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Beyond Document: Essays on Nonfiction Film par PhD Warren, Charles, Dr. : Neuf

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Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
Book Title
Beyond Document: Essays on Nonfiction Film
Publication Date
1996-05-31
Pages
396
ISBN
9780819562906

À propos de ce produit

Product Identifiers

Publisher
Wesleyan University Press
ISBN-10
0819562904
ISBN-13
9780819562906
eBay Product ID (ePID)
819308

Product Key Features

Number of Pages
396 Pages
Language
English
Publication Name
Beyond Document : Essays on Nonfiction Film
Subject
Film / General, Film / Genres / Documentary
Publication Year
1996
Type
Textbook
Author
Charles Warren
Subject Area
Performing Arts
Format
Trade Paperback

Dimensions

Item Height
1 in
Item Weight
19.2 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
95-016674
Dewey Edition
20
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
070.1/8
Table Of Content
Acknowledgements I. Words of Welcome, by Stanley Cavell 2. Introduction with a Brief History of Nonfiction Film, by Charles Warren 3. Death and the Image, by Jay Cantor 4. Memory's Movies, by Patricia Hampl 5. Eternal Verites, by William Rothman 6. The Toil of Thought: On Several Nonfiction Films by Women, by Helene Keyssar 7. The Camera People, by Eliot Weinberger 8. The Impulse to Preserve, by Robert Gardner 9. You are There, by Maureen Howard 10. Earth and Beyond: Dusan Makaveyev's WR: Mysteries of the Organism, by Charles Warren 11. In Search of the Centaur: The Essay Film, by Phillip Lopate 12. Vertov's Cinematic Transposition of Reality, by Vlada Petric 13. Sorting Facts; or Nineteen Ways of Looking at Marker, by Susan Howe 14. Selected Bibliography 15. About the Contributors 16. Index
Synopsis
Critics and writers consider nonfiction film both as document and as creative work with strong artistic, political, and moral implications. In essays by eleven of America's foremost writers, critics, and filmmakers, Beyond Document explores the full spectrum of nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema-verité, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who. . ., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and in Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve" ; and poet Susan Howe explores structures of mourning in several filmmakers. All the book's essays provide deeply felt understanding of documentary film, and of how we live with, an d within, images. CONTRIBUTORS: Jay Cantor, Robert Gardener, Patricia Hampl, Maureen Howard, Susan Howe, Helene Keyssar, Phillip Lopatte, Vlada Petric, William Rothman, Charles Warren, Eliot Weinberger., Critics and writers consider nonfiction film both as document and as creative work with strong artistic, political, and moral implications., In essays by eleven of America's foremost writers, critics, and filmmakers, Beyond Document explores the full spectrum of nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema-verit , memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who. . ., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and in Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All the book's essays provide deeply felt understanding of documentary film, and of how we live with, an d within, images. CONTRIBUTORS: Jay Cantor, Robert Gardener, Patricia Hampl, Maureen Howard, Susan Howe, Helene Keyssar, Phillip Lopatte, Vlada Petric, William Rothman, Charles Warren, Eliot Weinberger., Critics and writers consider nonfiction film both as document and as creative work with strong artistic, political, and moral implications. In essays by eleven of America's foremost writers, critics, and filmmakers, Beyond Document explores the full spectrum of nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema-verité, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who. . ., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and in Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All the book's essays provide deeply felt understanding of documentary film, and of how we live with, an d within, images. CONTRIBUTORS: Jay Cantor, Robert Gardener, Patricia Hampl, Maureen Howard, Susan Howe, Helene Keyssar, Phillip Lopatte, Vlada Petric, William Rothman, Charles Warren, Eliot Weinberger.
LC Classification Number
PN1995.9.D6B48 1996

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