Photo 1 sur 1
Galerie
Photo 1 sur 1
Vous en avez un à vendre?
Analyse de la forme musicale, la
50,33 $US
Environ69,74 $C
État :
Bon
Un livre qui a été lu, mais qui est en bon état. La couverture présente des dommages infimes, par exemple des éraflures, mais aucun trou ni aucune déchirure. Dans le cas des livres à reliure, la jaquette peut ne pas être incluse. La reliure présente des traces d'usure minimes. La plupart des pages ne sont pas endommagées et les plis, les déchirures, les passages soulignés ou surlignés et les inscriptions en marge sont minimes. Il n'y a aucune page manquante.
- Achat immédiatAnalyse de la forme musicale, la
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Expédition :
Sans frais USPS Media MailTM.
Lieu : Haltom City, Texas, États-Unis
Livraison :
Livraison prévue entre le mer. 6 août et le mer. 13 août à 94104
Renvois :
Renvoi sous 30 jours. L'acheteur paie les frais de renvoi. Si vous utilisez une étiquette d'envoi eBay, son coût sera déduit du montant de votre remboursement.
Paiements :
Magasinez en toute confiance
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :156786197423
Dernière mise à jour : août 01, 2025 13:05:04 HAEAfficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Release Year
- 2006
- Book Title
- Analysis of Musical Form, The
- ISBN
- 9780130618634
À propos de ce produit
Product Identifiers
Publisher
Pearson Education
ISBN-10
0130618632
ISBN-13
9780130618634
eBay Product ID (ePID)
53561782
Product Key Features
Number of Pages
400 Pages
Publication Name
Analysis of Musical Form
Language
English
Subject
General
Publication Year
2006
Type
Textbook
Subject Area
Music
Format
Spiral
Dimensions
Item Height
1.2 in
Item Weight
33.3 Oz
Item Length
10.9 in
Item Width
9.2 in
Additional Product Features
Intended Audience
College Audience
LCCN
2006-025912
TitleLeading
The
Dewey Edition
22
Reviews
"I find this work well presented in every aspect. In particular: the flow from simple to more complex forms is done well; the attention to any one form is commensurate with the others; the author's clear familiarity with the genres in each category and each musical period; the continual emphasis on the significance of the aural aspect of analysis; the very helpful historical references throughout; and the content in paragraphs. I think it has much to offer in terms of its thoroughness and comprehensiveness, its clarity and its many excellent well-chosen examples and references.-Joyce Dorr, U of North Carolina, Asheville There is no question that the author has identified an area of continuing need: a text on musical form for undergraduates who have completed their required study of harmony and voice-leading.I am pleased that Mathes plans to emphasize "aural experience and contextual listening". Also that "analysis and performance" issues will play a ro≤ this responds both to the special interest and relevance of such considerations for performance majors, and to the increasing attention shown in recent scholarship and pedagogy. . . . We have needed such a book for a long while.-Robert Fleisher, Northern Illinois University "Textbooks on musical form can easily become very wordy and abstract. Mathes' use of musical examples and figures lessens this tendency. He wisely has included at least one example or figure to illustrate each important concept. This approach will make the text more accessible especially to visual and aural learners. The author has continued his systematic presentation building on previously learned elements. I find the text easy to follow, well organized, and understandable. The approach is good especially the emphasis on listening. Musical examples and figures strengthen and clarify the presented items."-Gene Trantham, Bowling Green State U, "I find this work well presented in every aspect. In particular: the flow from simple to more complex forms is done well; the attention to any one form is commensurate with the others; the author's clear familiarity with the genres in each category and each musical period; the continual emphasis on the significance of the aural aspect of analysis; the very helpful historical references throughout; and the content in paragraphs. I think it has much to offer in terms of its thoroughness and comprehensiveness, its clarity and its many excellent well-chosen examples and references.--Joyce Dorr, U of North Carolina, Asheville There is no question that the author has identified an area of continuing need: a text on musical form for undergraduates who have completed their required study of harmony and voice-leading.I am pleased that Mathes plans to emphasize "aural experience and contextual listening". Also that "analysis and performance" issues will play a role; this responds both to the special interest and relevance of such considerations for performance majors, and to the increasing attention shown in recent scholarship and pedagogy. . . . We have needed such a book for a long while.