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Quatuor Corigliano - Compositions par Adam Silverman [Nouveau CD]
État :
Plus de 10 disponibles
Expédition :
Lieu : Shepherdsville, Kentucky, États-Unis
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Livraison prévue entre le ven. 21 juin et le sam. 22 juin à 43230
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Numéro de l'objet eBay :145638436868
Dernière mise à jour : mars 13, 2024 00:51:27 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Custom Bundle
- No
- Duration
- Album
- Modified Item
- No
- Title
- Compositions By Adam Silverman
- Album Name
- Compositions By Adam Silverman
- Type
- Album
- Brand
- New Focus
- UPC
- 0884501172776
- Artist
- Silverman / Stern / Barston / Andrist
- Format
- CD
- Release Year
- 2010
- Record Label
- Nfoc, New Focus
- Release Title
- Compositions by Adam Silverman
- Genre
- Classical Artists
À propos de ce produit
Product Identifiers
Record Label
Nfoc, New Focus
UPC
0884501172776
eBay Product ID (ePID)
8046071435
Product Key Features
Format
CD
Release Year
2010
Genre
Classical Artists
Artist
Silverman / Stern / Barston / Andrist
Release Title
Compositions by Adam Silverman
Dimensions
Item Height
0.40 in
Item Weight
0.20 lb
Item Length
5.60 in
Item Width
4.90 in
Additional Product Features
Number of Tracks
13
Number of Discs
1
Tracks
1.1 I. Forcefully 1.2 II. Tenderly 1.3 III. Swiftly 1.4 No. 1. Fleeting 1.5 No. 2. Sentimentally 1.6 No. 3. Agitated 1.7 No. 4. Tenderly 1.8 No. 5. Dolce Sostenuto 1.9 No. 6. Sprightly 1.10 Ricochet 1.11 I. Sophie's Set 1.12 II. Slippery Waltz 1.13 III. the Hopping Needle
Notes
Some composers are manically focused, repeating themselves in some way or another throughout their entire lives, honing in and perfecting a single notion in it's multiple extremes-from Rossini to Reich, Lassus to Lutoslawski-while others are absorbent, exploring multiple strands of possibilities, moods and stripes, among them Stravinsky, Poulenc, Schoenberg, Andriessen, and the composer of the music on this disc, Adam Silverman. Neither sort of artist is preferable to the other (where would we be without Reich's razor-focus and Stravinsky's wanderings?) but it does say a lot about the person and personality of the composer who chooses to go rogue, even from themselves. The compositions of Adam Silverman reflect his adventurous curiosity-he's written music in many styles, from tonal to microtonal, from minimal to maximal. He seems to have settled, at least in the last half decade, on music favored by melody and lush, piquant harmonies, music with clear forms and elegant instrumental lines. But what he retains throughout all of the four pieces on this disc is a generous spirit and a caring, inviting approach to music making. The disc opens with Sturm (2002), a word most often paired with "drang" to make for a German expression meaning roughly "storm and stress." Silverman is very telling with his title: this will be a storm sans stress, and the title also puns on a fresh and fizzy, intoxicating Viennese wine. He labels each movement with dual descriptions that the title appropriately lacks. The first movement, "Forcefully, with bite" is an essay in waylaid anxiousness; agita lurks but gives way to the quiet bliss of serenity. The second movement, "Tenderly, with passion" is full of gorgeously ghostlike figures, as if the quiet deep-below anxiety of the first movement has moved to the attic. Dreamy reveries cede to a gentle, satisfying ending-the dreamer awakens, perhaps? The third movement "Swiftly, with aggression" is a rock-solid, rollicking scherzo that draws the listener, through the sheer moxie of momentum to a decidedly emphatic ending. The solo piano work Nocturnes and Reveries (2004) delivers on the promise of the title, daringly offering middle of the night thinking cast in the form of intricate miniatures. The fugitive yet traditionally based harmonies pay homage to the French masters of the early 20th Century-shadows of Poulenc, Satie, and Debussy drip from these delicious moments musicales-but with the quick-change focus and pacing that can only come from our own "age of information." There's an unsettling quality to all the well-wrought separate movements, and while each of these pieces can be enjoyed as a separate creature (I can imagine both the first movement, "Fleeting," and the fourth, "Tenderly," as good recital fare on their own) the cycle on a whole is a complete journey, beginning in skittishness and ending with quiet succor. Audrey Andrist's loving performance presents the work with engaging focus and panache. From a piece called Ricochet (2004), one might expect the high-volume hiccoughing hockets of Andriessen, perhaps a piece favored by brutal velocity, but instead Silverman, once again devilishly playing off the title's expectations, delivers an essay on motivic development which he allows to sink or swim (the latter, certainly) on it's own inherent musicality rather than on a clever notion. The title reflects both how the music quickly bounces from mood to mood, and how it's instruments gaily bounce from note to note, key to key, and string to string. From the quiet (but hardly shy) gurgles of the opening moments to the surprising close, Silverman saturates with wry little tunes and his customary bold and broad harmonies; this is another piece in which the composer considers his audience and gives them something sweeping, bright, and amusingly chaotic. In 2005 Silverman wrote, for the Corigliano Quartet, his third string quartet Corrie Q's Jigs and Reels as a reaction to the infectious verve
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Numéro de l'objet eBay :145638436868
Dernière mise à jour : mars 13, 2024 00:51:27 HAEAfficher toutes les modificationsAfficher toutes les modifications
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Shepherdsville, Kentucky, États-Unis
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Fast shipping, great condition, as described.