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La photographie Graham Clarke

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Caractéristiques de l'objet

État
Bon
Un livre qui a été lu, mais qui est en bon état. La couverture présente des dommages infimes, par exemple des éraflures, mais aucun trou ni aucune déchirure. Dans le cas des livres à reliure, la jaquette peut ne pas être incluse. La reliure présente des traces d'usure minimes. La plupart des pages ne sont pas endommagées et les plis, les déchirures, les passages soulignés ou surlignés et les inscriptions en marge sont minimes. Il n'y a aucune page manquante. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)
Remarques du vendeur
“Former library book; may include library markings. Used book that is in clean, average condition ...
Special Attributes
EX-LIBRARY
Publication Name
Oxford University Press, Incorporated
ISBN
9780192842008

À propos de ce produit

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0192842005
ISBN-13
9780192842008
eBay Product ID (ePID)
1019419

Product Key Features

Book Title
Photograph
Number of Pages
248 Pages
Language
English
Publication Year
1997
Topic
General, History
Illustrator
Yes
Genre
Photography
Author
Graham Clarke
Book Series
Oxford History of Art Ser.
Format
Uk-Trade Paper

Dimensions

Item Height
0.6 in
Item Weight
20.6 Oz
Item Length
9.4 in
Item Width
6.6 in

Additional Product Features

Intended Audience
Trade
LCCN
96-047645
Dewey Edition
21
TitleLeading
The
Reviews
'Fully and often surprisingly illustrated, carefully annotated and captioned, each combines a historical overview with a nicely opinionated individual approach.'Independent on Sunday, 'An engaging, image-studded survey... Clarke is particularly good at playing two images off against one another to emphasise the cultural assumptions underlying each... Clarke raises fascinating questions about how the portrait seeks to encode social identity. In his representation oflandscape, he deftly covers both the picturesque tradition and its opposite, the scientific orientation that viewed photography as a means of mapping and administering land.'V. Penelope Pelizzon, British Journal for the Philosophy of Science Vol.40 No.2, 'A readable text discusses the way in which we see and interpret photographs.'The Bookseller'Fully and often surprisingly illustrated, carefully annotated and captioned, each combines a historical overview with a nicely opinionated individual approach.'Independent on Sunday'Read this book and you will never look at a photograph in the same way again.'House & Garden'concise yet comprehensive, and wonderful value'The Irish Times (Dublin)'An engaging, image-studded survey... Clarke is particularly good at playing two images off against one another to emphasise the cultural assumptions underlying each... Clarke raises fascinating questions about how the portrait seeks to encode social identity. In his representation of landscape, he deftly covers both the picturesque tradition and its opposite, the scientific orientation that viewed photography as a means of mapping and administeringland.'V. Penelope Pelizzon, British Journal for the Philosophy of Science Vol.40 No.2'Clarke does an admirable job of condensing theoretical debates concerning the reading of images'Yorkshire Post (Leeds)'An important part of the Oxford History of Art series ... It's an enormous subject, but it's tackled in a tremendously accessible manner. A must for anyone interested in taking seriously good pictures.'Swansea South Wales Evening Post'a superb piece of publishing'Rupert Christiansen, Spectator, 'An important part of the Oxford History of Art series ... It's an enormous subject, but it's tackled in a tremendously accessible manner. A must for anyone interested in taking seriously good pictures.'Swansea South Wales Evening Post, 'Clarke does an admirable job of condensing theoretical debates concerning the reading of images'Yorkshire Post (Leeds), "For more than 170 years, photographs have redefined the way people see themselves and the world they inhabit. The story of how this happened is revealed in insightful words, but most of all, marvellous pictures, in The Photograph" Kitchener-Waterloo Record, 'Fully and often surprisingly illustrated, carefully annotated andcaptioned, each combines a historical overview with a nicely opinionatedindividual approach.'Independent on Sunday, 'An engaging, image-studded survey... Clarke is particularly good atplaying two images off against one another to emphasise the cultural assumptionsunderlying each... Clarke raises fascinating questions about how the portraitseeks to encode social identity. In his representation of landscape, he deftlycovers both the picturesque tradition and its opposite, the scientificorientation that viewed photography as a means of mapping and administeringland.'V. Penelope Pelizzon, British Journal for the Philosophy of Science Vol.40No.2, "For more than 170 years, photographs have redefined the way people seethemselves and the world they inhabit. The story of how this happened isrevealed in insightful words, but most of all, marvellous pictures, in ThePhotograph" Kitchener-Waterloo Record
