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Modernismes diasporiques : littérature hébraïque et yiddish au XXe siècle, Sc

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Caractéristiques de l'objet

État
Très bon: Un livre qui n’a pas l’air neuf et qui a été lu, mais qui est en excellent état. La ...
Book Title
Diasporic Modernisms: Hebrew and Yiddish Literature in the Twenti
ISBN
9780199812639
EAN
9780199812639
Subject Area
Literary Criticism, Social Science
Publication Name
Diasporic Modernisms : Hebrew and Yiddish Literature in the Twentieth Century
Item Length
6.2 in
Publisher
Oxford University Press, Incorporated
Subject
Semiotics & Theory, Jewish, Jewish Studies
Publication Year
2011
Type
Textbook
Format
Hardcover
Language
English
Item Height
1 in
Author
Allison Schachter
Item Width
9.4 in
Item Weight
15.6 Oz
Number of Pages
208 Pages

À propos de ce produit

Product Information

Diasporic Modernisms illuminates the formal and historical aspects of displaced Jewish writers--S. Y. Abramovitsh, Yosef Chaim Brenner, Dovid Bergelson, Leah Goldberg, and others--who grappled with statelessness and the uncertain status of Yiddish and Hebrew.

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0199812632
ISBN-13
9780199812639
eBay Product ID (ePID)
109105143

Product Key Features

Author
Allison Schachter
Publication Name
Diasporic Modernisms : Hebrew and Yiddish Literature in the Twentieth Century
Format
Hardcover
Language
English
Subject
Semiotics & Theory, Jewish, Jewish Studies
Publication Year
2011
Type
Textbook
Subject Area
Literary Criticism, Social Science
Number of Pages
208 Pages

