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Karen Dalton - In My Own Time - 50th Anniversary Super Deluxe Edition [Vinyle neuf

État :
Neuf
Plus de 10 disponibles / 14 vendus
Prix :
99,24 $US
Environ136,35 $C
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Lieu : Shepherdsville, Kentucky, États-Unis
Livraison :
Livraison prévue entre le mer. 12 juin et le ven. 14 juin à 43230
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Informations sur le vendeur

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Numéro de l'objet eBay :144538486309
Dernière mise à jour : mars 13, 2024 00:35:43 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Neuf: Un objet entièrement neuf, inutilisé, non ouvert et non endommagé (incluant les objets faits à ...
Custom Bundle
No
Duration
Album
Language
English
Modified Item
No
Record Grading
Mint(M)
Record Size
12"
Sleeve Grading
Mint(M)
Features
Bonus CD, 180 Gram, With Booklet, Poster, Rmst
Speed
33 RPM
Title
In My Own Time - 50th Anniversary Super Deluxe Edition
Album Name
In My Own Time - 50th Anniversary Super Deluxe Edition
Type
Album
UPC
826853220316
Artist
Dalton, Karen
Format
Record
Release Year
2022
Record Label
Light in T.H.E. Attic, Liaa
Release Title
In My Own Time-50th Anniversary Super Deluxe Edition
Genre
Folk

À propos de ce produit

Product Identifiers

Record Label
Light in T.H.E. Attic, Liaa
UPC
0826853220316
eBay Product ID (ePID)
2324693964

Product Key Features

Format
Record
Release Year
2022
Genre
Folk
Artist
Dalton, Karen
Release Title
In My Own Time-50th Anniversary Super Deluxe Edition

Dimensions

Item Height
0.57 in
Item Weight
2.49 lb
Item Length
12.52 in
Item Width
12.35 in

Additional Product Features

Number of Tracks
19
Country/Region of Manufacture
United States
Tracks
1.1 Something On Your Mind 1.2 When a Man Loves A Woman 1.3 In My Own Dream 1.4 Katie Cruel 1.5 How Sweet It Is 1.6 In A Station 1.7 Take Me 1.8 Same Old Man 1.9 One Night of Love 1.10 Are You Leaving For The Country 1.11 Something On Your Mind (Alternate Take) 1.12 In My Own Dream (Alternate Take) 1.13 Katie Cruel (Alternate Take) 1.14 One Night Of Love - Live at Beat Club Germany, April 21, 1971 1.15 Take Me - Live at Beat Club, Germany, April 21, 1971 1.16 Something On Your Mind - Live at The Montreux Golden Rose Pop Festival, May 1, 1971 1.17 Blues On The Ceiling - Live at The Montreux Golden Rose Pop Festival, May 1, 1971 1.18 Are You Leaving For The Country - Live at The Montreux Golden Rose Pop Festival, May 1, 1971 1.19 One Night Of Love - Live at The Montreux Golden Rose Pop Festival, May 1, 1971
Number of Discs
3
Notes
Karen Dalton's 1971 album, In My Own Time, stands as a true masterpiece by one of music's most mysterious, enigmatic, and enduringly influential artists. Light in the Attic is honored to celebrate the 50th anniversary of In My Own Time with the definitive edition of this monumental classic. Featuring Dalton's interpretations of songs like "Are You Leaving for the Country," "When a Man Loves a Woman," "Katie Cruel," and her posthumously recognized signature performance, "Something On Your Mind," will be available in a variety of formats, including a bonus-filled, 50th anniversary Super Deluxe Edition, which expands exponentially upon Light in the Attic's 2006 reissue of the album, co-produced by Nicholas Hill. The 50th Anniversary Super-Deluxe Edition features the newly remastered (2021) In My Own Time album, presented on three sides of 45-RPM, 180-gram vinyl pressed at Record Technology Inc. (RTI), with the fourth side showcasing alternate takes from the album sessions. The Super Deluxe package also includes the previously unreleased audio from her rare, captivating performance, Live at The Montreux Golden Rose Pop Festival, May 1st, 1971. This is the first time this audio has been made available in any physical format - presented on 180-gram 12-inch vinyl, pressed at Third Man Record Pressing, and featuring a stunning etching of Dalton by acclaimed artist Jess Rotter on the B-Side. Accompanying the bonus record is a replica playbill from The Montreux Golden Rose Pop Festival, 1971, meticulously arranged and compiled from vintage source material by Darryl Norsen. In addition to the bonus 12", the set contains a CD of all tracks included in the package and two 7-inch singles, featuring previously-unreleased live recordings captured at Germany's Beat Club in 1971, both pressed at Third Man Record Pressing and housed in tip-on jackets. All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters. A 20-page booklet-featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart-rounds out the package, which comes housed in a special trifold jacket, individually foil-stamped and numbered in a strictly limited worldwide edition of 2,000 copies. All orders of the Super Deluxe Edition (from LightInTheAttic. Net and Karen-Dalton. #com) will include an 18"x24" fold-out movie poster of the acclaimed documentary film Karen Dalton: In My Own Time, illustrated by artist Matt McCormick. Directed by Robert Yapkowitz and Richard Peete and executive produced by Light in the Attic, Wim Wenders and Delmore Recording Society, the film chronicles the life, music, and legacy of Dalton and features interviews with family, friends, collaborators, and a variety of artists, including Peter Walker, Nick Cave, and country singer Lacy J. Dalton. Angel Olsen lends her voice to the film as the principle narrator, reading aloud from Dalton's personal journal. The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear "the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York. ' Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early '60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. "My favorite singer in the place was Karen Dalton," he recalled in Chronicles: Volume One (Simon & Schuster, 2004). "Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed. " Those who k

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