Dewey Decimal
770
Table Of Content
Introduction Chapter 1: What is a Photograph? Chapter 2: How Do We Read a Photograph? Chapter 3: Photography and the Nineteenth Century Chapter 4: Landscape in Photography Chapter 5: The City in Photography Chapter 6: The Portrait in Photography Chapter 7: The Body in Photography Chapter 8: Documentary Photography Chapter 9: The Photograph as Fine Art Chapter 10: The Photograph Manipulated Chapter 11: The Cabinet of Infinite Curiosities Notes List of Illustrations Bibliographic Essay Timeline Glossary Index
Synopsis
How do we read a photograph? Graham Clarke gives a clear and incisive account of the photograph's historical development from Joseph Nicéphore Niépce's early 'heliograph' to the classic compositions of Cartier-Bresson and Alfred Steiglitz, to the striking post-modern strategies of Robert Mapplethorpe, Cindy Sherman, and Victor Burgin. This book is a ground-breaking examination of the main subject areas - landscape, the city, portraiture, the body, and reportage - with detailed analysis of exemplary images in terms of their cultural and ideological contexts., From the first misty 'heliograph' taken by Joseph Nicephore Niepce in 1826 to the classic compositions of Cartier-Bresson and Alfred Steiglitz, to the striking postmodern strategies of Robert Mapplethorpe, Cindy Sherman and Victor Burgin, the history of photography is a record of dazzling and penetrating images. But photographs are also the most pervasive images of our time, infinite in their capacity to record and make moments significant, granting status to everything they touch. So how do we read a photograph? In a series of brilliant discussions of major themes and genres, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most interesting thinkers on the subject such as Roland Barthes and Susan Sontag. At the heart of the book is his ground-breaking examination of the main subject areas - landscape, the city, portraiture, the body, and reportage - and his detailed analysis of exemplary images in terms of their cultural and ideological contexts., How do we read a photograph? In this rich and fascinating work, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most engaging thinkers on the subject, such as Roland Barthes and Susan Sontag. From the first misty "heliograph" taken by Joseph Nicephore Niepce in 1826 to the classic compositions of Cartier-Bresson and Alfred Steiglitz and the striking postmodern strategies of Robert Mapplethorpe, Clarke provides a groundbreaking examination of photography's main subject areas--landscape, the city, portraiture, the body, and reportage--as well as a detailed analysis of exemplary images in terms of their cultural and ideological contexts. With over 130 illustrations, The Photograph offers a series of discussions of major themes and genres providing an up-to-date introduction to the history of photography and creating a record of the most dazzling, penetrating, and pervasive images of our time.
LC Classification Number
TR15.C566 1997

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    AAA+++; Excellent Service; Great Pricing; Fast Delivery-Faster Than Expected to Hawaii , Received 07/27; Paperback book in Great Condition as Described ; TLC Packaging; Excellent Seller Communication, Sends updates . Highly Recommended!, Thank you very much!
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    Excellent prices on used books in great condition. Shipped out quickly. Product condition is accurate to rating in listing. Thanks! NOTE: For this particular book (I ordered several), it came in a soft cover rather than hard cover as the listing stated. I contacted the seller and they responded promptly. They agreed that it was a listing error and provided me with a full refund for this book (without return required) proving they are both a responsible and trustworthy seller.
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