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Derniers témoins : une histoire orale de l'enfant... par Alexievitch, Svetlana Hardback
FREE US DELIVERY | ISBN: 0399588752 | Quality Books
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État :
Très bon
Un livre qui n’a pas l’air neuf et qui a été lu, mais qui est en excellent état. La couverture ne présente aucun dommage apparent et la jaquette (si applicable) est incluse (dans le cas des livres à reliure). Il n'y a aucune page manquante ou endommagée, aucun pli, aucune déchirure, aucun passage surligné ou souligné et aucune inscription en marge. Il est possible que le contreplat porte d'infimes marques d'identification. Le livre présente des traces d'usure infimes.
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Lieu : Florida, États-Unis
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Numéro de l'objet eBay :387924469870
Dernière mise à jour : mai 15, 2025 07:13:55 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- ISBN
- 0399588752
- EAN
- 9780399588754
- Publication Name
- N/A
- Type
- Hardback
- Release Title
- Last Witnesses: An Oral History of the Children of World War II
- Artist
- Alexievich, Svetlana
- Brand
- N/A
- Colour
- N/A
À propos de ce produit
Product Identifiers
Publisher
Random House Publishing Group
ISBN-10
0399588752
ISBN-13
9780399588754
eBay Product ID (ePID)
5038773110
Product Key Features
Book Title
Last Witnesses : an Oral History of the Children of World War II
Number of Pages
320 Pages
Language
English
Publication Year
2019
Topic
Military / World War II, Russia & the Former Soviet Union
Genre
History
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
19.4 Oz
Item Length
9.5 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2018-034984
Dewey Edition
23
Reviews
Praise for Svetlana Alexievich, the winner of the Nobel Prize in Literature "for her polyphonic writings, a monument to suffering and courage in our time" "[Svetlana] Alexievich presents less a straightforward oral history of World War II than a literary excavation of memory itself." -- The New York Times Book Review "Alexievich has forged her own distinctive identity: as a witness to witnesses who usually go unheard. . . . In a 'post-truth' era when journalism is under pressure--susceptible to propaganda, sensationalism, and 'alternative facts'--the power of documentary literature stands out more clearly than ever. . . . Listen to Alexievich." -- The Atlantic "[Alexievich's] books are woven from hundreds of interviews, in a hybrid form of reportage and oral history that has the quality of a documentary film on paper. But Alexievich is anything but a simple recorder and transcriber of found voices; she has a writerly voice of her own which emerges from the chorus she assembles, with great style and authority, and she shapes her investigations of Soviet and post-Soviet life and death into epic dramatic chronicles as universally essential as Greek tragedies. . . . A mighty documentarian and a mighty artist." -- The New Yorker "Alexievich has gained probably the world's deepest, most eloquent understanding of the post-Soviet condition. . . . [She] has consistently chronicled that which has been intentionally forgotten." --Masha Gessen "Alexievich stations herself at a crossroads of history and turns on her tape recorder. The result is oral history that at times can feel more authentic than narrated history. Alexievich makes it feel intimate, as if you are sitting in the kitchen with the characters, sharing in their happiness and agony." -- The Washington Post "Alexievich's witnesses are those who haven't had a say. She shows us from these conversations, many of them coming at the confessional kitchen table of Russian apartments, that it's powerful simply to be allowed to tell one's own story. This is the kind of history, otherwise almost unacknowledged by today's dictatorships, that matters." -- The Christian Science Monitor
Dewey Decimal
940.53/4709253
Synopsis
"A masterpiece" ( The Guardian ) from the Nobel Prize-winning writer, an oral history of children's experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing "a new kind of literary genre," describing her work as "a history of emotions . . . a history of the soul." Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich's collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded--a trauma that would change the course of the Russian nation. Collectively, this symphony of children's stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses "There is a special sort of clear-eyed humility to [Alexievich's] reporting." -- The Guardian "A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses." -- The New Republic "A profound triumph." --The Big Issue "[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict." -- The Washington Post, From the Nobel Prize-winning writer, an oral history of children's experiences in World War II across Russia--in the vein of The Unwomanly Face of War and Secondhand Time NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE DALLAS MORNING NEWS For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing "a new kind of literary genre," describing her work as "a history of emotions . . . a history of the soul." Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich's collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded--a trauma that would change the course of the Russian nation. Collectively, this symphony of children's stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war., "A masterpiece" ( The Guardian ) from the Nobel Prize-winning writer, an oral history of children's experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing "a new kind of literary genre," describing her work as "a history of emotions . . . a history of the soul." Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich's collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded--a trauma that would change the course of the Russian nation. Collectively, this symphony of children's stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses "There is a special sort of clear-eyed humility to Alexievich's] reporting." -- The Guardian "A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses." -- The New Republic "A profound triumph." --The Big Issue " Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict." -- The Washington Post
LC Classification Number
D810.C4A44313 2019
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Numéro de TVA : GB 922696893
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- juil. 29, 2019
Easy read.
Achat vérifié : OuiÉtat : NeufVendu par : IucLFdTlT8G@Deleted