The Classic Point of View Six Lectures on Painting
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The Classic Point of View Six Lectures on Painting
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Un livre qui a été lu, mais qui est en bon état. La couverture présente des dommages infimes, par exemple des éraflures, mais aucun trou ni aucune déchirure. Dans le cas des livres à reliure, la jaquette peut ne pas être incluse. La reliure présente des traces d'usure minimes. La plupart des pages ne sont pas endommagées et les plis, les déchirures, les passages soulignés ou surlignés et les inscriptions en marge sont minimes. Il n'y a aucune page manquante.
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Expédition :
5,22 $US (environ 7,18 $C) USPS Media MailTM.
Lieu : Woodland Hills, California, États-Unis
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Numéro de l'objet eBay :267126093338
Dernière mise à jour : mai 01, 2025 15:26:56 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Type
- Does not apply
- ISBN
- 9781330090084
À propos de ce produit
Product Identifiers
Publisher
Forgotten Books
ISBN-10
133009008X
ISBN-13
9781330090084
eBay Product ID (ePID)
14038730883
Product Key Features
Book Title
Classic Point of View : Six Lectures on Painting, Delivered on the Scammon Foundation at the Art Institute of Chicago in the Year 1911 (Classic Reprint)
Number of Pages
314 Pages
Language
English
Topic
Techniques / Painting, General, History / General
Publication Year
2015
Illustrator
Yes
Genre
Art, History
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
14.9 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
TitleLeading
The
Synopsis
Excerpt from The Classic Point of View: Six Lectures on Painting, Delivered on the Scammon Foundation at the Art Institute of Chicago in the Year 1911 In the course of a life devoted to the study, the practice, and the teaching of the art of painting I have, naturally, arrived at some pretty definite conclusions as to the nature of that art and of the problems involved in it - some decided opinions as to what that art has been, is, and should be. These opinions I have tried, however imperfectly, to exemplify in my work and to inculcate in my teaching. They have also, inevitably, colored what I have written. But what I have written has, hitherto, been casual and occasional - a discussion of this or that master, a criticism of this or that particular work of art - and the bases of my criticism, the fundamental ideas on which it is founded, have had, for the most part, to be taken for granted, or to be cursorily and incompletely expressed. These papers have, moreover, been written at long intervals, and for different purposes, and could hardly be entirely consistent with each other. Something like a general point of view could, perhaps, be inferred from them, and something like a consistent body of doctrine made out, by the exercise of sufficient care and sufficient intelligence; but such careful and intelligent consideration as would be necessary could hardly be expected of many readers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works., Excerpt from The Classic Point of View: Six Lectures on Painting, Delivered on the Scammon Foundation at the Art Institute of Chicago in the Year 1911 I have therefore welcomed the opportunity afforded by theinvitation from The Art Institute Of Chicago to deliver the Scammon Lectures for 1911 to draw up a definitive credo - a detailed and explicit confession Of artistic faith. The following pages will, accordingly, be found to con tain a statement, as clear as I can make it, Of what one painter believes and hopes and fears with regard to painting; Of what he takes to be the malady Of modern art, and Of where he looks for the remedy for it. It would be little less than miraculous if such a statement Of be lief should contain the truth, the whole truth, and nothing but the truth. It must contain errors, and may contain wrongheadedness. At least it is an honest attempt at a contribution to the truth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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