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Manifestes cinématographi ques et cultures cinématographi ques mondiales : une anthologie critique par Scott...
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État :
“SOME NOTATIONS”
Bon
Un livre qui a été lu, mais qui est en bon état. La couverture présente des dommages infimes, par exemple des éraflures, mais aucun trou ni aucune déchirure. Dans le cas des livres à reliure, la jaquette peut ne pas être incluse. La reliure présente des traces d'usure minimes. La plupart des pages ne sont pas endommagées et les plis, les déchirures, les passages soulignés ou surlignés et les inscriptions en marge sont minimes. Il n'y a aucune page manquante.
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Sans frais USPS Media MailTM.
Lieu : Albany, Oregon, États-Unis
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Livraison prévue entre le mer. 6 août et le sam. 9 août à 94104
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Numéro de l'objet eBay :166362743295
Dernière mise à jour : juil. 05, 2024 12:27:52 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Bon
- Remarques du vendeur
- “SOME NOTATIONS”
- Narrative Type
- Nonfiction
- Original Language
- English
- ISBN
- 9780520276741
À propos de ce produit
Product Identifiers
Publisher
University of California Press
ISBN-10
0520276744
ISBN-13
9780520276741
eBay Product ID (ePID)
168586962
Product Key Features
Book Title
Film Manifestos and Global Cinema Cultures : a Critical Anthology
Number of Pages
680 Pages
Language
English
Topic
Film / General, Digital
Publication Year
2014
Genre
Art, Performing Arts
Format
Hardcover
Dimensions
Item Height
2 in
Item Weight
44.9 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
LCCN
2013-025528
Reviews
The most important film book of the year . . . required reading for both students and lovers of cinema.
Dewey Edition
23
Dewey Decimal
791.4301
Synopsis
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European "waves" and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme '95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura , which nevertheless played a central role in film culture., Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European "waves" and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme '95); Latin American Third Cinemas (Birri, Sanjin s, Espinosa, Solanas); radical art and the avant-garde (Bu uel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bolla n, Debord, Hermosillo, Isou, Kieslowski, Painlev , Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura , which nevertheless played a central role in film culture.
LC Classification Number
PN1995.M2335 2014
Description de l'objet du vendeur
Évaluations comme vendeur (840)
- b***c (328)- Évaluation laissée par l'acheteur.Six derniers moisAchat vérifiéThank you. Good service and book but recommend shipping in box or heavy insert. Because it was a paperback, my mailperson rolled the book up to put it in the mailbox and unnecessarily stressed this collectible edition.
- h***7 (30)- Évaluation laissée par l'acheteur.Six derniers moisAchat vérifiéItem was in great condition as described. Well packed for Transport and the seller sent a tracking number when dispatched. Very happy with purchase and would use this seller again.Sligo, The Light of Bygone Days Vol 1: Houses of Sligo and Associated Families (#167057380994)
- u***s (1563)- Évaluation laissée par l'acheteur.Six derniers moisAchat vérifiéThe price was great for what I got, arrived on time and as described. Was packed perfectly.400 Day Clock; Repair Guide (Horolovar) 10th Edition (#167442310683)