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Agon, Livre de poche par Goldman, Judith, comme neuf d'occasion, livraison gratuite aux États-Unis
19,41 $US
Environ26,75 $C
État :
Comme neuf
Un livre qui a l’air neuf mais qui a été lu. La couverture ne présente pas d’usure et la jaquette est incluse (dans le cas des livres reliés). Il n'y a aucune page manquante ou endommagée, aucun pli, aucune déchirure, aucun passage surligné ou souligné et aucune inscription en marge. Il est possible que le contreplat porte d'infimes marques d'identification. Le livre présente des traces d'usure infimes.
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- Achat immédiatAgon, Livre de poche par Goldman, Judith, comme neuf d'occasion, livraison gratuite aux États-Unis
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Expédition :
Sans frais USPS Media MailTM.
Lieu : Jessup, Maryland, États-Unis
Livraison :
Livraison prévue entre le mer. 13 août et le mar. 19 août à 94104
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Numéro de l'objet eBay :365716181808
Caractéristiques de l'objet
- État
- ISBN
- 9780986050596
À propos de ce produit
Product Identifiers
Publisher
Operating System, T.H.E.
ISBN-10
0986050598
ISBN-13
9780986050596
eBay Product ID (ePID)
16038721567
Product Key Features
Publication Year
2017
Book Title
Agon
Topic
General
Number of Pages
230 Pages
Language
English
Genre
Political Science, Poetry
Format
Trade Paperback
Dimensions
Item Weight
11 Oz
Additional Product Features
Intended Audience
Scholarly & Professional
Synopsis
Poetry. Literary Nonfiction. Hybrid Genre. "In the tragi-comic--and worse--chaos of our times--suppose our writing began to appear as letters caught in barcodes. Phrases and bits of words breaking off en route to scanners designed for registering information but not the disturbance of meaning. It is, literally, with this provocative vision that Judith Goldman's AGON begins. Fragments--words with ing or ite or ppeals detached--mark the violence and folly of our weaponized and otherwise benighted cultures. At times, a necessary lyricism wells up without betraying the truth of 'Cumulative transfers By the 'agreed upon' price / the Temp,est has of late stripped the pe,tals away.' There's even more to this many-genred book--one to be lived with, in the urgency of its poetry, its philosophical and socio-political inquiry--font of brilliance that sustains vitally agonistic conversation across perilous divides."--Joan Retallack "The Commodification of Everything. That was the pivot point of materialist discourse not even five years ago. But now, it's time to crack open the piths of the most fundamental doings of our species. After the sweeping tide of ethnonational victories currently sweeping the globe, The Weaponization of Everything, is not merely the 'speak' of The Now, but the do of all its subjects, whether collusive or rebellious. Judith Goldman's AGON is borne amidst this new reality. Few works of experimental literature aim so high as to flush out the full range affectual coordinates as to reveal their age's Agon as a controlling demigod of our own making, that is, to raise up the Agon's 'agon'."--Rodrigo Toscano "Judith Goldman's AGON confronts the ubiquitous naturalization inherent in the weaponization of race, gender, global warming, poetics, language, utterance, politics, torture, immigration, and whatever else is changeable under the guise of aggression masquerading as mental freedom. '...the intensification of weapons already in place,' and '...observed nearly everywhere,' AGON deftly solders ideas of defensive assimilation (weapons already in place) to our conscious and unconscious activities of daily living. One can only bow down in shock and awe to AGON's scorched earth dissemination of open-ended spaces to think, while thinking is still, hopefully, under what we presume is our jurisdiction."--Kim Rosenfield A cross-genre work that intercuts and assembles three textual threads, AGON inventories ubiquitous contemporary exempla of weaponization: in the culture propagated by neoliberalism, all social forms--ordinary, necessary relations, transactions, and communications--have been turned into fodder for social aggression. AGON audits the disavowed violence of abstractive technologies in their material effects, while also tracing the subtle anatomy of violence in its more "proper" spheres. Is poetry one of these? Writing alongside Amiri Baraka's invective "Black Art," AGON builds a dossier on the aggressivity peculiar to literary speech, thinking this issue in relation to the volatile politics around poetry in America at this moment., Poetry. Literary Nonfiction. Hybrid Genre. "In the tragi-comic--and worse--chaos of our times--suppose our writing began to appear as letters caught in barcodes. Phrases and bits of words breaking off en route to scanners designed for registering information but not the disturbance of meaning. It is, literally, with this provocative vision that Judith Goldman's AGON begins. Fragments--words with ing or ite or ppeals detached--mark the violence and folly of our weaponized and otherwise benighted cultures. At times, a necessary lyricism wells up without betraying the truth of 'Cumulative transfers By the 'agreed upon' price / the Temp, est has of late stripped the pe, tals away.' There's even more to this many-genred book--one to be lived with, in the urgency of its poetry, its philosophical and socio-political inquiry--font of brilliance that sustains vitally agonistic conversation across perilous divides."--Joan Retallack "The Commodification of Everything. That was the pivot point of materialist discourse not even five years ago. But now, it's time to crack open the piths of the most fundamental doings of our species. After the sweeping tide of ethnonational victories currently sweeping the globe, The Weaponization of Everything, is not merely the 'speak' of The Now, but the do of all its subjects, whether collusive or rebellious. Judith Goldman's AGON is borne amidst this new reality. Few works of experimental literature aim so high as to flush out the full range affectual coordinates as to reveal their age's Agon as a controlling demigod of our own making, that is, to raise up the Agon's 'agon'."