe de vente pour cet objet (156047302319)

Le vendeur facture une taxe de vente pour les États suivants :

État	Taux de la taxe de vente

*La taxe s'applique uniquement au sous-total + frais d'expédition et de manutention pour les objets dans ces États

Modalités de renvoi

Après réception de l'objet, contactez le vendeur dans un délai de
30 jours

Les frais d'expédition du renvoi sont à la charge de l'acheteur.

Détails du paiement

Modes de paiement

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Évaluations détaillées du vendeur

Moyenne au cours des 12 derniers mois

Qualité de la description

5.0

Justesse des frais d'expédition

4.8

Rapidité de l'expédition

4.9

Communication

4.9

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h***2 (213)- Évaluation laissée par l'acheteur.

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4.8

108 évaluations du produit

96 utilisateurs ont attribué une note de 5 étoiles sur 5
10 utilisateurs ont attribué une note de 4 étoiles sur 5
0 utilisateurs ont attribué une note de 3 étoiles sur 5
1 utilisateurs ont attribué une note de 2 étoiles sur 5
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par old_pharaoh
janv. 26, 2012
A truly excellent lens that improves on its predecessor.
I bought this Mk II lens because I 'lost' my 16-35 MkI version, I use it on both my 5D MkII and my back-up 5D, I often have to shoot the insides of canal narrow boats and for this and any interior shoots there can be few lenses to rival it. The 2.8 aperture gathers light fantastically, this lens is NEVER out of the bag. The Mk I version? well after I had bought this my wife found the 'missing' lens (knocked on the floor and rolled under the desk!) so I've now had a chance to view (and try) then side by side, the principal difference is that the MkII is about 8 or 9 mm longer in the body and I notice that the MkII doesn't suffer from the very slight vignetting that could be seen in the otherwise excellent MkI when used at full width. Both lens are superb, there ... I bought this Mk II lens because I 'lost' my 16-35 MkI version, I use it on both my 5D MkII and my back-up 5D, I often have to shoot the insides of canal narrow boats and for this and any interior shoots there can be few lenses to rival it. The 2.8 aperture gathers light fantastically, this lens is NEVER out of the bag. The Mk I version? well after I had bought this my wife found the 'missing' lens (knocked on the floor and rolled under the desk!) so I've now had a chance to view (and try) then side by side, the principal difference is that the MkII is about 8 or 9 mm longer in the body and I notice that the MkII doesn't suffer from the very slight vignetting that could be seen in the otherwise excellent MkI when used at full width. Both lens are superb, there expensive but why pay all that money for your camera body and stick a cheap aftermarket lens on it?
par ace97302
juil. 24, 2008
Canon EF 16-35 2.8L II - The Ultimate Canon Ultra-Wide
If you're looking for an ultra-wide zoom for your full-frame canon camera, look no further than the 16-35 2.8L II. Don't worry about the price. Just buy it. If you understand the inherent limitations of an ultra-wide zoom, you'll be left speechless by the performance of this lens--I am. With its wide focal lengths and apertures, it makes a great indoor party lens. It's also wonderful for photojournalist work. Other than the extreme corners, the images are flawless wide-open. Because of its wide focal lengths, the lens is not really suitable for traditional portrait work but its perfect for capturing groups and contextual or environmental portraits. The wide aperture is more useful for utilizing available light than blurring backgrounds, though with a close subject, appealing ... If you're looking for an ultra-wide zoom for your full-frame canon camera, look no further than the 16-35 2.8L II. Don't worry about the price. Just buy it. If you understand the inherent limitations of an ultra-wide zoom, you'll be left speechless by the performance of this lens--I am. With its wide focal lengths and apertures, it makes a great indoor party lens. It's also wonderful for photojournalist work. Other than the extreme corners, the images are flawless wide-open. Because of its wide focal lengths, the lens is not really suitable for traditional portrait work but its perfect for capturing groups and contextual or environmental portraits. The wide aperture is more useful for utilizing available light than blurring backgrounds, though with a close subject, appealing background blur can be achieved. While the front element is large, the lens is not heavy, and has superb Canon-L build quality. Distortions seem to be relatively well controlled for such a wide lens. Color and contrast rendition are top notch, so from f8 to f16 this makes a very nice urban- / landscape lens. I was initially hesitant to get this lens considering that it costs about twice as much as the admittedly excellent Canon 17-40 4L. Now that I have it, I have no regrets. It's shockingly sharp wide-open and the extra 1-stop advantage provides a critical difference for indoor available light photography. The image quality at 24mm also appears to be significantly nicer than my 24-105 4L IS. All-in-all, this is a great lens, and well worth its high cost. I highly recommend it.
par rajajones
mai 20, 2015
Superb color and contrast, build quality is fantastic.
