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Walter Benjamin: Selected Writings, Volume 1: 1913-1926 - Hardcover - GOOD
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Walter Benjamin: Selected Writings, Volume 1: 1913-1926 - Hardcover - GOOD

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    Caractéristiques de l'objet

    État
    Bon
    Un livre qui a été lu, mais qui est en bon état. La couverture présente des dommages infimes, par exemple des éraflures, mais aucun trou ni aucune déchirure. Dans le cas des livres à reliure, la jaquette peut ne pas être incluse. La reliure présente des traces d'usure minimes. La plupart des pages ne sont pas endommagées et les plis, les déchirures, les passages soulignés ou surlignés et les inscriptions en marge sont minimes. Il n'y a aucune page manquante. Afficher toutes les définitions d'état(s'ouvre dans une nouvelle fenêtre ou un nouvel onglet)
    Remarques du vendeur
    “This is an ex. college department book. Not used much. The jacket is good condition with some minor ...
    Brand
    Unbranded
    MPN
    Does not apply
    ISBN
    9780674945852

    À propos de ce produit

    Product Identifiers

    Publisher
    Harvard University Press
    ISBN-10
    0674945859
    ISBN-13
    9780674945852
    eBay Product ID (ePID)
    559398

    Product Key Features

    Original Language
    German
    Book Title
    Walter Benjamin Vol. 1 : Selected Writings, 1913-1926
    Number of Pages
    528 Pages
    Language
    English
    Publication Year
    1996
    Topic
    Criticism & Theory, General, Aesthetics, Semiotics & Theory
    Illustrator
    Yes
    Genre
    Literary Criticism, Art, Philosophy
    Author
    Walter Benjamin
    Book Series
    Walter Benjamin Ser.
    Format
    Hardcover

