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Launder - Happening - Vinyle de couleur bleue [Nouveau LP vinyle] Bleu, Vinyle de couleur, Royaume-Uni

État :
Neuf
9 disponibles
Prix :
30,77 $US
Environ42,33 $C
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Lieu : Shepherdsville, Kentucky, États-Unis
Livraison :
Livraison prévue entre le ven. 21 juin et le lun. 24 juin à 43230
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Numéro de l'objet eBay :134455499615
Dernière mise à jour : mars 22, 2024 11:45:44 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Neuf: Un objet entièrement neuf, inutilisé, non ouvert et non endommagé (incluant les objets faits à ...
Custom Bundle
No
Duration
Album
Language
English
Modified Item
No
Record Grading
Mint(M)
Record Size
12"
Sleeve Grading
Mint(M)
Features
Blue, Colored Vinyl, UK - Import
Speed
33 RPM
Title
Happening - Blue Colored Vinyl
Album Name
Happening - Blue Colored Vinyl
Type
Album
UPC
0804297839349
Artist
Launder
Format
Record
Release Year
2022
Record Label
IMT, Ghostly
Release Title
Happening-Blue Colored Vinyl
Genre
Rock

À propos de ce produit

Product Identifiers

Record Label
IMT, Ghostly
UPC
0804297839349
eBay Product ID (ePID)
5054626339

Product Key Features

Release Year
2022
Format
Record
Genre
Rock
Artist
Launder
Release Title
Happening-Blue Colored Vinyl

Dimensions

Item Height
0.27 in
Item Weight
0.95 lb
Item Length
12.44 in
Item Width
12.31 in

Additional Product Features

Number of Tracks
13
Tracks
1.1 Unwound 1.2 Intake 1.3 Blue Collar 1.4 On a Wire 1.5 Become 1.6 Beggar 1.7 Rust 2.1 Withdraw 2.2 Lockwood 2.3 Harbour Mouth 2.4 Chipper 2.5 Parking Lot 2.6 Lantern
Number of Discs
2
Notes
Limited blue colored vinyl. After nearly three years and sixty demos, Launder's full-length debut is Happening. In 2019, Orange County-raised, Los Angeles-based musician John Cudlip signed to Ghostly International to build his recording project, developed out of casual sessions with friends Jackson Phillips (Day Wave), Soko, and Zachary Cole Smith (DIIV). Launder's music had seen unexpected attention, with Stereogum placing it "somewhere at the intersection of '90s lo-fi and shoegaze," and Gorilla vs. Bear noting Cudlip's "serious knack for the kind of wistful, soaring choruses that immediately make you feel like you've known these songs forever." With live shows paused in 2020, he immersed fully into writing and arranging an overflow of ideas. Cudlip also embraced sobriety, redirecting his once-destructive addictive tendencies into studio craft - all his thoughts consumed by melody and texture, all his resources lobbed into gear, every buzz, hiss, and hum of this record became his entire world. The resulting set sprawls across a double LP release; it's a considered beast of a debut and he's proud of it, living with it, finally. Through it's thirteen songs, Happening is timeless, grappling with something bigger than just melody, the cathartic and the tender, indebted to indie rock greats while informed by modern and prudent self-reflection. "I feel like I've evolved into a much more self-reliant writer compared to the EP and 7-inch releases but I couldn't have made this record without the band," he says. "The songs came to life in the rehearsal space with them, it was like a light switch went on." To record the album, Cudlip and collaborators - including Chase Meier (bass), Bryan DeLeon (drums), Nathan Hawelu (lead guitar) - joined co-producer, engineer, and mixer Sonny DiPerri (My Bloody Valentine, Nine Inch Nails, DIIV) at New Monkey Studio, the vintage analog/modern digital recording studio in Van Nuys, California once owned by Elliott Smith. Cudlip mapped out his dream setup; alternate-tuning a fleet of Fenders to facilitate his left-handed playing, experimenting with different amps (a late '70s Marshall JMP carried much of the sound), and getting the vocals just right on Smith's old Neumann U48 microphone and Fairchild compressor. With each nuanced adjustment and improved take, they'd joke, "it's happening." The sort of phrase you say to keep the vibe light - but there was some gravity behind it - as the group was forced to wait to be safely in the same space again. It was apparent to them that something magnetic was shaping this record. Opening cut "Unwound" punches with soaring hooks; Cudlip and Zachary Cole Smith referred to the early demo as "arena rock," and one could picture it's jagged riffs filling that sort of space. It's a compelling preface - in the school of mission statement album openers like Nirvana's "Serve The Servants," The Jesus and Mary Chain's "Darklands," and The Stone Roses "I Wanna Be Adored" - encapsulating the canonical quiet/loud songwriting of his youth. Behind the bright guitar lines is a darker thread; a character, or maybe a self, is interrogated; "you say you're clean now," he sings with disdain. Next is the more urgent and impulsive "Intake," built on chugging drums and wiry guitar interplay, all the backdrop to some kind of hazardous love. "I wanted a song on the record with cleaner guitars, and this is pretty much the only one." The feedback swells back in for "Blue Collar," a visceral ode to being alone written in his hometown of Dana Point on an old guitar in an unusual tuning. "Sometimes I'll just loop a part of the song for 30 minutes when writing till I get into this hypnotic space, and that's what happened here," he says. "I don't know where that riff came from but it's one of my favorites on the record." There's a sense of nostalgic desire and remorse across these songs, no more potent than "On A Wire," with Cudlip remembering "all the little parts of you" above a crest

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