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Street Seen: The Psychological Gesture in American Photography, 1940-1959
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État :
“This book has been in storage. The dust jacket shows some wear.”
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Expédition :
7,97 $US (environ 10,99 $C) USPS Media MailTM.
Lieu : Kokomo, Indiana, États-Unis
Livraison :
Livraison prévue entre le mer. 6 août et le mar. 12 août à 94104
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Numéro de l'objet eBay :156975435592
Caractéristiques de l'objet
- État
- Bon
- Remarques du vendeur
- “This book has been in storage. The dust jacket shows some wear.”
- ISBN
- 9783791350349
À propos de ce produit
Product Identifiers
Publisher
Prestel Gmbh & Co KG.
ISBN-10
379135034X
ISBN-13
9783791350349
eBay Product ID (ePID)
4038649292
Product Key Features
Book Title
Street Seen : the Psychological Gesture in American Photography, 1940-1959
Number of Pages
208 Pages
Language
English
Publication Year
2010
Topic
Individual Photographers / Monographs, Subjects & Themes / Street Photography, General, Collections, Catalogs, Exhibitions / General
Illustrator
Yes
Genre
Photography
Format
Hardcover
Dimensions
Item Weight
20 oz
Item Length
10 in
Item Width
12.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2009-040222
Dewey Edition
22
Dewey Decimal
779
Synopsis
This in-depth and generously illustrated look at six postwar photographers, along with a selection of their predecessors and contemporaries, captures a unique and pivotal moment in American photographic history. World War II and its aftermath ushered in a new era of artistic expression. Abstract Expressionism, film noir, Beat poetry, and the New Journalism are often considered responses to war's shocking realities. Creative photographers responded to the same situation with images that broke the rules of conventional photographic technique. Street Seen, a companion volume to an exhibition, highlights six photographers who were prominent during and immediately following the war. Lisette Model s unflinching look at the urban environment; Louis Faurer s portraits of eccentrics in Times Square; Ted Croner s haunting night images; Saul Leiter s evocative glimpses of daily life; William Klein s graphic, confrontational style; and Robert Frank s documentation of American ideals gone awry these and other beautifully reproduced photographs communicate the emotional resonance of everyday life in postwar America. An essay by Lisa Hostetler explores the aesthetic revolution that took place after the war and reveals the principles of spontaneity and subjective interpretation that guided these photographers as they sought to make sense of new realities. A timeline, brief biographies, and bibliography are also included in this valuable compilation of the mid-century s most influential photography.
LC Classification Number
TR645.M52M526 2010
Description de l'objet du vendeur
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