--Robert Fleisher, Northern Illinois University "Textbooks on musical form can easily become very wordy and abstract. Mathes' use of musical examples and figures lessens this tendency. He wisely has included at least one example or figure to illustrate each important concept. This approach will make the text more accessible especially to visual and aural learners. The author has continued his systematic presentation building on previously learned elements. I find the text easy to follow, well organized, and understandable. The approach is good especially the emphasis on listening. Musical examples and figures strengthen and clarify the presented items."--Gene Trantham, Bowling Green State U, "I find this work well presented in every aspect. In particular: the flow from simple to more complex forms is done well; the attention to any one form is commensurate with the others; the author's clear familiarity with the genres in each category and each musical period; the continual emphasis on the significance of the aural aspect of analysis; the very helpful historical references throughout; and the content in paragraphs. I think it has much to offer in terms of its thoroughness and comprehensiveness, its clarity and its many excellent well-chosen examples and references.--Joyce Dorr, U of North Carolina, Asheville There is no question that the author has identified an area of continuing need: a text on musical form for undergraduates who have completed their required study of harmony and voice-leading.I am pleased that Mathes plans to emphasize "aural experience and contextual listening." Also that "analysis and performance" issues will play a role; this responds both to the special interest and relevance of such considerations for performance majors, and to the increasing attention shown in recent scholarship and pedagogy. . . . We have needed such a book for a long while.--Robert Fleisher, Northern Illinois University "Textbooks on musical form can easily become very wordy and abstract. Mathes' use of musical examples and figures lessens this tendency. He wisely has included at least one example or figure to illustrate each important concept. This approach will make the text more accessible especially to visual and aural learners. The author has continued his systematic presentation building on previously learned elements. I find the text easy to follow, well organized, andunderstandable. The approach is good especially the emphasis on listening. Musical examples and figures strengthen and clarify the presented items."--Gene Trantham, Bowling Green State U, "I find this work well presented in every aspect. In particular: the flow from simple to more complex forms is done well; the attention to any one form is commensurate with the others; the author's clear familiarity with the genres in each category and each musical period; the continual emphasis on the significance of the aural aspect of analysis; the very helpful historical references throughout; and the content in paragraphs. I think it has much to offer in terms of its thoroughness and comprehensiveness, its clarity and its many excellent well-chosen examples and references.--Joyce Dorr, U of North Carolina, Asheville There is no question that the author has identified an area of continuing need: a text on musical form for undergraduates who have completed their required study of harmony and voice-leading.I am pleased that Mathes plans to emphasize "aural experience and contextual listening". Also that "analysis and performance" issues will play a ro≤ this responds both to the special interest and relevance of such considerations for performance majors, and to the increasing attention shown in recent scholarship and pedagogy. . . . We have needed such a book for a long while.--Robert Fleisher, Northern Illinois University "Textbooks on musical form can easily become very wordy and abstract. Mathes' use of musical examples and figures lessens this tendency. He wisely has included at least one example or figure to illustrate each important concept. This approach will make the text more accessible especially to visual and aural learners. The author has continued his systematic presentation building on previously learned elements. I find the text easy to follow, well organized, and understandable. The approach is good especially the emphasis on listening. Musical examples and figures strengthen and clarify the presented items."--Gene Trantham, Bowling Green State U, " I find this work well presented in every aspect. In particular: the flow from simple to more complex forms is done well; the attention to any one form is commensurate with the others; the author' s clear familiarity with the genres in each category and each musical period; the continual emphasis on the significance of the aural aspect of analysis; the very helpful historical references throughout; and the content in paragraphs. I think it has much to offer in terms of its thoroughness and comprehensiveness, its clarity and its many excellent well-chosen examples and references.