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Evanescence - The Open Door [Nouveau CD]

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Lieu : Shepherdsville, Kentucky, United States, États-Unis
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Informations sur le vendeur

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Numéro de l'objet eBay :132040700555
Dernière mise à jour : mai 27, 2024 17:55:45 HAEAfficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Entièrement neuf: Un objet n'ayant jamais été ouvert et dont le sceau du fabricant n'a pas été ...
Custom Bundle
No
Duration
Album
Modified Item
No
Title
The Open Door
Album Name
The Open Door
Type
Album
UPC
601501312021
Artist
Evanescence
Format
CD
Release Year
2006
Record Label
Bicycle Music Com., Bcmc
Release Title
The Open Door
Genre
Heavy Metal

À propos de ce produit

Product Identifiers

Record Label
Bicycle Music Com., Bcmc
UPC
0601501312021
eBay Product ID (ePID)
22046039033

Product Key Features

Format
CD
Release Year
2006
Genre
Heavy Metal
Artist
Evanescence
Release Title
The Open Door

Dimensions

Item Height
0.40 in
Item Weight
0.19 lb
Item Length
5.60 in
Item Width
4.90 in

Additional Product Features

Number of Tracks
13
Number of Discs
1
Tracks
1.1 Sweet Sacrifice 1.2 Call Me When You're Sober 1.3 Weight of the World 1.4 Lithium 1.5 Cloud Nine 1.6 Snow White Queen 1.7 Lacrymosa 1.8 Like You 1.9 Lose Control 1.10 The Only One 1.11 Your Star 1.12 All That I'm Living for 1.13 Good Enough
Notes
Evanescence returns with their sophomore album, THE OPEN DOOR. The album from the two time Grammy Award winning band is defined by Amy Lee's stunning vocals, compelling lyrics and poignant piano. Fused with Terry Balsamo's urgent, intricate guitar work, the music forms a seamless, ethereal mixture that perfectly channels Evanescence's hard rock and classical sensibilities.

Description de l'objet du vendeur

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Moyenne au cours des 12 derniers mois

Qualité de la description
5.0
Justesse des frais d'expédition
5.0
Rapidité de l'expédition
5.0
Communication
4.9

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Évaluations comme vendeur (4 472 553)

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Évaluations et avis sur le produit

4.7
98 évaluations du produit
  • 79 utilisateurs ont attribué une note de 5 étoiles sur 5
  • 13 utilisateurs ont attribué une note de 4 étoiles sur 5
  • 4 utilisateurs ont attribué une note de 3 étoiles sur 5
  • 0 utilisateurs ont attribué une note de 2 étoiles sur 5
  • 2 utilisateurs ont attribué une note de 1 étoiles sur 5

Would recommend

Good value

Good quality

Avis les plus pertinents

  • One of the best CDs in years

    This album can be summed up in one word. BRILLIANT! This is by far one of the best albums released in years. Evanescence really delivers a high caliber performance. There are very few singers that sound as good as Amy Lee. There is very little I didn’t like about this album. . I give it an overall rating of 4 out of 5. Song Ratings: Sweet Sacrifice - 4 out of 5. A great way to start an album. Simply a great performance. The music isn’t the most complex, but it matches the mood of the lyrics. Call me When Your Sober - 5 out of 5. A brilliant mix of complex guitar lines with the sweet melodies that only Amy Lee can deliver. Weight of the World - 4 out of 5 A great musical effort as well as a very technically sound recording. Listening to this song, one can almost feel the ...

  • Good but not perfect

    I have nearly all of evanescence's albums, and when i got this one i realized immeditly it sounded different. The pros of the cd is: 1. the theme is pretty much the same as the other ones. It involves lost love, hate, and sorrow. 2. most of the album has a metal feel to it.(previous album had whisper) 3. Amy puts her voice to the test. 4. all around great lyrics. the cons are: 1. the album goes from loud to soft, and vise versa quite often. 2. Amy tries to hit too many high notes. 3. too metal, not enough piano, and could use an acustic song!! 4. album ends without a bang. didn't realize album ended until i noticed 5 minutes later no music was playing. In conclusion if you like evanescence you should get the album its not that bad, but its not amazing like ...

  • Different.

    I think this is a pretty good album, though it just dosen't really seem like Evanescence. Their sound did change quite a bit, and they do have more of a darker sound now, but it's just a bit too soft to level up to Fallen. I particularly like the track "Snow White Queen", but if you expect most of the album to sound like the single "Call Me When Your Sober" you will be disappointed because it sounds almost nothing like it. But I love the fact that the CD has more of an eerie and dark feel to it. The thing I don't like about the album is that sometimes the guitars just don't sound right with certain parts of the song that they're in. I also don't like that it isn't as unique as Fallen. I definately think this album could have ...

  • OK album from great band

    I fell in love with Evanescence when I bought "Fallen" in 2003. I listened to all of the songs and could relate to most of the lyrics. The words were poetic, the music was good, and I just liked it. So, of course, I was excited for The Open Door. I heard "Call Me When You're Sober" on iTunes and I thought it sounded OK, and couldn't wait to hear some of the other stuff on the new album. When it arrived in the mail, I immediately opened it and put it into the CD drive of my computer. iTunes recognized it and started playing the first song, "Sweet Sacrifice". I "skimmed" through the album, listening to around the first minute of each song. I noticed a bunch of songs started of similarly. I came to the conclusion that first part of ...

  • Great follow up to their 2003 debut

    With Evanescence's second album, we learn that singer & pianist Amy Lee was as much a part of the six-times-platinum sound of 2003's "Fallen" as now-departed guitarist and songwriting partner Ben Moody. We also learn that Lee is no woman to scorn. "The Open Door" is full of blistering attacks on those who have betrayed her, a list that starts with Moody but doubtlessly includes ex-boyfriend Shaun Morgan of Seether, the impetus for first single "Call Me When You're Sober." Fortunately, Lee and company—including former Cold guitarist Terry Balsamo, who suffered a stroke while making the album—have translated her heartache into another successful set of melodramatic goth/industrial anthems with touches of prog and even classical (Mozart's ...