The color quality, contrast and sharpness of this lens is superb and distinct from the 11-16mm Tokina, and the 17-55mm Canon. Fantastic on the Canon C100 -- wide-angle to medium zoom lens. -- On the 5DmkIII it's a killer extra-wide angle lens, and a sharp 35mm standard. The zoom is internal, so no extending elements on the outside. Has a fairly close, nearly macro, focusing distance. For video, it's the perfect companion to the 24-105mm. The cost is scary and this is often referred to as a specialty lens because it's so wide -- popular among landscape photographers. But I shoot a lot of wide and medium angles using natural light (documentary) and this lens has become my new workhorse. It's also relatively easy to focus with, which makes it great ... The color quality, contrast and sharpness of this lens is superb and distinct from the 11-16mm Tokina, and the 17-55mm Canon. Fantastic on the Canon C100 -- wide-angle to medium zoom lens. -- On the 5DmkIII it's a killer extra-wide angle lens, and a sharp 35mm standard. The zoom is internal, so no extending elements on the outside. Has a fairly close, nearly macro, focusing distance. For video, it's the perfect companion to the 24-105mm. The cost is scary and this is often referred to as a specialty lens because it's so wide -- popular among landscape photographers. But I shoot a lot of wide and medium angles using natural light (documentary) and this lens has become my new workhorse. It's also relatively easy to focus with, which makes it great for run and gun situations. If you don't shoot a lot of wides, and this would be more of a specialty lens for you, save some money and buy a budget alternative. This lens is great, but not worth the cost unless you're really gonna get good use out of it. There are more affordable options out there, and having used them, they work arguably just as well, but having used this lens, I have no regrets. This is an investment in more than just dollars and cents.
par ctofcsco
mai 10, 2011
A nearly perfect lens, well worth its cost
Purchased for use with a full frame 5D, this is the widest lens I currently own. My prior wide-angle photography was done with a 24mm. Prior to that a 35mm lens. I expected this lens to simply add to my bag of photo tools with an increase of available focal lengths but it has since become a must have. This lens renders fantastic landscapes especially with clouds in the sky. The 16mm focal length regularly wows me with shots that could not be obtained without it. This lens also excels in tight spaces. You will also find that tight spaces tend to have low light. The f/2.8 aperture you get with this lens is perfect for its many uses. Just try taking decent photos of real estate (e.g. bath rooms) with any other lens. Another amazing use that I found for this lens is underground caves ... Purchased for use with a full frame 5D, this is the widest lens I currently own. My prior wide-angle photography was done with a 24mm. Prior to that a 35mm lens. I expected this lens to simply add to my bag of photo tools with an increase of available focal lengths but it has since become a must have. This lens renders fantastic landscapes especially with clouds in the sky. The 16mm focal length regularly wows me with shots that could not be obtained without it. This lens also excels in tight spaces. You will also find that tight spaces tend to have low light. The f/2.8 aperture you get with this lens is perfect for its many uses. Just try taking decent photos of real estate (e.g. bath rooms) with any other lens. Another amazing use that I found for this lens is underground caves with flash lighting. The list grows for me just about every day. Another plus is that I can put this lens in a bag with my 35-350mm and have a two lens does just about everything solution. I do this often. There really is NOTHING about this lens that I could complain about. While full frame users might be tempted to get by with 24mm or 28mm wide angle lenses, APS-C users will greatly appreciate what this lens provides. My spouse regularly uses this lens on a 50D as you need such a lens to combat the wide angle limitations of a 1.6 crop factor. The lens is reasonably small and light for an "L" lens with such excellent build quality. Image quality is stunning. I have never noticed vignetting even with a full frame camera. You need a protective filter to achieve weather sealing and because it is such a wide angle, you will need a slim/thin filter to avoid vignetting. This lens is well worth the money if you enjoy wide angle photography.
par 32748brent
juin 08, 2012
Surprisingly versatile lens that stays on one of my cameras.
Having a new Sigma 12-24mm f-4.5 wide angle lens in my inventory, I pondered whether or not it was worth it to spend this kind of money for duplication somewhat at 16-35mm. I have found many occasions whereby I cannot get far enough away in a room or venue to use my 24-70mm lens, and the light level is low or flash is not allowed. This fast lens f-2.8 allows me to put this lens on one camera, and my 24-70mm or 70-200mm lens on the other. I can shoot indoors easily without a flash, and I can get super close to photograph a bee on a flower. It is sharp as a tack, and image quality is superb as they are with all my other high quality Canon glass. The ability to shoot in low light conditions is amazing. I would advise anyone who shoots weddings, real estate, tours or venues in rooms to ... Having a new Sigma 12-24mm f-4.5 wide angle lens in my inventory, I pondered whether or not it was worth it to spend this kind of money for duplication somewhat at 16-35mm. I have found many occasions whereby I cannot get far enough away in a room or venue to use my 24-70mm lens, and the light level is low or flash is not allowed. This fast lens f-2.8 allows me to put this lens on one camera, and my 24-70mm or 70-200mm lens on the other. I can shoot indoors easily without a flash, and I can get super close to photograph a bee on a flower. It is sharp as a tack, and image quality is superb as they are with all my other high quality Canon glass. The ability to shoot in low light conditions is amazing. I would advise anyone who shoots weddings, real estate, tours or venues in rooms to purchase this lens now. The fall in the dollar has already made this lens increase in price by $250 since December.