-- Joyce Dorr, U of North Carolina, Asheville There is no question that the author has identified an area of continuing need: a text on musical form for undergraduates who have completed their required study of harmony and voice-leading.I am pleased that Mathes plans to emphasize "aural experience and contextual listening." Also that "analysis and performance" issues will play a role; this responds both to the special interest and relevance of such considerations for performance majors, and to the increasing attention shown in recent scholarship and pedagogy. . . . We have needed such a book for a long while.-- Robert Fleisher, Northern Illinois University " Textbooks on musical form can easily become very wordy and abstract. Mathes' use of musical examples and figures lessens this tendency. He wisely has included at least one example or figure to illustrate each important concept. This approach will make the text more accessible especially to visual and aural learners. The author has continued his systematic presentation building onpreviously learned elements. I find the text easy to follow, well organized, and understandable. The approach is good especially the emphasis on listening. Musical examples and figures strengthen and clarify the presented items." -- Gene Trantham, Bowling Green State U
Illustrated
Yes
Dewey Decimal
781.8
Table Of Content
Preface and Acknowledgements List of Recorded Examples Part I: Formal Design and Structure: Analytic Concepts and Tools Chapter 1: On the Nature of Musical Form Formal Design and Formal Structure Formal Processes and Functions Form, Style and Genre Perception of Musical Form Chapter 2: Tonal Design Phrase, Cadence, and Key Cadences and Segmentation Tonal Design and Key Relations Analysis of Tonal Design Chapter 3: Thematic Design and Phrase Structure Thematic Design Motives and Themes Thematic Models of Phrase Structure Chapter 4: Phrase Rhythm and Form Phrase Rhythm Defined Phrase Connections: elision, links, overlap, Phrase Expansions: introductions, internal expansions, extensions Analysis of Phrase Rhythm Chapter 5: Formal Functions and Musical Texture Expository Function Introductory Function Transitional and Developmental Function Closing and Framing Function Parenthetical Function Phrase Expansions and Formal Functions Definitions of Musical Textures Vocal and Instrumental Textures Texture and Formal Design Texture and Formal Processes Part II: Forms of Music Chapter 6 One Part and Binary Forms One Part Form: Preludes, Periods, Phrase groups Simple Binary Forms Balanced Binary Form Rounded Binary Form Expanded Binary Form Chapter 7 Ternary and Composite Forms Simple Sectional Ternary Form Continuous Ternary Form Large and Compound Ternary Forms Chapter 8 Sonata Form Principles of Classical Sonata Form Exposition Development Recapitulation Coda Sonata Form in the 19th and 20th century Chapter 9 Modifications of Sonata Form/ Cyclic Forms Slow Introduction Sonata Form without Development Sonata Form in Concerto Movements Cyclic Form and Arch Form Chapter 10 Rondo Form Principles of Rondo Form Baroque Rondeau Five-Part Rondo Seven-Part Rondo Sonata Rondo Form Chapter 11 Ostinato and Variation Forms Introduction: Variation as Form, Genre, and Technique Ostinato Variations: Ground, Passacaglia, Chaconne Ostinato as Constructive Device Theme and Variations Fixed and Variable Elements Types of Variations Large-Scale Organization Chapter 12 Contrapuntal Genres Introduction: Contrapuntal Genres and Textures Canon Invention Fugue Chorale Prelude and Cantus Firmus Techniques Chapter 13 Vocal Forms and Genres Small Forms: Hymns and Popular Songs Verse /Refrain, Strophic Forms, Bar Form Small Binary, Small Ternary Lieder/Art Song Text and Form Exapnded Song Form Aria Forms Barqoue Da Capo Forms and Ritornello functions Classical Arias and Da Capo modifications Operatic Rondò: Composite Binary Form 19th Expanded Rondò: Cavatina/Cabelletta Choral Forms Chapter 14 20th-Century: New Formal Processes and Techniques Pitch Collections, Centricity, and Formal Processes Timbre, Texture and Form Indeterminacy and Open Forms Textural Form Form as Process: Minimalism Bibliography of Writings on Musical Form Glossary of Terms Index of Works Cited and Subjects
Synopsis
