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Théologie de l'Anneau de Wagner Cycle I : La Genèse et le développement de la Tétralogie
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Théologie de l'Anneau de Wagner Cycle I : La Genèse et le développement de la Tétralogie
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Théologie de l'Anneau de Wagner Cycle I : La Genèse et le développement de la Tétralogie

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    Numéro de l'objet eBay :365480996838
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    Caractéristiques de l'objet

    État
    Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
    ISBN
    1498235638
    EAN
    9781498235631
    Manufacturer
    Cascade Books
    Brand
    Cascade Books
    Binding
    TP

    À propos de ce produit

    Product Identifiers

    Publisher
    Wipf & Stock Publishers
    ISBN-10
    1498235638
    ISBN-13
    9781498235631
    eBay Product ID (ePID)
    2321136955

    Product Key Features

    Book Title
    Theology of Wagner's Ring Cycle I : The Genesis and Development of the Tetralogy and the Appropriation of Sources, Artists, Philosophers, and Theologians
    Number of Pages
    342 Pages
    Language
    English
    Publication Year
    2020
    Topic
    History & Criticism, Individual Composer & Musician, History / General, Christianity / Literature & the Arts
    Illustrator
    Yes
    Genre
    Music, Art, Religion
    Author
    Richard H. Bell
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.7 in
    Item Weight
    21.7 Oz
    Item Length
    10 in
    Item Width
    7 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2019-565535
    Reviews
    "Add this to your list of essential reading! Comprehensive and authoritative, Bell's Theology of Wagner's Ring Cycle I maps the theological territories of Wagner's wide-ranging literary, poetic, philosophical, and musical influences. Never before has The Ring been subject to such a sustained theological argument and approach . . . a conceptually transformative book bound to recalibrate our understanding of Wagner and his intellectual world." --Bennett Zon, Director, Centre for Nineteenth-Century Studies, Durham University; General Editor, Nineteenth-Century Music Review "Applying a theological lens to familiar ground, Richard Bell argues in these volumes that Wagner's Ring cycle can be seen as a Christian allegory. Through a rich account of the composer's intellectual world, the author unpacks such classic theological concerns as nature and the fall; love, death, and immortality; freedom, necessity, and providence; and redemption--to the great benefit of both Wagnerians and theologians." --Stephen McClatchie, Professor of Theology & the Arts, Huron University College, London, Ontario "I am not aware of any more meticulous trawl of the voluminous sources for, and influences on, the Ring , through the ancient Greek dramas, Old Norse and Germanic myths, Dante and Shakespeare to Goethe and Schiller. The work of the major German Idealists--Fichte, Kant, Schelling, Hegel, Feuerbach, and Schopenhauer--is subjected to forensic analysis for Wagner's debt to each. Above all, Professor Bell is concerned to demonstrate possible influences on theological and ethical issues in the Ring ." --Barry Millington, Editor, The Wagner Journal ; Chief Music Critic, London Evening Standard "In this erudite and formidably researched study, Richard Bell situates Wagner's Ring cycle within the context of some of the most powerful and influential systems of thought to have shaped the Western mind. Of interest to theologians, philosophers, and historians alike, Bell's challenging ideas will not only inform current and future debates around Wagner, but stimulate and provoke in equal measure." --Roger Allen, Emeritus Fellow in Music, University of Oxford, "Add this to your list of essential reading! Comprehensive and authoritative, Bell's Theology of Wagner's Ring Cycle I maps the theological territories of Wagner's wide-ranging literary, poetic, philosophical, and musical influences. Never before has The Ring been subject to such a sustained theological argument and approach . . . a conceptually transformative book bound to recalibrate our understanding of Wagner and his intellectual world." --Bennett Zon, Director, Centre for Nineteenth-Century Studies, Durham University; General Editor, Nineteenth-Century Music Review "Applying a theological lens to familiar ground, Richard Bell argues in these volumes that Wagner's Ring cycle can be seen as a Christian allegory. Through a rich account of the composer's intellectual world, the author unpacks such classic theological concerns as nature and the fall; love, death, and immortality; freedom, necessity, and providence; and redemption--to the great benefit of both Wagnerians and theologians." --Stephen McClatchie, Professor of Theology & the Arts, Huron University College, London, Ontario "I am not aware of any more meticulous trawl of the voluminous sources for, and influences on, the Ring, through the ancient Greek dramas, Old Norse and Germanic myths, Dante and Shakespeare to Goethe and Schiller. The work of the major German Idealists--Fichte, Kant, Schelling, Hegel, Feuerbach, and Schopenhauer--is subjected to forensic analysis for Wagner's debt to each. Above all, Professor Bell is concerned to demonstrate possible influences on theological and ethical issues in the Ring." --Barry Millington, Editor, The Wagner Journal; Chief Music Critic, London Evening Standard "In this erudite and formidably researched study, Richard Bell situates Wagner's Ring cycle within the context of some of the most powerful and influential systems of thought to have shaped the Western mind. Of interest to theologians, philosophers, and historians alike, Bell's challenging ideas will not only inform current and future debates around Wagner, but stimulate and provoke in equal measure." --Roger Allen, Emeritus Fellow in Music, University of Oxford
    Dewey Edition
    23
    Dewey Decimal
    782.1
    Synopsis
    Wagner's Ring is one of the greatest of all artworks of Western civilization, but what is it all about? The power and mystery of Wagner's creation was such that he himself felt he stood before his work "as though before some puzzle." A clue to the Ring's greatness lies in its multiple avenues of self-disclosure and the corresponding plethora of interpretations that over the years has granted ample scope for directors and will no doubt do so well into the distant future. One possible interpretation, which Richard Bell argues should be taken seriously, is the Ring as Christian theology. In this first of two volumes, Bell considers, among other things, how the composer's Christian interests may be detected in the "forging" of his Ring, looking at how he appropriated his sources (whether they be myths and sagas, writers, poets, or philosophers) and considering works composed around the same time, especially his Jesus of Nazareth.
    LC Classification Number
    ML410.W15B45 2020

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