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The Philosophy of David Lynch par William J. Devlin : Neuf

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Caractéristiques de l'objet

État
Entièrement neuf: Un livre neuf, non lu, non utilisé et en parfait état, sans aucune page manquante ...
Publication Date
2011-03-14
Pages
258
ISBN
9780813129914

À propos de ce produit

Product Identifiers

Publisher
University Press of Kentucky
ISBN-10
0813129915
ISBN-13
9780813129914
eBay Product ID (ePID)
99599171

Product Key Features

Book Title
Philosophy of David Lynch
Number of Pages
258 Pages
Language
English
Publication Year
2011
Topic
Film / General, General, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Essays, Film / History & Criticism
Genre
Philosophy, Performing Arts
Author
Shai Biderman
Book Series
The Philosophy of Popular Culture Ser.
Format
Hardcover

Dimensions

Item Height
1.2 in
Item Weight
18.4 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2010-047403
Reviews
"If you've ever felt lost in the surreal cinema of David Lynch this book is just the philosophical roadmap you need to guide you through the Twin Peaks and along the lost highway to Mulholland Drive ."--William Irwin, editor of The Matrix and Philosophy, ""Contributions from leading scholars in the areas of philosophy, film, and popular culture make The Philosophy of David Lynch a timely and accessible study of the director's thought-provoking body of work. With its broad scope and diverse perspectives, this definitive volume will gain the attention of scholars and the gratitude of Lynch's many fans." -- Steven M. Sanders, editor of The Philosophy of Science Fiction Film" --, ""Contributions from leading scholars in the areas of philosophy, film, and popular culture make The Philosophy of David Lynch a timely and accessible study of the director's thought-provoking body of work. With its broad scope and diverse perspectives, this definitive volume will gain the attention of scholars and the gratitude of Lynch's many fans." -- Steven M. Sanders, editor of The Philosophy of Science Fiction Film " --, "Lynch's position within contemporary populat culture... provides a fascinating platform to reflect upon the relationship between his films and philosophical approaches to cinema and popular culture... There is no doubt that Lynch's work is worthy of such study, and this collection, which is enjoyable to read and digest, offers a good deal of food for thought." -- Cercles, ""Lynch's position within contemporary populat culture... provides a fascinating platform to reflect upon the relationship between his films and philosophical approaches to cinema and popular culture... There is no doubt that Lynch's work is worthy of such study, and this collection, which is enjoyable to read and digest, offers a good deal of food for thought." -- Cercles " --, ""Very well done. The Philosophy of David Lynch shows careful attention both to philosophical rigor and to the nuances of a complicated filmmaker." -- James B. South, Philosophy, Marquette University" --, ""If you've ever felt lost in the surreal cinema of David Lynch this book is just the philosophical roadmap you need to guide you through the Twin Peaks and along the lost highway to Mulholland Drive ." -- William Irwin, editor of The Matrix and Philosophy " --, "Contributions from leading scholars in the areas of philosophy, film, and popular culture make The Philosophy of David Lynch a timely and accessible study of the director's thought-provoking body of work. With its broad scope and diverse perspectives, this definitive volume will gain the attention of scholars and the gratitude of Lynch's many fans."--Steven M. Sanders, editor of The Philosophy of Science Fiction Film, ""If you've ever felt lost in the surreal cinema of David Lynch this book is just the philosophical roadmap you need to guide you through the Twin Peaks and along the lost highway to Mulholland Drive." -- William Irwin, editor of The Matrix and Philosophy" --, "Very well done. The Philosophy of David Lynch shows careful attention both to philosophical rigor and to the nuances of a complicated filmmaker."--James B. South, Philosophy, Marquette University, ""Lynch's position within contemporary populat culture... provides a fascinating platform to reflect upon the relationship between his films and philosophical approaches to cinema and popular culture... There is no doubt that Lynch's work is worthy of such study, and this collection, which is enjoyable to read and digest, offers a good deal of food for thought." -- Cercles" --
TitleLeading
The
Dewey Edition
22
Dewey Decimal
791.4302/33092
Table Of Content
An Introduction to the Philosophy of David Lynch The Owls are Not What They Seem: The Logic of Lynch's World Intuition and Investigation into Antoher Place: The Epistemological Role of Dreaming in Twin Peaks and Beyond The Horrors of Life's Hidden Mysteries: Blue Velvet The Thing about David Lynch: Reading and Enjoying the Lynchian World The World as Illusion: Rediscovering Mulholland Drive and Lost Highway through Indian Philosophy All Roads Lead to the Self: Zen Buddhism and David Lynch's Lost Highway City of Dreams: Bad Faith in Mulholland Drive Constellations of the Flesh: The Embodied Self in The Straight Story and The Elephant Man David Lynch's Road Films: Individuality and Personal Freedom Lynch's Zarathustra: The Straight Story There's a Sort of Evil Out There: Emersonian Transcendentalism in Twin Peaks In Heaven Everything is Fine: Erasing Traditional Morality The Monster Within: Alienation and Social Conformity in The Elephant Man Prophesies. Experience, and Proof: Philosophy of Religion in Dune
Synopsis
From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland Drive (2001). Lynch creates a new reality for both characters and audience by focusing on the individual and embracing existentialism. In The Philosophy of David Lynch , editors William J. Devlin and Shai Biderman have compiled an impressive list of contributors to explore the philosophy at the core of the filmmaker's work. Lynch is examined as a postmodern artist, and the themes of darkness, logic, and time are discussed in depth. Other prominent issues in Lynch's films, such as Bad faith and freedom, ethics, politics, and religion, are also considered. Investigating myriad aspects of Lynch's influential and innovative work, The Philosophy of David Lynch provides a fascinating look at the philosophical underpinnings of the famous cult director., From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland Drive (2001). Lynch creates a new reality for both characters and audience by focusing on the individual and embracing existentialism. In The Philosophy of David Lynch, editors William J. Devlin and Shai Biderman have compiled an impressive list of contributors to explore the philosophy at the core of the filmmaker's work. Lynch is examined as a postmodern artist, and the themes of darkness, logic, and time are discussed in depth. Other prominent issues in Lynch's films, such as Bad faith and freedom, ethics, politics, and religion, are also considered. Investigating myriad aspects of Lynch's influential and innovative work, The Philosophy of David Lynch provides a fascinating look at the philosophical underpinnings of the famous cult director., From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (198
LC Classification Number
PN1998.3.L96P66 2011

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