The Analysis of Musical Form emphasizes aural comprehension, incorporates recent analytic methodologies, and addresses musical form as both process and design. KEY TOPICS: analysis of tonal design, thematic types and phrase structure, formal functions, musical texture, cadences and tonality, innovative approaches to formal processes in 20th century music; concepts of form as design and form as process MARKET For readers interested in musical form and basic analytic techniques., The Analysis of Musical Form emphasizes aural comprehension, incorporates recent analytic methodologies, and addresses musical form as both process and design. KEY TOPICS: analysis of tonal design, thematic types and phrase structure, formal functions, musical texture, cadences and tonality, innovative approaches to formal processes in 20th century music; concepts of form as design and form as process MARKET : For readers interested in musical form and basic analytic techniques., The Analysis of Musical Form emphasizes aural comprehension, incorporates recent analytic methodologies, and addresses musical form as both process and design. analysis of tonal design, thematic types and phrase structure, formal functions, musical texture, cadences and tonality, innovative approaches to formal processes in 20th century music; concepts of form as design and form as process MARKET For readers interested in musical form and basic analytic techniques., For courses on the analysis of musical form, with an emphasis on western music from 1700 to the present, in the standard Music Theory curriculum. The Analysis of Musical Form emphasizes aural comprehension, incorporates recent analytic methodologies, and addresses musical form as both process and design. James Mathes wrote this book due to a lack of textbooks written in the past dozen years on musical form.The relatively few texts on the market do not address recent scholarship or methodology, do not address phrase rhythm and formal processes in a systematic or thorough manner, and omit discussion of vocal forms and developments in post-tonal music of the 20th century. There is also a lack of emphasis on aural comprehension of musical forms. Separate chapters on vocal forms and 20th-century music, inclusion of recent developments in analytic methodology with suggested readings, and aural exercises, and accompanying CDs address these problems., The Analysis of Musical Form emphasizes aural comprehension, incorporates recent analytic methodologies, and addresses musical form as both process and design. analysis of tonal design, thematic types and phrase structure, formal functions, musical texture, cadences and tonality, innovative approaches to formal processes in 20th century music; concepts of form as design and form as process MARKET: For readers interested in musical form and basic analytic techniques.
LC Classification Number
MT6.M349A63 2007
Description de l'objet du vendeur
Évaluations comme vendeur (13 305)
- 1***1 (19)- Évaluation laissée par l'acheteur.Six derniers moisAchat vérifiéIt's on me for not reading the description of this being an ex-library copy. I was expecting it to be, but that's completely my fault. The product is exactly as described, in good condition and of good quality. Shipping was fast. Appearance good, no pages ripped and cover is not bent. It was sent in a bag instead of a box, though, which could have led to damage in shipping. Overall I'm happy and would buy from this seller again.
- h***h (243)- Évaluation laissée par l'acheteur.Dernier moisAchat vérifiéThe book was noted as in a very good condition. When I received it, it had several pages of underlining. I contacted the seller and send them copies of the pages. They apologized for their oversight and rectified the issue. I appreciate the prompt communication and rectification of the issue. thanks.
- b***g (922)- Évaluation laissée par l'acheteur.Six derniers moisAchat vérifiéFantastic purchasing experience; sent as described as was the condition upon arrival; price and shipping (if any was charged) were reasonable. This author has been at the top of my list for quite a while as a favorite. This seller checks all the boxes!
Évaluations et avis sur le produit
Avis les plus pertinents
- janv. 30, 2020
Thank you!
Achat vérifié : OuiÉtat : OccasionVendu par : kelgeor30
Évaluations comme vendeur (13 305)
- 1***1 (19)- Évaluation laissée par l'acheteur.Six derniers moisAchat vérifiéIt's on me for not reading the description of this being an ex-library copy. I was expecting it to be, but that's completely my fault. The product is exactly as described, in good condition and of good quality. Shipping was fast. Appearance good, no pages ripped and cover is not bent. It was sent in a bag instead of a box, though, which could have led to damage in shipping. Overall I'm happy and would buy from this seller again.
- h***h (243)- Évaluation laissée par l'acheteur.Dernier moisAchat vérifiéThe book was noted as in a very good condition. When I received it, it had several pages of underlining. I contacted the seller and send them copies of the pages. They apologized for their oversight and rectified the issue. I appreciate the prompt communication and rectification of the issue. thanks.
- b***g (922)- Évaluation laissée par l'acheteur.Six derniers moisAchat vérifiéFantastic purchasing experience; sent as described as was the condition upon arrival; price and shipping (if any was charged) were reasonable. This author has been at the top of my list for quite a while as a favorite. This seller checks all the boxes!