Dimensions

Item Length
6.2 in
Item Height
1 in
Item Width
9.4 in
Item Weight
15.6 Oz

Additional Product Features

LCCN
2011-006688
Intended Audience
Scholarly & Professional
Number of Volumes
1 Vol.
Lc Classification Number
Pj5020.S33 2011
Reviews
"A very powerful response to scholarship that remains bound to nationalist frameworks,Diasporic Modernismsprovides a convincing new model for understanding the relationship between the literatures of modern Hebrew and Yiddish." --Barry Trachtenberg, author ofThe Revolutionary Roots of ModernYiddish, 1903-1917 "Allison Schachter's important and eloquent book shows us why transnational modernism can't be all in one language.Diasporic Modernismsargues convincingly that literary histories organized around English, German, Hebrew, or any other single tongue tend to reaffirm the exclusive project of the nation-state. By following the intersecting paths of Yiddish and Hebrew literary modernisms, Schachter introduces us to innovative writing best understood in a multilingual context of multiple centers and multiple audiences. Anyone interested in ways of thinking about modernism beyond the nation and beyond Western Europe will want to read this book." --Rebecca Walkowitz, author ofCosmopolitan Style: Modernism Beyond the Nation "Diasporic Modernismsis smart, beautifully written, and meticulously researched. Working to decouple the link between nation, language and territory, the book suggests the model of diaspora to illuminate the multilingual conditions in which modernist Hebrew and Yiddish writing thrived. While neither 'about' history nor geography per se, Schachter's study raises compelling questions about both as categories of literary analysis, bringing Jewish literary studies into conversation with theories of modernism and diaspora studies." --Barbara Mann, author ofA Place in History: Modernism, TelAviv, and the Creation of Jewish Urban Space "Impressive in scope and attention to shifting contexts,Diasporic Modernismsboldly rethinks the role of Hebrew and Yiddish in the shaping of diasporic modernisms. Schachter offers a powerful account of the way these languages, with their linked and mutual histories, enabled variously situated Jewish writers to create the conditions for experimental modernism, thematize the nonterritorial relation between Jewish-language writers and readers, and negotiate crises of nationalism and representation." --Sara Blair, coeditor ofJewish in America "Allison Schachter's lucid, richly informed account of the productive ambivalences between Hebrew and Yiddish modernism has implications beyond the history of Jewish literatures. As the assumed confluence between national borders and national literatures loosens, there is a lesson for our times in this perceptive study of diasporic creativity." --Robert Alter, author ofHebrew and Modernity, "Schachter's outstanding contribution lies in her attention to the role of gender in the reformation of literary languages and cultures in Hebrew modernism." --Modernism/modernity, "A very powerful response to scholarship that remains bound to nationalist frameworks, Diasporic Modernisms provides a convincing new model for understanding the relationship between the literatures of modern Hebrew and Yiddish." --Barry Trachtenberg, author of The Revolutionary Roots of Modern Yiddish, 1903-1917 "Allison Schachter's important and eloquent book shows us why transnational modernism can't be all in one language. Diasporic Modernisms argues convincingly that literary histories organized around English, German, Hebrew, or any other single tongue tend to reaffirm the exclusive project of the nation-state. By following the intersecting paths of Yiddish and Hebrew literary modernisms, Schachter introduces us to innovative writing best understood in a multilingual context of multiple centers and multiple audiences. Anyone interested in ways of thinking about modernism beyond the nation and beyond Western Europe will want to read this book." --Rebecca Walkowitz, author of Cosmopolitan Style: Modernism Beyond the Nation "Diasporic Modernisms is smart, beautifully written, and meticulously researched. Working to decouple the link between nation, language and territory, the book suggests the model of diaspora to illuminate the multilingual conditions in which modernist Hebrew and Yiddish writing thrived. While neither 'about' history nor geography per se, Schachter's study raises compelling questions about both as categories of literary analysis, bringing Jewish literary studies into conversation with theories of modernism and diaspora studies." --Barbara Mann, author of A Place in History: Modernism, Tel Aviv, and the Creation of Jewish Urban Space "Impressive in scope and attention to shifting contexts, Diasporic Modernisms boldly rethinks the role of Hebrew and Yiddish in the shaping of diasporic modernisms. Schachter offers a powerful account of the way these languages, with their linked and mutual histories, enabled variously situated Jewish writers to create the conditions for experimental modernism, thematize the nonterritorial relation between Jewish-language writers and readers, and negotiate crises of nationalism and representation." --Sara Blair, coeditor of Jewish in America "Allison Schachter's lucid, richly informed account of the productive ambivalences between Hebrew and Yiddish modernism has implications beyond the history of Jewish literatures. As the assumed confluence between national borders and national literatures loosens, there is a lesson for our times in this perceptive study of diasporic creativity." --Robert Alter, author of Hebrew and Modernity "Writers discussed include S.Y. Abramovitsh. Yosef Chaim Brenner, Dovid Bergelson, Leah Goldberg, Kadia Molodowsky, and Gabriel Preil."--The Chronicle Review "A welcome addition to the growing critical literature...Recommended." --Choice "Highly recommended for academic libraries collecting in the areas of Jewish culture and languages." --Association of Jewish Libraries Reviews "Highly recommended for academic libraries collecting in the areas of Jewish culture and languages."--AJL Reviews
Table of Content
Introduction Chapter 1 The Protomodernist Storyteller in Odessa: S. Y. Abramovitsh's Ba-yamim ha-hem and Shloyme reb khayims Chapter 2 Translation and Transnationalism in Yosef Chaim Brenner's Shekhol ve-khishalon Chapter 3 The Crisis of Yiddish Modernism in Weimar Berlin: Dovid Bergelson's Interwar Short Fiction Chapter 4 Gender and the Language of Modernism in Leah Goldberg's Ve-hu ha-'or Chapter 5 The Afterlife of Diasporic Modernism: Gabriel Preil and Kadia Molodowsky in Postwar New York Postscript Index, IntroductionChapter 1The Protomodernist Storyteller in Odessa:S. Y. Abramovitsh's Ba-yamim ha-hem and Shloyme reb khayimsChapter 2Translation and Transnationalism in Yosef Chaim Brenner's Shekhol ve-khishalonChapter 3The Crisis of Yiddish Modernism in Weimar Berlin:Dovid Bergelson's Interwar Short FictionChapter 4Gender and the Language of Modernism in Leah Goldberg's Ve-hu ha-'orChapter 5The Afterlife of Diasporic Modernism:Gabriel Preil and Kadia Molodowsky in Postwar New YorkPostscriptIndex
Copyright Date
2011
Dewey Decimal
892.4/09006
Dewey Edition
22
Illustrated
Yes

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