    Dimensions

    Item Height
    1.4 in
    Item Weight
    30.8 Oz
    Item Length
    9.2 in
    Item Width
    6.4 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    96-023027
    Reviews
    Bullock and Jenning's Selected Writings series offers and opportunity to reevaluate Benjamin within the context of rhetoric, from a wider body of documents than previously available...This first volume of the Selected Writings gives scholars of rhetoric a critical mass of text (from notebook jottings, to student writings and early published works, to Benjamin's dissertation) from which to evaluate Benjamin's work. From this new vantage point, we might identify his potential contribution to rhetorical theory through his writing on communication, the philosophy of language, aesthetics and the political. In some cases, Bullock and Jenning's new edition resonates with and reiterates themes found in the canonical anthologies. In other cases, we are exposed to a Benjamin not previously seen in English...There are key insights here, especially in these times when the Critical Theory project which has driven the study of mass communication comes into rhetorical studies...Benjamin reminds us that to embrace and preserve the true fragment exceeds the condemnation of the system, of the whole., A glance at the Table of Contents of Selected Writings --he writes on language, time, colors, children's books, love, violence, messianism--shows us at once Benjamin's provocativeness and his infinite variety. The two longest pieces, both from the early twenties and neither translated till now, are his doctoral thesis, 'The Concept of Criticism in German Romanticism,' and his long essay on Goethe's late novel, Elective Affinities ...[The latter] is an exemplary piece of lit crit, brilliantly analyzing the book's layers, motifs, symbols and subtexts...Benjamin's reverent feeling for tradition gives weight to his radical readings of tradition. Both essays could be an inspiration to people doing cultural studies today., The appeal of Benjamin's writing, according to Terry Eagleton, lies in the way it 'manages marvellously to combine...a...[Marxist] "aesthetics" with the entrancing esotericism of the Kabbala.'...Benjamin is admired not in spite of but because of his arcane syntax, murky vocabulary, and buried meanings...You have to seek the truth in Benjamin's writings, if you have the patience, and not treat them as conveying knowledge. There is an awful lot of husk to burn in the process, but the theory of truth, if true, explains the obscurity., Benjamin has gradually emerged as a major presence in 20th-century letters. This reputation rests on his extraordinary and highly idiosyncratic gift for original and far-reaching insights. It was his ambition to become Germany's leading literary critic, a status that many no doubt would be inclined to award him posthumously...Benjamin is sometimes misunderstood, since only certain parts of his overall output have come into view here. The 65 pieces collected in this excellent first volume of the new Harvard Benjamin should help clarify the larger picture as well as deepen and enliven the discussion., [ Walter Benjamin ] is no less than a major enrichment and revision of the image of Walter Benjamin's criticism in the English-speaking world., [Walter Benjamin] is no less than a major enrichment and revision of the image of Walter Benjamin's criticism in the English-speaking world., Today, the presence of Walter Benjamin is invoked in aesthetics, in political philosophy, in the theory of literature and of film, in linguistics and theology...[T]his [is a] sumptuous first volume of [his] Selected Writings...[T]here is more to this feast of a book than demanding gravity. The look at 'Old Forgotten Children's Books' is an arch delight. The sketch of 'Naples' (1925) anticipates the vital part the Mediterranean was to play in Benjamin's search for inexpensive nirvanas. The brief entry on 'Love and Related Matters' of 1920 speculates on the coming sexual revolution...Throughout Walter Benjamin, the prodigality of suggestion haunts one., A cause for excitement among literary essayists and critics: Walter Benjamin's scattered works are at last being translated and collected in a carefully edited edition...Most of his writings--including some of his most extraordinary accomplishments--have never been translated. The loss for American readers is substantial. At long last...a three-volume, chronologically organized edition of the essays, memoirs, reviews, aphorisms, fragments, and other short forms is being issued...The overall quality of the translations is high...And in Benjamin's case, this is no mean accomplishment...His peculiar gift was...for lightning flashes of sudden, precise, and idiosyncratic illumination. The translators have supplied useful (though relatively sparing) explanatory notes, and the editors have appended a narrative chronology of Benjamin's life through 1926...This new Benjamin set will be the standard work., To encounter Benjamin's piece ["The Life of Students"] is like overhearing the opening notes of one of the most intellectually compelling friendships of our century. It is greatly to the credit of Harvard University Press to have made the text finally available to English-speaking readers. In general, the editors of this volume have made an exemplary choice of what to include, and when their projected multi-volume section is complete, it will constitute the most important compilation of Benjamin's writings outside the mammoth German Collected Works., To encounter Benjamin's piece ["The Life of Students"] is like overhearing the opening notes of one of the most intellectually compelling friendships of our century. It is greatly to the credit of Harvard University Press to have made the text finally available to English-speaking readers. In general, the editors of this volume have made an exemplary choice of what to include, and when their projected multi-volume section is complete, it will constitute the most important compilation of Benjamin's writings outside the mammoth German Collected Works ., [T]he publication of an ambitious new edition of Benjamin's selected writings [is] a genuinely exciting event. In place of a limited selection of Benjamin's more immediately accessible pieces, American readers now have the chance to wander