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Journalisme littéraire et esthétique de l'expérience par Hartsock, John C.
by Hartsock, John C. | PB | Good
État :
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Numéro de l'objet eBay :145317276995
Dernière mise à jour : janv. 10, 2024 18:44:32 HNEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Bon
- Remarques du vendeur
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9781625341747
- Subject Area
- Literary Criticism, Language Arts & Disciplines, Social Science
- Publication Name
- Literary Journalism and the Aesthetics of Experience
- Publisher
- University of Massachusetts Dartmouth
- Item Length
- 9.2 in
- Subject
- Journalism, General, American / General
- Publication Year
- 2015
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 12.3 Oz
- Item Width
- 6.1 in
- Number of Pages
- 208 Pages
À propos de ce produit
Product Identifiers
Publisher
University of Massachusetts Dartmouth
ISBN-10
1625341741
ISBN-13
9781625341747
eBay Product ID (ePID)
219204581
Product Key Features
Number of Pages
208 Pages
Language
English
Publication Name
Literary Journalism and the Aesthetics of Experience
Subject
Journalism, General, American / General
Publication Year
2015
Type
Textbook
Subject Area
Literary Criticism, Language Arts & Disciplines, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
12.3 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2015-027972
Reviews
"A valuable, sophisticated, and provocative book that will appeal to scholars in journalism studies and literary criticism and a good complement to Hartsock's earlier work."--John C. Nerone, editor of Last Rights: Revisiting Four Theories of the Press "This new and densely argued text is the fruit of [years] of reflection. And it succeeds wonderfully in opening up the literary journalism debate to completely original and exciting new fields of inquiry."-- Literary Journalism Studies "Hartsock has produced a carefully researched and well-argued contribution to the literature of journalism history. His book helps media historians understand how a distinct genre of literary journalism fits within the history of journalism."-- Journalism History, "A valuable, sophisticated, and provocative book that will appeal to scholars in journalism studies and literary criticism and a good complement to Hartsock's earlier work."--John C. Nerone, editor of Last Rights: Revisiting Four Theories of the Press"This new and densely argued text is the fruit of [years] of reflection. And it succeeds wonderfully in opening up the literary journalism debate to completely original and exciting new fields of inquiry."--Literary Journalism Studies"Hartsock has produced a carefully researched and well-argued contribution to the literature of journalism history. His book helps media historians understand how a distinct genre of literary journalism fits within the history of journalism."--Journalism History, "A valuable, sophisticated, and provocative book that will appeal to scholars in journalism studies and literary criticism and a good complement to Hartsock's earlier work."--John C. Nerone, editor of Last Rights: Revisiting Four Theories of the Press "This new and densely argued text is the fruit of [years] of reflection. And it succeeds wonderfully in opening up the literary journalism debate to completely original and exciting new fields of inquiry."--Literary Journalism Studies "Hartsock has produced a carefully researched and well-argued contribution to the literature of journalism history. His book helps media historians understand how a distinct genre of literary journalism fits within the history of journalism."--Journalism History
Dewey Edition
23
Grade From
College Graduate Student
Dewey Decimal
070.4/3
Synopsis
Proponents and practitioners of narrative literary journalism have sought to assert its distinctiveness as both a literary form and a type of journalism. In Literary Journalism and the Aesthetics of Experience, John C. Hartsock argues that this often neglected kind of journalism -- exemplified by such renowned works as John Hersey's Hiroshima, James Agee's Let Us Now Praise Famous Men, and Joan Didion's Slouching Towards Bethlehem -- has emerged as an important genre of its own, not just a hybrid of the techniques of fiction and the conventions of traditional journalism.Hartsock situates narrative literary journalism within the broader histories of the American tradition of "objective" journalism and the standard novel. While all embrace the value of narrative, or storytelling, literary journalism offers a particular "aesthetics of experience" lacking in both the others. Not only does literary journalism disrupt the myths sustained by conventional journalism and the novel, but its rich details and attention to everyday life question readers' cultural assumptions. Drawing on the critical theories of Nietzsche, Bakhtin, Benjamin, and others, Hartsock argues that the aesthetics of experience challenge the shibboleths that often obscure the realities the other two forms seek to convey.At a time when print media appear in decline, Hartsock offers a thoughtful response to those who ask, "What place if any is there for a narrative literary journalism in a rapidly changing media world?", Proponents and practitioners of narrative literary journalism have sought to assert its distinctiveness as both a literary form and a type of journalism. In Literary Journalism and the Aesthetics of Experience, John C. Hartsock argues that this often neglected kind of journalism has emerged as an important genre of its own, not just a hybrid of the techniques of fiction and the conventions of traditional journalism., Proponents and practitioners of narrative literary journalism have sought to assert its distinctiveness as both a literary form and a type of journalism. In Literary Journalism and the Aesthetics of Experience , John C. Hartsock argues that this often neglected kind of journalism?exemplified by such renowned works as John Hersey's Hiroshima , James Agee's Let Us Now Praise Famous Men , and Joan Didion's Slouching Towards Bethlehem ?has emerged as an important genre of its own, not just a hybrid of the techniques of fiction and the conventions of traditional journalism. Hartsock situates narrative literary journalism within the broader histories of the American tradition of "objective" journalism and the standard novel. While all embrace the value of narrative, or storytelling, literary journalism offers a particular "aesthetics of experience" lacking in both the others. Not only does literary journalism disrupt the myths sustained by conventional journalism and the novel, but its rich details and attention to everyday life question readers' cultural assumptions. Drawing on the critical theories of Nietzsche, Bakhtin, Benjamin, and others, Hartsock argues that the aesthetics of experience challenge the shibboleths that often obscure the realities the other two forms seek to convey. At a time when print media appear in decline, Hartsock offers a thoughtful response to those who ask, "What place if any is there for a narrative literary journalism in a rapidly changing media world?", Proponents and practitioners of narrative literary journalism have sought to assert its distinctiveness as both a literary form and a type of journalism. In Literary Journalism and the Aesthetics of Experience , John C. Hartsock argues that this often neglected kind of journalism--exemplified by such renowned works as John Hersey's Hiroshima , James Agee's Let Us Now Praise Famous Men , and Joan Didion's Slouching Towards Bethlehem --has emerged as an important genre of its own, not just a hybrid of the techniques of fiction and the conventions of traditional journalism. Hartsock situates narrative literary journalism within the broader histories of the American tradition of "objective" journalism and the standard novel. While all embrace the value of narrative, or storytelling, literary journalism offers a particular "aesthetics of experience" lacking in both the others. Not only does literary journalism disrupt the myths sustained by conventional journalism and the novel, but its rich details and attention to everyday life question readers' cultural assumptions. Drawing on the critical theories of Nietzsche, Bakhtin, Benjamin, and others, Hartsock argues that the aesthetics of experience challenge the shibboleths that often obscure the realities the other two forms seek to convey. At a time when print media appear in decline, Hartsock offers a thoughtful response to those who ask, "What place if any is there for a narrative literary journalism in a rapidly changing media world?"
LC Classification Number
PN3377.5.R45H38 2016
ebay_catalog_id
4
Copyright Date
2015
Description de l'objet du vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :145317276995
Dernière mise à jour : janv. 10, 2024 18:44:32 HNEAfficher toutes les modificationsAfficher toutes les modifications
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