--Rodrigo Toscano "Judith Goldman's AGON confronts the ubiquitous naturalization inherent in the weaponization of race, gender, global warming, poetics, language, utterance, politics, torture, immigration, and whatever else is changeable under the guise of aggression masquerading as mental freedom. '...the intensification of weapons already in place, ' and '...observed nearly everywhere, ' AGON deftly solders ideas of defensive assimilation (weapons already in place) to our conscious and unconscious activities of daily living. One can only bow down in shock and awe to AGON's scorched earth dissemination of open-ended spaces to think, while thinking is still, hopefully, under what we presume is our jurisdiction."--Kim Rosenfield A cross-genre work that intercuts and assembles three textual threads, AGON inventories ubiquitous contemporary exempla of weaponization: in the culture propagated by neoliberalism, all social forms--ordinary, necessary relations, transactions, and communications--have been turned into fodder for social aggression. AGON audits the disavowed violence of abstractive technologies in their material effects, while also tracing the subtle anatomy of violence in its more "proper" spheres. Is poetry one of these? Writing alongside Amiri Baraka's invective "Black Art," AGON builds a dossier on the aggressivity peculiar to literary speech, thinking this issue in relation to the volatile politics around poetry in America at this moment., "In the tragi-comic-and worse-chaos of our times-suppose our writing began to appear as letters caught in barcodes. Phrases and bits of words breaking off en route to scanners designed for registering information but not the disturbance of meaning. It is, literally, with this provocative vision that Judith Goldman's AGON begins. Fragments-words with ing or ite or ppeals detached-mark the violence and folly of our weaponized and otherwise benighted cultures. At times, a necessary lyricism wells up without betraying the truth of 'Cumulative transfers By the 'agreed upon' price / the Temp, est has of late stripped the pe, tals away.' There's even more to this many-genred book-one to be lived with, in the urgency of its poetry, its philosophical and socio-political inquiry-font of brilliance that sustains vitally agonistic conversation across perilous divides."-Joan Retallack "The Commodification of Everything. That was the pivot point of materialist discourse not even five years ago. But now, it's time to crack open the piths of the most fundamental doings of our species. After the sweeping tide of ethnonational victories currently sweeping the globe, The Weaponization of Everything, is not merely the 'speak' of The Now, but the do of all its subjects, whether collusive or rebellious. Judith Goldman's AGON is borne amidst this new reality. Few works of experimental literature aim so high as to flush out the full range affectual coordinates as to reveal their age's Agon as a controlling demigod of our own making, that is, to raise up the Agon's 'agon'."-Rodrigo Toscano "Judith Goldman's AGON confronts the ubiquitous naturalization inherent in the weaponization of race, gender, global warming, poetics, language, utterance, politics, torture, immigration, and whatever else is changeable under the guise of aggression masquerading as mental freedom. '...the intensification of weapons already in place, ' and '...observed nearly everywhere, ' AGON deftly solders ideas of defensive assimilation (weapons already in place) to our conscious and unconscious activities of daily living. One can only bow down in shock and awe to AGON's scorched earth dissemination of open-ended spaces to think, while thinking is still, hopefully, under what we presume is our jurisdiction."-Kim Rosenfield A cross-genre work that intercuts and assembles three textual threads, AGON inventories ubiquitous contemporary exempla of weaponization: in the culture propagated by neoliberalism, all social forms-ordinary, necessary relations, transactions, and communications-have been turned into fodder for social aggression. AGON audits the disavowed violence of abstractive technologies in their material effects, while also tracing the subtle anatomy of violence in its more "proper" spheres. Is poetry one of these? Writing alongside Amiri Baraka's invective "Black Art," AGON builds a dossier on the aggressivity peculiar to literary speech, thinking this issue in relation to the volatile politics around poetry in America at this moment.
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Évaluations comme vendeur (386 094)
- c***m (421)- Évaluation laissée par l'acheteur.Six derniers moisAchat vérifiéAAA+++; Excellent Service; Great Pricing; Fast Delivery-Faster Than Expected to Hawaii using free shipping USPS Ground Mail, Received 06/18; Paperback book in Great Condition as Described ; TLC Packaging; Excellent Seller Communication, Sends updates . Highly Recommended!, Thank you very much!
- l***1 (1491)- Évaluation laissée par l'acheteur.Dernière annéeAchat vérifiéGreat seller; book exactly as described in mint condition sold at a reasonable price; seller shipped item FAST, FREE and with tracking information, a must nowadays; seller shipped in tight, cardboard mailing envelope, which tightly fit over the book, preventing damage in shipment; good communication too; rate seller 10+++++Cuentos de La Habana Elegante, Brand New, Free shipping in the US (#364594098367)
- c***t (921)- Évaluation laissée par l'acheteur.Six derniers moisAchat vérifiéThe book I bought was reasonably priced and when it arrived it was in the 'Like New' condition specified in the listing. However, when I saw that the seller had not shipped the book after more than 15 days had passed since my order I felt I must write to say that I had actually placed an order with the seller and inquire when it planned to send the book. The brusque reply was that a tracking number was available, but no number HAD been created until I pointed out that I had placed the order.Catland by Hughes, Kathryn, Like New Used, Free shipping in the US (#356798982438)