the full range of his work, and to gain a real sense of the often contradictory but always provocative combination of philosophy, criticism, and cultural history that it offers., Readers new to Benjamin will find this a welcome introduction to a challenging but rewarding writer. Those already familiar with his work will be grateful to be reminded, once again, of the wisdom of his maxim, 'all the decisive blows are struck left-handed., Harvard's systematic presentation of the work of German cultural critic Benjamin has proved a revelation., A glance at the Table of Contents of Selected Writings--he writes on language, time, colors, children's books, love, violence, messianism--shows us at once Benjamin's provocativeness and his infinite variety. The two longest pieces, both from the early twenties and neither translated till now, are his doctoral thesis, 'The Concept of Criticism in German Romanticism,' and his long essay on Goethe's late novel, Elective Affinities...[The latter] is an exemplary piece of lit crit, brilliantly analyzing the book's layers, motifs, symbols and subtexts...Benjamin's reverent feeling for tradition gives weight to his radical readings of tradition. Both essays could be an inspiration to people doing cultural studies today., Today, the presence of Walter Benjamin is invoked in aesthetics, in political philosophy, in the theory of literature and of film, in linguistics and theology...[T]his [is a] sumptuous first volume of [his] Selected Writings ...[T]here is more to this feast of a book than demanding gravity. The look at 'Old Forgotten Children's Books' is an arch delight. The sketch of 'Naples' (1925) anticipates the vital part the Mediterranean was to play in Benjamin's search for inexpensive nirvanas. The brief entry on 'Love and Related Matters' of 1920 speculates on the coming sexual revolution...Throughout Walter Benjamin , the prodigality of suggestion haunts one., For many readers, [Benjamin's]...scrupulous attention to detail, this sense that everything can be made to speak, explains [his] force as a writer. His hermeneutic skill is nowhere more evident than in his essay on Goethe's Elective Affinities, the most important previously untranslated article included here. He confronts the novel from several perspectives, using it to illuminate the institution of marriage, the morality of love, and the project of artistic creation. At the same time, the essay offers a powerful--and frankly mystical--image of criticism itself...Esoteric much of the work is, but its originality inspires. If cultural studies is headed back to basics, Benjamin's luminous musings are a rewarding place to start., [W]ith the advent of this volume...Benjamin's bold and invigorating philosophy of literature will reach a broader audience and truly make its power felt. Here are Benjamin's earliest writings, the youthful efforts of an emerging aesthetic theorist already in command of a vast wealth of material and unafraid to voice strong and controversial opinions about everything from children's books to Goethe, Dostoevsky, Baudelaire, and such concepts as perception, the philosophy of history, and theories of knowledge and the imagination., Selected Writings I increases our understanding of this most important of writers exponentially. There is nothing like Benjamin, and I can hardly imagine a more rewarding book being published this year.
    Dewey Edition
    20
    Series Volume Number
    Vol. 1
    Number of Volumes
    4 vols.
    Volume Number
    Volume 1
    Dewey Decimal
    838/.91209
    Table Of Content
    Metaphysics of Youth, 1913-1919 "Experience" The Metaphysics of Youth Two Poems by Friedrich HÖlderlin The Life of Students Aphorisms on Imagination and Color A Child's View of Color Socrates Trauerspiel and Tragedy The Role of Language in Traucrspiel and Tragedy On Language as Such and on the Language of Man Theses on the Problem of Identity Dostoevsky's The Idiot Painting and the Graphic Arts Painting, or Signs and Marks The Ground of Intentional Immediacy The Object: Triangle Perception Is Reading On Perception Comments on Gundolf's Goethe On the Program of the Coming Philosophy Stifter Every Unlimited Condition of the Will Types of History The Concept of Criticism in German Romanticism Fate and Character Analogy and Relationship The Paradox of the Cretan The Currently Effective Messianic Elements Angelus Novus, 1920-1926 The Theory of Criticism Categories of Aesthetics On Semblance World and Time According to the Theory of Duns Scotus On Love and Related Matters The Right to Use Force The Medium through Which Works of Art Continue to Influence Later Ages Critique of Violence The Task of the Translator Notes for a Study of the Beauty of Colored Illustrations in Children's Books Riddle and Mystery Outline for a Habilitation Thesis Language and Logic (I-III) Theory of Knowledge Truth and Truths / Knowledge and Elements of Knowledge Imagination Beauty and Semblance The Philosophy of History of the Late Romantics and the Historical School The Meaning of Time in the Moral Universe Capitalism as Religion Announcement of the Journal Angelus Novus Goethe's Elective Affinities Baudelaire (II, III) CalderÓn's El Mayor Monstruo, Los Celos and Hebbel's Herades und Mariamne Letter to Florens Christian Rang Stages of Intention Outline of the Psychophysical Problem Even the Sacramental Migrates into Myth On the Topic of Individual Disciplines and Philosophy "Old Forgotten Children's Books" Naples Curriculum Vitae (I) Reflections on Humboldt Review of Bernoulli's Bachofen Johann Peter Hehel (I): On the Centenary of His Death Johann Peter Hebel (II): A Picture Puzzle for the Centenary of His Death A Glimpse into the World of Children's Books One-Way Street A Note on the Texts Chronology, 1892-1926 Index
    Synopsis
    Walter Benjamin was one of the most original and important critical voices of the 20th century, but few of his writings have been available in English. Harvard University Press is now undertaking to publish a significant portion of his work in definitive translation, under the general editorship of Michael W. Jennings. This volume, the first of three, will at last give readers of English a sense of the man and the many facets of his thought.
    LC Classification Number
    PT2603.E455A26 1996

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